My thesis is composed of three parts. First of all, based on the three essays of early Roland Barthes, Le message photographique, Rhetoric de l¡¦image, and Le troisieme sens, in which Barthes applies photography with semiology, I outline Barthes¡¦s early thought and delineate why Barthes turns from semiology to phenomenology. In the second part, I focus on Barthes¡¦ last work La chambre claire, and explore the notions such as ¡¥studium¡¦ and ¡¥punctum.¡¦ Thirdly, I use Sartre¡¦s early work l¡¦imagination to interpret the notion of ¡¥punctum,¡¦ in order to outline the phenomenology in La chambre claire more clearly. In sum, my thesis concerns itself with the interplay between early Barthes, Barthes in La chambre claire, and Sartre in l¡¦imagination.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-1116111-122652 |
| Date | 16 November 2011 |
| Creators | Chen, Ping |
| Contributors | Wan-I Yang, Chung-Chi Yu, Mathias Obert |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | Cholon |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-1116111-122652 |
| Rights | user_define, Copyright information available at source archive |
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