This study investigates presence of religion in Hardcore/Punk. While Hardcore/Punk traditionally is a secular subculture, study investigates how bands with religious agendas claim space within this subculture and the attitudes they encounter within it. That is, how they relate to the subculture, and consequently the mainstream culture. Further, the study takes interest in how non-religious bands relate to religious history, institutions and faith. This is done through a qualitative content analysis of lyrics from American hardcore/punkbands between 1986-2007. The bands investigated devote themselves to one of the three beliefs: Hare Krishna, Christians or Non-believers. The main findings are that hardcore/punk bands, despite of religion, share common ground. They all carry strong convictions, share the same artistic expressions and make use of the same language. Yet, the respective convictions, grounded in different religious worldviews, sometimes clash. Religious as well as nonreligious bands express the same attitudes to a large extent, even though these attitudes are grounded in different worldviews (e.g., religious or political). However, in spite such differences, they still have managed to share space within the subculture. What we see is that the two religious’ groups of Hare Krishna and Christians make themselves, through their presence in hardcore/punk, subcultures within a subculture.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:hig-36220 |
| Date | January 2021 |
| Creators | Rasmusson, Mattias |
| Publisher | Högskolan i Gävle, Avdelningen för humaniora |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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