Spelling suggestions: "subject:"[een] FRAGMENT"" "subject:"[enn] FRAGMENT""
21 |
Strattis, Die Fragmente ein KommentarOrth, Christian Strattis January 2008 (has links)
Zugl.: Freiburg (Breisgau), Univ., Diss., 2008 / Teilw. in griech. Schr.
|
22 |
Molecular systematics of selected Diadegma species (Hymenoptera: Ichneumonidae: Campoplegine) important in biological controlWagener, Barbara, January 2006 (has links)
Hohenheim, Univ., Diss., 2006.
|
23 |
Theoretical investigation of cooperative effects of H-bonds in biomolecular systemsStreffer, Rolf Martin Friedrich. Unknown Date (has links) (PDF)
Techn. University, Diss., 2001--Berlin.
|
24 |
Le théâtre de Michel Vinaver : un théâtre du fragment ? : contribution à une définition du théâtre fragmentaireJalalipour, Bahram 14 October 2013 (has links)
Pas de résumé français / Pas de résumé anglais
|
25 |
Water in Yeoville : considering fantasy and fragment in responsive urban placemakingRoux, Marzanne January 2016 (has links)
Johannesburg's urban fabric is characterised by fragmentation.
The natural landscape beyond and its remnants in the city are
absorbed in a diffuse urban landscape. In the development
of the public park in Yeoville, it is evident that an escalation in
the population exacerbates urban expansion characterised by
fragmentation and dissolution of the urban form.
The scheme proposes the use water for leisure as a means to
establish a relationship between the city's users and the natural
environment. In the pursuit of responsive urban place making
control is taken over the effect of fragmentation on urban
development in the park and the fantastical nature as well as the
use of water is considered in public urban spaces where it has
largely been absent.
An existing pool is the catalyst for the programme of swimming
and recreation where unbounded fantasy transcends the user
from the physical boundaries of the pools of water to become
one with the natural environment. The proliferation of existing
types of fragments fi nds expression in a series of courtyards that
are spatial types of enclosure that offer retreat and seclusion from
the context to meet the demands of the overburdened public
space. The use and inherent nature of water informed the form
and concept of water collection, storage, treatment and use
for swimming and cleansing and is central to the narrative of
navigation of the courts and pools.
The value of the architecture as a contextual response lies in the
exploration of the manifold relationships between the city user,
urban fabric and the natural environment and urban as well as
human scale at which the haptic experience unfolds. / Johannesburg se stedelike weefsel word gekenmerk deur
fragmentasie. Die natuurlike landskap en dit wat daarvan oor is
in die stad word in 'n uiteenlopende en verbrokkelende stedelike
landskap geabsorbeer. In die ontwikkeling van die publieke park in
Yeoville, is dit ooglopend dat 'n styging in die bevolking stedelike
groei wat gekenmerk word deur fragmentasie en ontbinding van
stedelike weefsel, vererger.
Die skema beoog om deur middel van water gebruik vir plesier
'n verhouding te vestig tussen die stedelike gebruiker en hul
natuurlike omgewing. In die strewe na reaktiewe stedelike plekmaak
word beheer geneem oor die effek wat fragmentasie op
stedelike ontwikkeling in die park het en die fantastiese natuur
sowel as die gebruik van water word oorweeg in publieke
stedelike ruimtes waar dit grootliks nagelaat was.
'n Bestaande publieke swembad is die katalis vir 'n program van
swem en ontspanning waar die gebruiker deur ontbonde fantasie
fi siese grense van poele water oortref om een met hul natuurlike
omgewing te word. Die doelbewuste voortbestaan en groei van
bestaande fragment-tipes vind uitdrukking in 'n reeks binnehowe
wat ruimtelike tipes van omsluiting - wat afsondering van die
konteks te weeg bring - om die vereistes van oorlaaide publieke
ruimtes te verlig. Die gebruik en inherente natuur van water het
die vorm en konsep van water-opgaarding, berging, behandeling
en gebruik vir swem en reiniging ingelig en is 'n kerngedagte in
die narratief van ontdekking van die binnehowe en poele.
Die waarde van die argitektuur as kontekstuele reaksie l? in
die ondersoek na die meervoudige verhoudings tussen die
stadsgebruiker, stedelike weefsel en die natuurlik omgewing op
'n stedelike sowel as 'n menslike skaal waar 'n tasbare ervaring
ontvou. / Mini Dissertation (MArch (Prof))--University of Pretoria, 2016. / Architecture / MArch (Prof) / Unrestricted
|
26 |
Generalized Many-Body Expansion: A Fragment-Based Method for modeling Large SystemsLiu, Kuan-Yu 15 November 2019 (has links)
No description available.
|
27 |
The Molecular Weight of PBS 1 DNAHuckett, Barbara 05 1900 (has links)
<p> That bacteriophage PBS 1 contains DNA of a considerable size is suggested by the size of its head, and also by the fairly high frequencies with which it performs joint transduction of genetic markers. Density differences between the active, plaque-forming particles and the transducing particles of PBS 1 facilitated a separation of the two which served as a preliminary to investigating the DNA content of each. The molecular weight of DNA obtained from active particles is estimated to be 1.9 x 10^8. Tentative evidence is offered for the presence of a large fragment of host DNA within the head of transducing PBS 1.</p> / Thesis / Master of Science (MSc)
|
28 |
GPU-ASSISTED RENDERING OF LARGE TREE-SHAPED DATA SETSMangalvedkar, Pallavi Ramachandra 27 November 2007 (has links)
No description available.
|
29 |
Fragment Library Screening to Discover Selective Inhibitors of a Key Microbial EnzymeGao, Geng January 2010 (has links)
No description available.
|
30 |
Maurice Blanchot et la question de l'image / Maurice Blanchot and the question of imageRinaldi, Riccardo 23 March 2019 (has links)
La plupart des approches philosophiques de l’œuvre de Maurice Blanchot ont réservé jusqu’à présent une place marginale à la question de l’image. À partir de L’Espace littéraire (1955), pourtant, l’image assume un statut théorique nous permettant de l’appréhender comme la matrice d’une écriture, d’abord partagée entre fiction et critique, qui trouve enfin dans la fragmentation son essor le plus naturel. Loin d’embrasser un nihilisme stérile, Blanchot dégage de la réflexion sur l’œuvre d’art de Heidegger l’idée d’une apparition en tant que disparition, d’une forme invalidant la distinction entre matière et forme, d’une présence qui n’est pas donnée : présence d’une absence. Il en tire une vision radicalement antihumaniste, bien plus cohérente que la conception de l’événement scandant l’histoire des époques de l’Être : venant avant la chose, l’image condamne la conscience du sujet métaphysique en tant que scène exclusive de toute représentation. Le visage de la mort devient le paradigme du regard aveugle que les choses portent sur nous. La littérature se révèle alors préliminaire à une vision autre, qui touche à ce qui précède l’existence de l’homme dans sa globalité, sa finitude s’éparpillant en une approche sans fin de la fin. Laissant de côté les textes politiques de Blanchot, nous avons considéré l’œuvre comme étant prioritaire au destin de l’auteur, que l’écriture emporte et détermine. Moins structurée que celle de Heidegger, elle s’avère finalement plus appropriée pour être lue à travers « l’optique » suggérée dans la Lettre sur l’humanisme : l’on ne peut concevoir une éthique, en tant que pensée de l’humanisme, si nous n’avons pas au préalable redéfini ce qu’est l’humanitas de l’homme. / Most philosophical approaches to Maurice Blanchot's work have hitherto reserved a marginal place for the question of image. Since L'Espace littéraire (1955), however, image assumes a theoretical status that enables us to apprehend it as the matrix of his writing that, initially divided between fiction and criticism, finally achieves its most natural thriving in fragmentation.Far from embracing a sterile nihilism, Blanchot derives from Heidegger’s reflection on art the idea of an appearance as disappearance, of a form invalidating the distinction between matter and form; a presence which is not given: the presence of an absence. He draws from it a radically anti-humanist vision, much more coherent than the conception of the event defining the history of the epochs of the Being: coming before the thing, image condemns the consciousness of the metaphysical subject as the exclusive stage of all representation. The face of death becomes the paradigm of the blind gaze that things lay upon us. Hence, literature proves to be preliminary to a different vision, one that touches on what precedes man’s existence as a whole, his finitude being scattered in an endless approach of the end.Leaving aside the political texts of Blanchot, I have considered the œuvre as a priority in the author’s fate, which is overcome and determined by writing. Less structured than Heidegger's, Blanchot’s work proves finally more suited to be read through the perspective suggested in the Letter on Humanism: we cannot conceive an ethics, as a thought of humanism, if we have not previously redefine what the humanitas of man is.
|
Page generated in 0.0415 seconds