This work examines the laboration of an opera scene performed from three different perspectives and distances. With my own experience of learning acting from two different schools I have in this project developed a method through observing the different feelings and experiences when acting for three different viewpoints. One being as close as a movie camera would be, the second resembling a smaller hall and the third resembling a bigger theater. The purpose and hope for this project would be to connect the similarities and differences in each take and work toward creating honest acting in every form and size one might be asked to perform. Not only did I observe the different impulses and instincts created in me within each take but I also discovered that this could become a method I will use in the future as it brought me closer to my character by going from ”small” to big” in a methodical way.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uniarts-1826 |
| Date | January 2024 |
| Creators | Granado Persson, Clarice |
| Publisher | Stockholms konstnärliga högskola, Institutionen för opera |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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