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Previous issue date: 2015-03-10 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This dissertation aims to investigate the relationship between image, narrative and the political throughout the subjectivity. In this way, a film analysis are developed based on the political-affective aspects of the characters of the films Rio, Zona Norte (1957) and Boca de Ouro (1962) by the director Nelson Pereira dos Santos . The political is treated in cinema from the perspective of Alain Badiou (2004), due to the fact that the characters manifest themselves politically in forms of resistance of dominations of their affections. With this assumption, it is aimed to reflect on how the characters Esp?rito and Boca de Ouro produce political-affective involvements in their daily lives. For that, a theoretical framework is composed especially by Jacques Ranci?re (2012), Sigfried Kracauer (2001) e Gilles Deleuze (1985). The analysis show that the political-affective of the characters is formed through fields of force produced by image-narrative interaction. In other words, in one way the image reveals forms of resistance, and the narrative reveals subjections, in another hand the narrative produces senses of resistance and the image reveals stabilization in forms of affective transformation of the characters. / Esta disserta??o prop?e-se a investigar as rela??es entre imagem, narrativa e o pol?tico por meio da subjetividade. Desse modo, s?o realizadas an?lises f?lmicas dos aspectos pol?tico-afetivos em personagens dos filmes Rio, Zona Norte (1957) e Boca de Ouro (1962), do diretor Nelson Pereira dos Santos. O pol?tico ? tratado no cinema na perspectiva de Alain Badiou (2004), para quem os personagens manifestam-se politicamente nas formas de resist?ncia ?s domina??es de seus afetos. Com esse pressuposto, procura-se refletir como os personagens Esp?rito e Boca de Ouro produzem envolvimentos pol?tico-afetivos em seus cotidianos. Para isso, mobiliza-se um quadro te?rico composto especialmente por Jacques Ranci?re (2012), Sigfried Kracauer (2001) e Gilles Deleuze (1985). As an?lises mostram que o pol?tico-afetivo dos personagens ? formado atrav?s de campos de for?as produzidos pela rela??o imagem-afeto-narrativa. Ou seja, ora a imagem revela formas de resist?ncia, e a narrativa, sujei??es, ora a narra??o produz sentidos de resist?ncia e a imagem revela estabiliza??es nas formas de transforma??o afetiva dos personagens.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/6078 |
| Date | 10 March 2015 |
| Creators | Negrini, M?rcio Zanetti |
| Contributors | Gutfreind, Cristiane Freitas |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Comunica??o Social, PUCRS, Brasil, Faculdade de Comunica??o Social |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | -1227240851921518482, 600, 600, 600, 600, 7651647212179642901, -4056021055502874573, 2075167498588264571 |
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