<p>A paleodemographic analysis was conducted using skeletal data from J?mon period sites in Japan. 15P5 ratios were produced as proxy birth rate values for sites throughout the J?mon period. Previous studies based on numbers of residential sites indicated a substantial population increase in the Kant? and Ch?bu regions in central Japan, climaxing during the Middle J?mon period, followed by an equally dramatic population decrease, somewhat resembling changes that occurred during a Neolithic Demographic Transition (NDT). The J?mon are viewed as a relatively sedentary, non-agricultural group, and provided an opportunity to attempt to separate the factors of sedentism and agriculture as they relate to the NDT. Skeletal data showed fairly stable trends in birth rates, instead of the expected increase and decrease in values. This discrepancy calls into question the validity of previous studies. The stable population levels suggest that sedentism alone was not the primary driver of the NDT.

<p> While ethnohistory has been extensively employed by historical anthropologists in tracing cultural changes among various indigenous peoples at the time of European contact, it has been largely ignored by anthropologists of the ancient Near East. Traditional historians were largely concerned with historical people, places, and events, not with ethnographically describing a culture. Using two case studies, this thesis will demonstrate the value of ethnohistorical methods to areas of study where such methods have largely been ignored, namely gender and sexuality studies, religious studies, and ANE studies. The first case study examines how gender was socially constructed in the case of high class celibate nadi?tum &ldquo;nuns&rdquo; in Old Babylonian period Sippar. The second case study examines third-gender categories and non-heteronormative sexuality in Inanna's cultus. The role of etiological myths in the construction of gender and sexuality will be of particular interest in both case studies. </p>

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Temples in ancient Egypt were confines of restricted sacred space. Only priests had access to the inner workings of the temples and their mysteries. During the great festivals, the gods that dwelled in these sanctuaries went on procession for everyone to see, travelling to other temples in barques of gold and wood. These barques were typical of furniture that was both religious and processional. Study of the lexicography, iconography, and function of ancient Egyptian ritual processional furniture could shed light upon the metanarrative of ancient religious practice. This research identifies the unique characteristics and lexicography of ritual processional furniture as manifest in ancient Egypt between the Old and New Kingdoms. A multidisciplinary approach is taken in regards to the data, utilizing both lexicographic and iconographic sources, to which a seven criteria conceptual framework is applied in order to select the appropriate data. The methodology used in this study is inductive and qualitative, and the conclusions are derived from primary sources. Objects that are discovered to be ritual but not processional are eliminated from further analysis. The analyzed data is synthesized and assimilated to expand the current paradigm of ritual processional objects into a new understanding. In this thesis three primary classes of ritual processional furniture are identified and examined in detail: chests, barques, and palanquin thrones. This project analyzed over sixty lexemes and three hundred fifty instances of iconography. The lexemes for twelve chests, six sacred barques, and six palanquins were found to have been used as ritual processional furniture. The iconographic study examined the pictorial instances by typology and locale. For sacred barques, the results attempted to resolve the ongoing problems concerning identification and inconsistencies between icon and text. The results for palanquin thrones showed that the iconography from sacred barques was appropriated and compressed elevating the king to a focus of religious adoration. This extensive study of Egyptian ritual processional furniture contributes to the ongoing dialogue regarding the material and cultural context of religious expression by synthesizing the paradigm of temple sacred space upon smaller physical objects. The contribution to knowledge has been to flesh out the identities of specific instances of ritual processional furnishing and to assimilate the architectural understanding of sacred space with the available data so as to arrive at a new understanding of the existing paradigm. The significance of these contributions is that they further develop our understanding of the religious cultural context of ancient Egypt.

The god Seth was depicted in both zoomorphic and bimorphic form. In zoomorphic form he was depicted as a canine-like animal with a down curved muzzle, upright squared-off ears and an erect tail, whilst in bimorphic form he was portrayed as a human male with the head of the Seth animal. Although much has been written on the mythology of Seth and identification of the Seth animal, no in-depth research has been undertaken regarding the variations that occur in his images over the dynastic period of Egyptian history. This thesis looks at the variations in the images of Seth and how he was represented in temples, tombs, written texts and in personal adornment. A comparison of the variations of his component parts leads to a comprehensive understanding of the different forms employed and allows the questions to be answered of whether there was ever a fully defined standard representation or if each image was an individual interpretation of a loosely defined theoretical form. Additionally, the study of the use of the zoomorphic and bimorphic Seth images within the Nile Valley and Western Desert oases provides the further understanding of the form of the proscription against Seth.

This thesis details the development of fora in Rome and Pompeii in order that our understanding of these spaces as 'centres' accounts for their changing relationship with the city, between the third century B.C. and the second century A.D. It is a diachronic study of spatial practice and the representation of space, based on archaeological evidence for infrastructures of movement and textual evidence for the articulation of spatial concepts. Having asserted the importance of movement in shaping the perception of space in antiquity, this thesis details the changes to the physical disposition, the management of access, and the representation of fora. It concludes that while the centrality of the Forum Romanum was related to its potential for through movement, access was increasingly restricted in the late-first century B.C. This changing disposition of public space informed the development of the imperial fora, which in turn informed the development of fora outside of the city of Rome. Fora changed from shortcuts to obstacles in the city; from spaces of movement through to spaces of movement to. This represents a fundamental redefinition of their relationship with the city of which they were a part, and of their 'centrality' in both practice and representation.

The research presented in this thesis applies Thomas Luckmann’s theory of invisible religion to three aspects of ancient Egyptian culture (festivals, household and personal items, and communication with the dead and with gods). The intention is firstly to address the four key issues that have arisen as a result of previous research into personal religion in ancient Egypt, secondly to determine whether ordinary ancient Egyptians possessed individual religiosity, and thirdly to establish whether the three aspects of ancient Egyptian culture considered can be viewed as examples of invisible religion. With regards to the four key issues, this research concludes: there was a link between individual religiosity and state religion; the intimacy of ordinary ancient Egyptians’ emotions relating to individual religiosity varied; individual religiosity was not a phenomenon of the lower classes; individual religiosity was not an innovation of the New Kingdom. In addition, it is shown that ordinary ancient Egyptians did possess individual religiosity but that each person would have created, maintained, engaged with, and internalised the universe of meaning (as described by Luckmann) to a different extent. Finally, this research concludes that the three aspects of ancient Egyptian culture considered can be viewed as examples of invisible religion.

The late New Kingdom and Third Intermediate Period (1215-650 BC) have been, and continue to be, interpreted as periods of decline and dramatic change within ancient Egyptian history. This thesis challenges such views through an analysis of those interpretations and the evidence used to support them. In so doing I have evaluated if these periods do reflect a decline from previous periods and if the changes were as all-encompassing as previously suggested. In order to carry out this evaluation three key processes have been examined through detailed analysis of related datasets. These will establish the complexity of the periods, and the potential for nuance within specific datasets which is masked by the current descriptions. Reference has also been made to cross-cultural comparisons and ethno-archaeological theories as many of these processes have been identified in other societies and discussed outside Egyptology. This has led to some clarity regarding the complexity of the periods, recognising the extensive level of continuity and possible explanations for the changes visible, and thus an alternative to the 'simplistic' interpretation of decline and decay.

This thesis investigates the metics, or resident aliens, in democratic Athens and how they affected ideas of identity, with a particular focus on the fourth century BC. It looks at definitions of the metics and how the restrictions and obligations which marked their status operated; how these affected their lives and their image, in their own eyes and those of the Athenians; how the Athenians erected and maintained a boundary of status and identity between themselves and the metics, in theory and in practice; and how individuals who crossed this boundary could present themselves and be characterised, especially in the public context of the lawcourts. The argument is that the metics served as a contradiction of and challenge to Athenian ideas about who they were and what made them different from others. This challenge was met with responses which demonstrate the flexibility of identity in Athens, and its capacity for variety, reinvention and contradiction.

While the growing body of literature on the relationship between feminist theory, classical myth, and classical scholarship has contributed to an understanding of general scholarly trends, there has not been a sustained examination of the relationship between feminist scholarship and classical receptions. Furthermore, the field of classical reception studies focuses almost exclusively on male authors and widely ignores female voices. This thesis addresses these lacunae through detailed discussions of the Ovidian receptions of four women writers active between 1950 and the present: Sylvia Plath, Timberlake Wertenbaker, Josephine Balmer, and Saviana Stănescu. The thesis tracks the ‘difference made’ by feminist scholarship on their varied receptions, and the ways in which recurrent concerns in their engagements prefigure, echo, or explicitly draw upon feminist theory and feminist Ovidian scholarship. This thesis poses the argument that women’s classical receptions offer a critical tool to advance feminist classical scholars’ attempts to ‘reappropriate the text’, by reclaiming female narrative authority from the male poet and interpellating the ‘resisting reader’. This diverse, yet characteristically feminine, Ovidian tradition challenges existing reception traditions based upon male practitioners alone, and reawakens the political and aesthetic critique at the heart of Ovid’s poetry.