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Att bli, vara och göra ett motstånd : om camp som metod och strategi / Becoming, being and doing resistance : on camp as method and strategy

In this essay I aim to examine how camp could be used as a method in the reading of camp as a theory. This will be followed by an analysis of how The Watermelon Woman (Cheryl Dunye, 1996) could be seen as an expression of camp. I am intending to do so by using camp as a method combined with queer phenomenology and theory about social abjection. By having a phenomenological base I hope to show how camp is contextual - and how its resistance is fluid. In my analysis I will look closer at the relationship between Dunye, the director, Cheryl, the protagonist - played by Dunye, and Fae - the actress who has been lost in the archives. Together, they show how camp becomes a method in the film itself, as a film, as well as a film within the film. Camp will be my method in the reading of The Watermelon Woman, claiming that the film as well uses camp as a method - both as an aesthetic expressions and as a (re)writer of history.

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-76726
Date January 2018
CreatorsPetersdotter Apelgren, Linnea
PublisherLinnéuniversitetet, Institutionen för film och litteratur (IFL)
Source SetsDiVA Archive at Upsalla University
LanguageSwedish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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