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Previous issue date: 2014-03-12 / This study aims to analyze the process of resignification of Chile Street, in Natal, from the development of a music scene in the late 1990s. Chile Street, as part of the Historic Centre of Natal, had its images constructed from the discursive practices and everyday life of its regular visitors, leading to a series of symbolic and imaging transformations throughout the twentieth century. Initially transformed into glamorous space as a result of urban actions of the new republic of Albuquerque Maranh?o, in the early twentieth century, Ribeira and Chile Street, specifically, came to be seen as bohemian area, during the war time"; followed by a marginal phase, it was eventually transformed into the main rocker area of Natal, with the development of a musical scene in the second half of the 1990s. This music scene, its practices, economic interests, cultural events and identity ties created among their practitioners made Chile Street, "in the time of Blackout night club", an "alternative" space. As the historic centers, inserted in the logic of postmodern city marketing, both spaces are dynamic in their practices, as in their images, Chile Street also suffered changes in its meanings and symbols, around the year 2000 when the alternative-underground space became a pop space, where people from various parts of the city began attending its events and places, transforming it into a point of very heterogeneous sociability / O presente trabalho tem como objetivo principal analisar o processo de ressignifica??o da Rua Chile a partir do desenvolvimento de uma cena musical em fins dos anos 1990. A Rua Chile, enquanto parte do Centro Hist?rico de Natal, teve suas imagens constru?das a partir das pr?ticas cotidianas e discursivas de seus freq?entadores, levando a uma s?rie de transforma??es imag?ticas e simb?licas ao longo do s?culo XX. Inicialmente transformada em espa?o glamoroso pelas a??es urban?sticas da nova rep?blica dos Albuquerque Maranh?o, no in?cio do s?culo XX, a Ribeira e a Rua Chile, especificamente, passou a ser vista e dita como bo?mia, nos tempos da guerra ; seguindo por uma fase marginal, acabou sendo transformada em principal espa?o roqueiro da cidade de Natal, a partir do desenvolvimento de uma cena musical, na segunda metade dos anos 1990. Essa cena musical, suas pr?ticas, interesses econ?micos, manifesta??es culturais e la?os identit?rios criados entre seus praticantes constru?ram, nos tempos do Blackout , uma imagem de espa?o alternativo acerca da Rua Chile. Como os Centros Hist?ricos, inseridos na l?gica da city marketing p?s-moderna, s?o espa?os din?micos tanto em suas pr?ticas, quanto em suas imagens, a Rua Chile ainda sofreu altera??es em seus significados e simbologias, por volta do ano 2000, quando de espa?o alternativo-underground passou a ser representado como um espa?o pop, onde pessoas de v?rias partes a cidade passaram a freq?entar seus eventos e recantos, transformando-a em um point de sociabilidades bastante heterog?neas
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/16984 |
| Date | 12 March 2014 |
| Creators | Cunha, Carlos Henrique Pessoa |
| Contributors | CPF:56557094491, http://lattes.cnpq.br/9609541796507055, Santiago Junior, Francisco das Chagas Fernandes, CPF:88101592334, http://lattes.cnpq.br/8893350729538284, Oliveira, Iranilson Buriti de, CPF:64018849400, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4728002Z6, Pereira, Henrique Alonso de Albuquerque Rodrigues |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Hist?ria, UFRN, BR, Hist?ria e Espa?os |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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