The story and project decription, method development of my degree work with the result being the exam collection. / Program: Modedesignutbildningen

Movement in relation to clothing has been conceptualized in many collections before mine. Mostly in terms of garments that move when the body moves. The aim for this project is to have another approach to movement. The attempt is to create a movement that is like a rhythm flowing through the collection. This approach allows me to work with static garments which together creates a rhythm. Movement is an abstract event and impossible to capture in a concrete way. To start my investigation about how I could picture movement I divided movement into three different categories. First, “the speedfull movement” which stands for “the actual” true movement, the one no one can ever capture except from the eye. “Trace of movement”, which represent that slight second where two cinematic pictures meets and creates an illusion of movement. “Static movement”, is the lines that in painting or sculpture can create an illusion of movement. The only movement that I therefore can create in a garment is always static. But, by butting them together in three I create a movement in between the garments. The movement is static but at the same time I could capture some of those “traces of movement” where two cinematic pictures meet. The movement in my collection is an interpretation of how static pictures create motion as seen in cinematographic images. The tools I use to accomplish this movement are perspectives, rhythm and pleating. / Program: Master Programme in Fashion and Textile Design

Degree report for my final collection and the design process. / Program: Modedesignutbildningen

This work started with a journey to Cubain 2008 and is homage to the city of Havanaand its working-class residents. Thecollection is a collage of an image of aninterior in an old, abandoned castle anda mosaic tile from a street in Havana.Materials are carefully sourced to representthe history and present of the citybut also to give suggestions for the future.Worn and torn furniture materialshave been used in contrast to more new andshiny. Since the Habaneros are experts increating out of the existing most part ofthe collecion is either reconstructed,repaired or reproductions of the old.The result is a collection containinghistorical insinuations as well as ideasfor the future. The garments are bothshowpieces as well as more wearable. / Program: Modedesignutbildningen

reverberation Final report Exam 2010 TextilhögskolanBorås / Program: Modedesignutbildningen

It started with an idea of making garments more human. The hope was to give them stories to tell and to let them affect the one who wears them, to make the wearer feel something. The method was to investigate all kinds of dual relationships, good and bad, between all sorts of people: The drama of every day life. / Program: Modedesignutbildningen

Degree report for my final collection and the design process. / Program: Modedesignutbildningen

Orientador: Francisco de Alencar / Banca: Regiane Trevisan Pupo / Banca: José Carlos Plácido da Silva / Resumo: Esta dissertação buscou através de uma pesquisa contextual conhecer e comprovar a realidade cultural tecnológica dos Designers brasileiros em relação às tecnologias contemporâneas de prototipagem, em que as informações disponíveis possam ser utilizadas em ações de melhorias e estratégias que interfiram na trajetória da área do Design brasileiro. Procurou-se conhecer a cultura tecnológica dos profissionais de Design em relação às tecnologias de prototipagem rápida e se eles efetivamente utilizam as tecnologias contemporâneas de prototipagem de maneira adequada durante o desenvolvimento dos produtos industriais. Espera-se que através da compreensão das relações que se estabelecem entre o uso da prototipagem rápida no desenvolvimento dos produtos industriais e o contexto do Design, possa-se inferir sobre a eficácia da prototipagem rápida como uma linguagem instrumental de aprendizado e eficiência competitiva. Este objeto de estudo constitui-se uma pesquisa de campo cuja característica principal foi a investigação da realidade tencológica dos Designers brasileiros, compreendendo assuntos relacionados à ciência e a tecnologia e suas relações com o Design, às tecnologias contemporâneas de prototipagem, às relações entre a tecnologia e a indústria e questões relacionadas entre o ensino e Design / Abstract: This thesis intends a contextual research for discovering evidences of the cultural reality technology about the Brazilians Designers on the contemporary prototyping technologies. All information's may be used in improvements and strategic actions that interfere with the trajectory of the Brazilian Design because this research seeks know the technological culture of the Designers about rapid prototyping and it they effectively use appropriate contemporary technology for prototyping during the development of industrial products. It is hoped that by understanding the relations established between the rapid prototyping use in the development of industrial products and context of Design can be useful to the effectiveness of rapid prototyping as a vehicle for language learning and competitive performance. This object of study is a field research whose main characteristics was investigations of the technological reality of the Brazilian Designers and issues related to science and technology and their relationship to the Design, about contemporary technologies for prototyping, about relations between the technology and industry and issues related to education and Design subjects / Mestre

This exam can be described as divided into three parts. First one is about the techniques of collages, where I explore and experiment with the possibilities of collages in practice and in philosophical terms. Second is about how words can create a space with meaning and symbolic value. And third is a combination of the two methods of interest into one concrete idea.

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