Syntax, word usage, and paragraph development form the substance of the analysis of the Apologia. The use of subordination, repetition, and antithesis in sentence construction; the choice of words to produce rhythm and prove mood, as well as the implied metaphor; and careful blending of these elements into an organic unity which reflect not only the personality of the man, but his very thought process; these are the common elements identified by critics of the Apologia. To what extent these elements exist in the prose of the university sermons, and what other elements of style are identifiable in these sermons are the subject of this paper.
Identifer | oai:union.ndltd.org:pacific.edu/oai:scholarlycommons.pacific.edu:uop_etds-2715 |
Date | 01 January 1970 |
Creators | Cripe, George Robert |
Publisher | Scholarly Commons |
Source Sets | University of the Pacific |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | University of the Pacific Theses and Dissertations |
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