Through questionnaires answered by the institutions and through searches on their various websites, an image is developing that shows that subcultures are not always given room in the cultural heritage sphere. Even though the Gothenburg sound plays a big part within the metal world, and despite the fact that it has given Gothenburg international recognition within the metal community, it remains more or less invisible in Gothenburg’s institutionalized world, both as a subculture and as a cultural heritage. With this essay, we are trying to create a perspective where an eventual explanation for this absence can be given, and where we can raise and problematize these questions. We are trying to illustrate the dominance of the mainstream society compared to subcultures, but also the institutions influence in what qualifies as a cultural heritage. We want to gain an understanding if the Gothenburg sound can be seen as a cultural heritage and if the genre should be made more visible within the institutions. In the end though, the question remain whether it would benefit the subculture to be made visible in the mainstream arena as they through such an uplifting also risk to lose their subcultural identity.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-295520 |
| Date | January 2016 |
| Creators | Emanuelsson, Linda, Emanuelsson, Stina |
| Publisher | Uppsala universitet, Institutionen för ABM, Uppsala universitet, Institutionen för ABM |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | Uppsatser inom biblioteks- & informationsvetenskap, 1650-4267 ; 686 |
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