Thesis (M.A.)--Montana State University--Bozeman, 2007. / Typescript. Chairperson, Graduate Committee: Michael Sexson. Includes bibliographical references (leaves 88-90).

This thesis looks at the role of Peter and Judas in the four canonical gospels, seeking to answer the question of why two such dramatic examples of failure in discipleship became, from so early on, an established and central part of the gospel narrative. The first chapter discusses the literary context of the gospels, considering issues such as the oral medium, the gospel communities, and the genre of the gospels. The second chapter examines the historical Peter and Judas, discussing the evidence in the rest of the New Testament and elsewhere in Christian tradition, followed by a range of parallel disciple figures in ancient literature, from the followers and debate partners of Plato’s Socrates to the students of the neo-Platonic philosopher Plotinus, making the case that a literary archetype for a disciple exists and is made use of in all of these texts. The third, fourth, fifth and sixth chapters look at each of the gospels in turn, discussing the way in which Peter and Judas correspond to the literary archetype and the ways that this archetype interacts both with the actual events of Jesus’ career and arrest, and potentially ongoing or recent events in each evangelist’s own community.

The thesis deals with the analysis of biblical and mythological elements in the fantastic series The Chronicles of Narnia. The theoretical part focuses on the life of the writer C. S. Lewis and his sources of inspiration that led him to write his work. These include mainly the medieval romance and mythological characters. The second part analyzes and characterizes biblical and mythological elements that have been found in the stories. The thesis focuses on the moral values of the series and its contribution. The conclusion contains a brief summary of biblical and mythological elements, as well as the moral values.

Universities in South Africa are currently undergoing mergers. Intended for commercial gain, mergers rarely accommodate the psychological milieu of staff. Similarly, the majority of studies conducted with respect to university mergers adopt a quantitative approach. This study adopts a qualitative approach and locates the researcher within the epicentre of the research, using a case study, with the researcher as unit of analysis. The lack of merger studies that focus on the experiences of minority groups, including women, prompted me, as researcher, to adopt a feminist approach to conduct this study in the context of the Nelson Mandela Metropolitan University merger. A Jungian gendered view, which endorses the personal experiences of minority groups, explored the connection between organisational change and concomitant opportunities for psychic growth. The primary purpose of this study was to explore the presence of the Wild Woman archetype during a university merger. The data that made up this study were contained in my field notes, research journal and a wall montage. An analysis of the qualitative data and a comparison of Jung’s archetypal theory and Pinkola Estés’ theory of the Wild Woman archetype, enabled the researcher to find evidence of the presence of the Wild Woman archetype during the university merger. The secondary purpose of the study was to document the findings which could act as a spoor which other women could follow on their journey towards connecting with their own Wild Woman archetype. The limitations of this study, and recommendations for future research are also offered.

This paper deals with the meaning of fashion and the role that fashioin brands play at how one looks at himself/herself and what way they become the source of expression of his/her personality.

The mere presence of the term īśvara in Patañjali’s Yogasūtra has come to affect the meaning of both the path and the goal of Classical Yoga as well as the meaning of the term Yoga itself. The frequent translation of the term īśvara as God leads to the system of Classical Yoga to be labeled as theistic, particularly obscuring the interpretation of īśvarapraṇidhāna, a functional component of the system, as well as perpetuating a syncretic trend that has led to the popular understanding of Yoga as ‘union with the divine’. From identifying problematic hermeneutical trends and their underlying causes, as well as understanding the term within the constraints of the original text in its original Sanskrit, the term īśvara emerges as the archetype of an ultimate reality functioning as a practical and experiential tool providing the yogi with a direct glimpse of its true nature.

Due to the massive amount of postconsumer clothing waste, there is a great opportunity to utilize the discarded garments through playful methods push the imagination towards new innovative solutions. This work aims to redefine and give the discarded garments new values through exploring garment definition through characteristic lines of dress as a filter to view a garment. It deals with questions such as, what defines a specific garment and how many lines needs to be added to understand what it is. It was resulted in creation of an archive consisting of 32 pieces which shows the potential in changing the perception of unwanted/discarded garments, by literally reframing them. This work propose a new method for reusing garments without taking the garments apart but instead look at all the potential that is given within it.

No description available.

In large observational studies, data are often highly multivariate with many discrete and continuous variables measured on each observational unit. One often derives subpopulations to facilitate analysis. Traditional approaches suggest modeling such subpopulations with a compilation of interaction effects. However, when many interaction effects define each subpopulation, it becomes easier to model membership in a subpopulation rather than numerous interactions. In many cases, subjects are not complete members of a subpopulation but rather partial members of multiple subpopulations. Grade of Membership scores preserve the integrity of this partial membership. By generalizing an analytic chemistry concept related to chromatography-mass spectrometry, we obtain a method that can identify latent subpopulations and corresponding Grade of Membership scores for each observational unit.

My thesis compares classic mythology of cultures like ancient Greece to the mythology that has risen from the popular culture of contemporary western civilizations like America. While there are some differences, the two use the same archetypes that humanity has used for generations. In my work I use sculpture and photography to show their similarities and differences in form and story.