This thesis explores the construction of masculinity in Argentina, as represented in two plays by Susana Torres Molina, _...Y a otra cosa mariposa_ (1981) and _Una noche cualquiera_ (1999). In these two plays, the construction of sexual difference is portrayed as occurring within a masculine point of view, wherein it is explicit that men have the power to define, from a self-referential standpoint, their masculine identity, through contrast with a construction of the female. Rather than consider masculine and feminine as two parts of the same whole, gender, Torres Molina's works represent machismo as a two-part system, with masculine and female as distinct wholes, fundamentally different. The self-referentiality of machismo rejects the participation of women, subordinating and reducing them to the level of the object of conversation, characterized by biological essentialisms, instead of a constructed, subjective identity. / Master of Arts
| Identifer | oai:union.ndltd.org:VTETD/oai:vtechworks.lib.vt.edu:10919/42777 |
| Date | 20 June 2003 |
| Creators | Osenda, Natacha Veronica |
| Contributors | History, Bixler, Jacqueline E., Farquhar, Sue, Mollin, Marian B. |
| Publisher | Virginia Tech |
| Source Sets | Virginia Tech Theses and Dissertation |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
| Rights | In Copyright, http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | thesis_v2.pdf |
Page generated in 0.0232 seconds