<p> This research utilized an interpretive, multiple-case design to explore how fourth- and fifth-grade charter school students with high-incidence disabilities experienced instruction to participate in their annual IEP meetings and how they described their experiences of their meetings. Using student interviews, observations of the instruction and IEP meetings, review of instructional materials, and researcher-developed tools for students to self-record data, the study focused on <i>students'</i> perceptions of their experiences. Specifically, this research examined factors that motivated students to participate in their IEP meetings and factors that supported and impeded their participation. </p><p> A review of the literature revealed a wide gap around research on preparation of elementary students to participate in their IEP meetings. Much of the research on how best to involve students with disabilities in their educational programming has focused on student development and training in the context of transition planning, specifically with regards to self-determination skills (e.g., problem-solving, goal-setting, self-regulation). However, researchers have suggested that students in elementary grades may require adult support and monitoring, as well as contextual practice opportunities, in order to build self-efficacy in using these skills. </p><p> Results from the research are presented separately for each student and finally compared and contrasted across students. Findings were (a) students were primarily motivated to participate in their meetings out of a need to develop competence and mastery in their academic pursuits and (b) they perceived their teachers and mothers as critical supports in their efforts. Factors found to support and impede students' participation related to: accessibility of language and content, teachers' expectations for the students' participation, level of autonomy support students received, the extent to which students perceived their voices were validated, and the extent to which students' participation focused on strengths versus deficits. </p><p> The discussion provides an analysis of motivational, support, and impediment factors through a theoretical lens that integrates self-determination theory and self-efficacy theory. The discourse highlights the importance of autonomy support to enhanced student competence and ultimately to students' more active participation in their IEP meetings. Recommendations for future research, policy, and practice are provided.</p>

<p> Colleges all over the country struggle to assist underprepared students that are admitted with inadequate writing skills. Underprepared students entering a university have decided to pursue a college education, but because they are not ready for the writing demands of college, they are assigned to developmental courses, sometimes based on a single test score. They are novice writers and have yet to master the language, discourse patterns, and critical analysis that are typical of writing in the academic domain. They typically do not identify themselves as belonging to an academic community.</p><p> The challenge of all developmental writing courses is to help the students make the transition from being novices to being more practiced. Unfortunately, most developmental writing courses focus on grammar reviews. Instead, students need to build an identity as legitimate members of an academic community, with valued voices and the skills to communicate in a new domain.</p><p> Improving students&rsquo; dialogical interactions seemed to be the key. Underprepared students may come from backgrounds where dialogical interactions, the foundation of academic thinking and writing, have not been emphasized, either at home or in school.</p><p> This study explored the experiences of novice writers in a developmental freshman writing class in which dialogical interactions were the core of student activities. In this study, students participated in guided dialogical interactions exploring complex societal issues and practicing academic discourse structures. While learning about writing, they were also actively engaged in dialogues that advanced their understanding of how academics communicate. Bakhtin (1981), a Russian literary critic in the mid-twentieth century, defined dialogism as the foundation of human experience. People learn about the world, construct identities, and learn to navigate in different and unfamiliar domains by engaging in reflective conversation with others.</p><p> Results suggest that students&rsquo; confidence for academic writing and sophistication of some dimensions of epistemic belief improved after experiencing dialogical processes.</p>

<p> This study explores the factors that shape students&rsquo; experience with instructional choices in classroom-based settings, and the role of instructional choice design in positively influencing student engagement and the development of self-regulation skills among high school students who attend an urban high school in the Mid-Atlantic Region, referred to as Aspiration High School. A range of cultural, structural and human resource factors are found to have a limiting effect on students&rsquo; experience with quality instructional choices in school, and as a result, limits their opportunities to practice and develop the self-regulation skills necessary for navigating choices at levels of complexity that mirror the world beyond school (Winne &amp; Perry, 2000; Winne &amp; Hadwin, 1998; Winne, 2001). Teachers and students of Aspiration High School were surveyed to gather insights on their experiences of and perceptions on choice in learning. Two teachers engaged in a series of collaborative lesson design cycles that involved choice-based lesson design, implementation with observation, lesson debriefs, and student work analysis, as well as pre and post student interviews and focus groups. This study identified five elements of high-quality choice designs, and argues for quality choice design as an important mechanism for cultivating learner engagement (Katz &amp; Assor, 2007), developing interventions to support self-regulatory skill development among learners, and nurturing pedagogical shifts among teachers toward more learner-centered designs and practices.</p><p>

<p> The purpose of this study was to investigate the use of the nine-step problem design process (Hung, 2009) to design a problem based learning course. I applied a descriptive case study approach to conduct design and development research (Richey &amp; Klein, 2007). The study was conducted in the Malaysian teacher education setting. In this study, I served both as the researcher and instructional designer of the course. The instructor also involved as co-designer. The student participants were 25 preservice teachers enrolled in a video production course. Various data sources were collected such as a designer log, extant data, surveys, and interviews. The findings indicated that the nine-step problem design process was somewhat suitable in the context of this study due to conditions such as decision-making power, existing materials, lack of knowledge, unclear information of the steps, and time. Therefore, it is recommended that designers have client buy-in when deciding which design model or processes to follow and have some content expertise and experience designing problem based learning. It is also important to have subject matter expert involvement when using the steps to design problem based learning. In regards of participants&rsquo; perceptions, the instructor had positive views toward problem based learning and indicated her intention to use it again in the future. However, the instructor felt that designing problem based learning was a challenging and time-consuming task. Overall, the students found problem based learning to be interesting but challenging in terms of completing the video competition and reflection tasks. For future research, performance data such as students&rsquo; achievement and problem-solving skills should be collected to inform the effectiveness of the problems developed by using the nine-step problem design process.</p><p>

No description available.

Yes / This article discusses the data obtained from an online survey of academic staff who are involved in module design and who are employed within one university. The survey was used as a baselining tool to explore the nature of current module design practice within the survey sample. Do academics consistently employ the pragmatic approaches recommended by educational developers and theorists or is module and curriculum development a more informally constructed process? By comparing the initial findings of this project with survey and interview data produced by evidence-based projects, this article suggests that module design practice is not set in stone and that we need a deeper analysis of the process of module and curriculum design in terms of social practice and socio-cultural theory in order to gain a deeper understanding of it.

Yes / This paper discusses some of the qualitative data obtained from a small number (23) of semi-structured interviews of academic staff who are involved in module design, and who are employed within one UK university. Analysing the interview transcripts produced eight main themes. One of these themes was the perceived pressures or constraints on design. Using verbatim responses given by the interviewees, a discussion of the data used to illustrate this theme compares the findings of this project with those from the existing literature.

<p> A mini-economy is an ongoing classroom project in which elementary school students apply for jobs, receive simulated income, go shopping at the classroom store, and ultimately create their own businesses. This study uses design-based research methodology to find out what classroom practices emerge when the College, Career, and Civic Life Framework for Social Studies State Standards (C3 Framework) (National Council for the Social Studies, 2013) is used by elementary teachers as the basis for instruction in the context of a classroom mini-economy, and how analysis of those practices can be used to improve instructional design. Design-based research seeks to simultaneously create and analyze teaching materials, with the purpose of improving both the materials themselves and the research literature on which the materials are based. In this case, the goal of the teaching materials was to improve the authenticity and rigor of the teacher-participants&rsquo; classroom mini-economies. Therefore, the study draws upon research literature in Authentic Intellectual Work, as well as inquiry teaching in social studies, particularly in economic education. </p><p> Authentic Intellectual Work (AIW) is a way to think about curriculum, instruction, and assessment. It seeks &ldquo;to identify some kinds of intellectual work as more complex and socially or personally meaningful than others&rdquo; (King, Newmann, &amp; Carmichael, 2009). It consists of construction of knowledge, disciplined inquiry, and value beyond school (Scheurman &amp; Newmann, 1998). Inquiry teaching in social studies has taken many forms, most currently in the C3 Framework, which was the approach used in this study. The C3 Framework conceptualizes inquiry as &ldquo;the disciplinary concepts and practices that support students as they develop the capacity to know, analyze, explain, and argue about interdisciplinary challenges in our social world&rdquo; (National Council for the Social Studies, 2013, p. 6). Classroom mini-economies in particular fall within the realm of the social science of economics, so the study pays special attention to the literature on K-12 economic education. </p><p> The study reveals ways in which teachers were able to use the C3 Framework to build authenticity in the mini-economy, though it also reveals that teachers were willing to dilute the quality of the inquiry process when it fit with their larger goals. The findings suggest that inquiry as conceived in the C3 Framework can be used as a powerful tool for equipping students for an increasingly complex social world. However, the inquiry process is at its best when lesson materials that use it are carefully designed to meet teachers&rsquo; desires to provide interdisciplinary and real-world experiences for their students.</p>

<p> Reading proficiently opens doors to college and career pathways. The success of children depends on this fundamental skill, yet students are failing to learn to read. This research investigated the relationship between teacher knowledge of phonemic awareness and the development of early literacy skills in kindergarten students. The study was conducted in a suburban school district of more than 20,000 students. This study sought to identify a kindergarten teacher profile linked to positive student achievement growth in phonemic awareness. Kindergarten student data was collected from 1,258 kindergarten students in 57 classrooms from 21 different elementary schools. Participants ranged between 5 and 7 years old who attended full-time kindergarten classes. The Dynamic Indicators of Basic Early Literacy Skills (DIBELS Next Edition, 2011) assessment was used to collect kindergarten student data on the First Sound Fluency measure. Kindergarten classroom teachers were assessed on their knowledge of phonemic awareness. The results of this study demonstrated a general lack of knowledge about phonemic awareness by kindergarten teachers, however, no clear kindergarten teacher profile correlated to student performance on the phonemic awareness measure. Findings may be useful when identifying effective instructional materials for teaching phonemic awareness to kindergarten students. A possible explanation for increased levels of student achievement may be the degree to which the kindergarten teacher utilized the provided phonemic awareness instructional materials. Recommendations for future studies include investigation into the relationship between the use of phonemic awareness instructional materials with fidelity and kindergarten student achievement. </p>

This thesis aims to investigate students’ qualitative experiences of assessment in art and design higher education using storytelling and visual representations. It aims to investigate whether collaborative storytelling can encourage students to reflect on, and learn from, each others’ experiences of assessment. In order to examine these aims, an on-line tool, ‘StoriesAbout… Assessment’ was designed and developed, based on an adapted model of storytelling as a reflective tool in higher education. Visual representations of students’ experiences were also used to identify the affective aspects of the assessment experience. In using these novel methods, the research aimed to highlight the whole student learning experience and how assessment affects that experience. Traditional methods of surveying and evaluation do not usually focus on this, nor do they provide a reflective, learning process for students. The analysis of stories led to a greater understanding of students’ experiences of assessment in art and design by identifying a number of key issues: the impact of negative experiences, the need for greater clarity of assessment criteria due to the subjective nature of the discipline, the tension students perceive between their role as creative practitioners in an educational setting and their role in the wider art world, the value of peer support and appropriate feedback. The storytelling model enabled students to view stories from different perspectives and to consider changes to their practice, and the model has demonstrated its efficacy in supporting reflective thinking and transformative learning. The emotional aspect to students’ experiences was particularly evident in their visual representations which often used strong imagery to depict how the stress of assessment affected them. The drawings also showed stereotypes of assessment, such as images of exams, indicating that these previous experiences had become synonymous with assessment, despite there being few formal exams in art and design. In summary, this thesis contributes two new methods for understanding and enhancing the student learning experience, which have been proven in the context of art and design higher education.