This thesis sets out to re-locate and redefine the historical arguments around the development of the Modern Movement in architecture. It investigates the development of architectural modernism in Central Europe from 1895-1939 in the towns and cities of the multinational Habsburg Empire, in a creative milieu in which opposition, contrast and difference were the norm. It argues that the evolution of the Modern Movement through the independent nations that arose from the Empire constituted an early and significant engagement with urbanisation, planning and architectural modernism that has been largely overlooked by western scholarship. By reviewing the extant literature in discussion with Central European authorities and by drawing upon a little known range of sources, this thesis brings into focus the role of key individuals such as Plečnik, Fabiani and Kotěra and it explores the significance of developments in town planning in places like Zagreb and Ljubljana. In restoring some of this missing detail and revisiting some of the key sites, the thesis reveals how Central European individuals made early and significant contributions to the development of architectural modernism and the Modern Movement that have hitherto received little critical acknowledgement. What this research reveals is how these figures developed what can be seen as local solutions, rooted in the context and culture of individual towns and cities and their unique histories. However more significantly, this thesis also demonstrates that these independent initiatives were formed with an understanding of - and in response to - wider national and international developments in the field of architectural modernism. In this connection, the thesis can be regarded as part of an emerging academic effort to redress the history of the Modern Movement and an attempt to set in motion a raft of suggestion for further research into this rich field of cultural endeavour.

Throughout the 16th and 17th centuries, both Austria and Persia were each repeatedly at war with the Ottoman Turks. Diplomats travelled between the two countries in an attempt to forge an alliance against their common enemy. Although the alliance never materialized the relationship broadened to cover other concerns. Despite cultural differences, both countries tried to work together and approached each-other as equals. Contact between the countries exposed both cultures to wider influences. Their changing relationship illustrates the priorities of both parties. This thesis, for the first time, uses primary sources to view the evolution of the relationship over the two century reign of the Safavid dynasty. It charts the course of their diplomatic relationship, examines the turning point in this relationship, and explores why the alliance both sides wanted never materialized. By examining Austria's diplomatic initiatives to the east this thesis helps correct the historiographical imbalance in central European history of concentration on only European affairs, and shows that their understanding of the east was more nuanced than is often credited.

The present thesis is an investigation into the relations between Great Britain and the Habsburg Monarchy (Austria-Hungary) in these years and how, in the words of Lord Rosebery in 1887 'the natural ally of Great Britain' became the enemy power of 1914 that had to be destroyed. Indeed, great emphasis is placed upon the key role that Britain played in the Monarchy's destruction. (one is reminded, en passant, of the poet William Cowper's admonition of 'love to hatred turned.') The first chapter will examine the general views held of the Monarchy by British travellers and commentators in the 19th and early 20th centuries, while Chapter II will focus on the views of the two greatest commentators on the Monarchy in the English-speaking world- theSlavonic scholar, Robert Seton-Watson and The Times Vienna correspondent, Henry Wickham Steed. Chapter III will deal with a general survey of Anglo-Austrian relations from the 1880's to the crisis years of 1908-9, involving the annexation of Bosnia-Herzegovina, which the subsequent chapter (IV) will examine in detail. Chapter V will look at the following years leading up to the First Worls War with particular reference to the Balkan Wars of 1912-13. Chapter VI (parts 1 and 2) will examine the July crisis and the actual outbreak of war and the attitude of people, press and parliament vis-à-vis the Monarchy when the two countries came to blows the following month in August, while the final Chapter VII will stress the important part that Britain subsequently played in Austria-Hungary's overthrow. In particular great significance will be attached to Sir Edward Grey's failure in the years preceding the First World War to act as an 'honest broker' between the two great rival alliance systems of France and Russia and Austria-Hungary, Germany and Italy, and the willingness to accommodate Russia at Austria's expense. This led, it will be argued, to Germany effectively waging, initially, 'a preventve war' before her only real ally either disintegrated internally or was overthrown from without, hopelessly encircled as she was. (The very scenario that Grey claimed he feared the most actually happened largely through his failure to help Austria- the weakest link in the European alliance chain. The fact that the Foregn Office Memorandum of 1916 could argue 'that the Austro-Hungarian Empire must come to an end if the causes of war in the future are to be effectively removed' was, it is argued, merely putting a gloss on an anti-Austrian British Realpolitik formulated in the years before the war broke out, even if not openly acknowledged as such.

The 12 March 1938 was not only the beginning of Nazi rule in Austria; it was also the end of a six-year struggle by a significant minority of Austrians to maintain Austrian independence against very considerable odds. This study has sought to refocus attention on the role of the Dollfuß Government 1932–34 in attempting to prevent a Nazi takeover, and to reassess the state of current scholarship on the reasons for its collapse. In this regard, this thesis sets out to re-examine the behaviour and motivations of Dollfuß in particular, and the Christian Socials in general, during the period in question, as well as to document and clarify the key strategies of the Austrian leadership in dealing with the twin threats of Austrian and German National Socialism. Its overall conclusion is that there is a pressing need to modulate the historical narrative of the Dollfuß era to reflect more accurately what actually occurred. This thesis seeks to prove that despite the extreme pressure that it was under from Nazi Germany, the Dollfuß government and its mainstay, the Christian Socials, used all realistic means at their disposal to keep the Nazis from the centres of power while maintaining Austrian independence. It investigates why Dollfuß refused to publicly co-operate with the Social Democrats, but was apparently willing to enter into a deal with the National Socialists, and what this tells us about his anti-Nazi stance. It also considers the question of whether the traditional focus on the breakdown of democracy, as a key cause of the collapse of the Austrian state in 1938, is useful in understanding of the period.

[pt] Entre 1911 e 1937, o escritor austríaco Robert Musil publicou ensaios com regularidade em algumas das principais revistas e jornais literários em língua alemã. A análise desse conjunto de textos permite reconhecer na trajetória do escritor não apenas a transformação do seu pensamento, mas também a dilatação da ideia do ensaio, de um modelo literário, para ensaísmo, um paradigma para ação. Esse processo ganha corpo nos anos 1920, quando começa a escrever O Homem sem Qualidades, no qual os impasses da modernidade são encenados através personagens, enredos circunstâncias. Não há, contudo, uma saída, uma solução. Levar a sério a postura ensaística significa, afinal, viver em acordo com essa incompletude. Musil, o autor que um dia esteve entre os mais promissores de sua geração, morre esquecido no exílio, escrevendo diariamente um livro que não poderia ter fim. Combinando a leitura da experiência biográfica com a ideia de aspiração, a ideia da tese é propor o fracasso como uma chave de leitura da obra de ensaística do escritor. / [en] Between 1911 and 1937 Musil regularly published essays in some of the leading magazines and literary journals in German. The analysis of this set of texts allows us to recognize in the path of the writer not only the transformation of his thought but the expansion of the idea of the essay from a literary model to a paradigm for action. This process matured in the 1920s, when he began to write The Man without Qualities, in which the impasses of modernity are staged through characters, tangled in particular circumstances. There is, however, no way out, no solution. Taking the essay position seriously means, after all, living in accordance with this incompleteness. Musil, the author who was once among the most promising of his generation, dies forgotten in exile, writing a book that could never have an end. Combining the reading of the biographical experience with the idea of aspiration, the idea of the thesis is to propose the failure as a key of reading of the essayist work of the writer.

Il existe une abondance extraordinaire de récits de voyage et d'oeuvres de fiction en langue allemande focalisant l'outre-mer et en premier lieu les Etats-Unis d'Amérique. Ces textes écrits au cours du XIX et pendant la première moitié du XX siècle représentent un phénomène notable mais peu commenté qui se prête tout à fait à un traitement historique: ces écrits accompagnent, appuient, commentent et vilipendent la très forte émigration allemande vers les Amériques, notamment l'Amérique du Nord. Le présent travail s'attache à rendre compte du roman d'aventures outre-mer de langue allemande et ce faisant s'efforce de cerner ce qui fait la spécificité de la perspective allemande. Dans cette optique ont été retenues douze oeuvres composées par des auteurs germanophones aussi différents les uns des autres que les Allemands Friedrich Gerstäcker (1816-1872), Karl May (1842-1912), Ernst Friedrich Löhndorff (1899-1976), L'Austro-Américain Karl Postl alias Charles Sealsfield (1793-1864), l'Autrichien Franz Kafka (1883-1924), le Germano-Mexicain B. Traven (1882-1969). Après un chapitre d'exposition traitant de l'horizon d'attente présent dans l'Allemagne du XIX siècle, onze chapitres sont consacrés à l'étude des romans sélectionnés. L'analyse de ces oeuvres permet de mettre en évidence quelques caractéristiques saillantes qui sont propres au genre tant au niveau de l'esthétique , de la logique, des thématiques et des schémas idéologiques qu'au niveau de l'organisation en affrontements axiologiques entre un univers de la rationalité et de la civilisation et un monde considéré comme relevant de la "sauvagerie". Sont aussi analysées la silhouette de l'aventurier littéraire, les différentes approches de l'altérité entre refus et attrait, la tentation récurrente de la transgression, l'inscription du récit dans un système de codes et de stéréotypes préexistants. / There are many German travel stories as well as works of fiction focusing on overseas territories, in the first place on the United States of America. These texts that were written in the course of the nineteenth century and during the first half of the twentieth century represent a noteworthy phenomenon that has been little commented on and lends itself well to a historical approach. Indeed, these pieces of writing accompany, comment on and vilify the German mass migration to the American continent, especially to North America. The present work attempts to account for the German adventure novel the plot of which takes place overseas. In so doing it tries to define the specificity of the German perspective. Twelve novels have been selected that were written by several german-speaking authors very different from one another: the German Friedrich Gerstäcker (1816-1872), Karl May (1842-1912), Ernst Friedrich Löhndorff (1899-1976), the Austro-American Karl Postl aka Charles Sealsfield (1793-1864), The Austrian Franz Kafka (1883-1924), the Germano-Mexican B. Traven (1882-1969). Following an introductory chapter dealing with the horizon of aspirations in nineteenth-century Germany are eleven chapters each devoted to the study of one selected novel.The analysis of these works shows some striking features that belong to the genre either at the level of the aesthetics, logic, set of themes and ideological patterns or at the level of axiological confrontations between a rational, civilized world and the so-called "savageness". Other items in the study are the figure of the literary adventurer, the different approaches to the alterity phenomenon, the recurrent temptation of transgression, the insertion of the text in a pre-existent codes and stereotypes system.