This study researches the history of black involvement in engineering and technological education from Emancipation to the year 1950. The educational opportunities that existed for black Americans during this period, and the lack of such opportunities, are examined. The progress of the former slave population into the technologically advanced twentieth century is followed. Tactics employed by individual states in reaction to black insistence for advanced learning are examined providing an understanding of black protests on the lack of access and the outright refusal of some states to field the question of black higher education. Voices from both sides of the racial bar address the question of educational parity. Teachers, politicians, and statesmen are prominent in this discussion, displaying a range of views that both astounded and empowered the forces that worked on either side of the controversy. Racism, institutional and individual, is a focal point. Tolerance is shown as a continuing thread throughout, often where one might least expect it, and alliances that forged a new era of cooperation between the races and among institutions are researched and reported. Institutions and individuals responsible for the racial and educational climate are examined: prominent spokespersons, both black and white, are included to give an overall feel for the struggle for parity in this area of the educational arena; institutions, their policies and practices, their willingness to look beyond the color of an applicant's skin, and their efforts to include a diverse student body are examined. There is also a discussion of the emergence of a national policy's broad guidelines that aided in the denial of access to black technological aspirants during this time period. The black struggle for opportunity and acceptance in the technological arena has been a struggle worthy of note. This struggle and the reporting of it is important because, despite the significance of the topic, it is one that has been minimally explored. This is a beginning.

Urban public secondary education has come under constant scrutiny from government agencies, foundations, and educational researchers for more than a decade. It is the quality of public education that is now in question. In conjunction with this trend, is the concern for how this decline of public education may influence the future development of our nation. This dissertation provides some understanding of the complexities of developing and maintaining collaborative programs between academia and the urban secondary schools attempting to achieve effective change. Through an in-depth study of one collaborative, the Boston Secondary Schools Project (BSSP), the study shows how the role of the university or college is of pivotal importance in providing assistance to secondary school educators developing needed changes. In an attempt to remain objective, all aspects of this collaborative were investigated. Included in the study is the organizational structure, growth, evolutionary changes, and the impact of the BSSP on the Boston Public Schools. Additional research was also conducted regarding the value of the program to the participating graduate students. The BSSP has retained its longevity due to the dedication of the University of Massachusetts School of Education faculty, and to the perseverance of the graduate students in their determination to retain the program. The collaborative has been able to include the most essential elements needed to maintain a successful partnership. The program has provided a clear agreement of goals, maintained administrative support, operated under a system of coequality between university and school faculty, worked to overcome the continuous obstacles to its objectives, and has continued to focus on realistic expectations of stated goals.

<p> In public schools, student expression commonly calls for the attention of school staff in one form or another. Educators have a practical interest in understanding the boundaries of student freedom of speech rights and are often directed to the four student speech cases decided to date by the Supreme Court (<i>Tinker v Des Moines</i> (1969), <i>Bethel v Fraser </i> (1986), <i>Hazelwood v Kuhlmeier</i> (1988), and <i> Morse v Frederick</i> (2007)). Sources about these cases abound, but most focus on legal reform issues such as the political arguments of opposing preferences for more student freedom or more school district control or the lack of clear guidance for handling violations </p><p> I propose an alternative approach to understanding the Supreme Court&rsquo;s student speech jurisprudence focusing not on its correctness but on cultural influences which have worked and continue to work on the Court both from without and within. This approach may lead to a new understanding of Court decisions as legally binding on educators and an appreciation of the necessary rhetorical artistry of the Justices who write them. Not intended in any way as an apologetic of the Court&rsquo;s decisions on student speech, this study is based particularly on the work of Strauber (1987), Kahn (1999) and Mautner (2011). It takes the form of a cultural history going back to the Fourteenth Amendment&rsquo;s influence on individual rights from its ratification in 1868 to its application in Tinker in 1969 and beyond. </p><p> Seen as cultural process which begins with the Amendment&rsquo;s initial almost complete ineffectiveness in restricting state abridgment of fundamental rights including speech to its eventual arrival, fully empowered, at the schoolhouse gate, this study attempts to make student speech rights more accessible to educators and others. The tensions between the popular culture which espouses the will of the people and the internal legal culture of the Court itself and its most outspoken and articulate Justices resolve into decisions which become the law of the land, at least for the moment. The study also offers implications for administrators together with suggestions on how to stay current with free speech case law applicable to the schools.</p>

<p> The Concert Choir has been the flagship choral ensemble of Stetson University, a private, liberal arts university in DeLand, Florida, since 1935. The choir has traveled extensively throughout the southeast United States and twice abroad, serving as ambassadors for Stetson University. This study documents Stetson University's early history, the first few decades of choral activity at Stetson University, and the complete history of the Concert Choir through the tenure of Milburn Price. The study explores 1) the individuals, events, and institutions leading to the formation of the Concert Choir, 2) the philosophy and purpose of the Concert Choir, 3) the individuals, events and institutions that have shaped that philosophy and purpose, and 4) the ways in which the Spring Concert repertoire of the Concert Choir reflects the ensemble's philosophy and purpose. </p><p> The three major conductors of the Concert Choir, occupying 71 of the last 77 years, were Harold Giffin (1935-1972), Robert Rich (1972-1989), and Duncan Couch (1989-2006). Giffin was responsible for combining the separate glee clubs into one performing ensemble, performing Handel's <i> Messiah</i> annually for twenty-five years, and instituting an extensive touring schedule throughout the United States. The performances at the National Federation of Music Clubs (1939), New York City's Lincoln Center (1967), and the recording session that was broadcast coast-to-coast with NBC in Chicago (1953) were three of Giffin's tours that were most significant. Rich was the first alumnus of the Concert Choir to be hired as Director of Choral Activities and conducted the ensemble for their first ACDA convention performance in 1974. During his tenure, the High School Choral Clinic and Christmas Candlelight Concert, modeled after the English Lessons and Carols, were started and have continued annually throughout the scope of this study. Couch grew the popularity of both the clinic and the Candlelight Concert, took the Concert Choir on two European concert tours, and cultivated collaborations with many professional orchestras. </p><p> This study concludes that the Concert Choir is a choral organization influenced by the sacred a cappella choral traditions; however, it was not dominated by it. This study further identifies that the development of the annual Christmas Candlelight Concert and spring tour were foundational for the choir's activities each year. Documentation illustrates each director's willingness to accept this heritage and develop the Concert Choir accordingly throughout its history.</p>

The world was shocked by the Islamic Revolution of Iran in 1979 because it was unexpected and out of keeping with the deposed Shah's attempts at secular modernisation. This thesis attempts to make sociological sense of the implications of the Revolution for education in Iran in terms of ideological influences. The research reported in this thesis attempts to discover the nature of the social and cultural changes that occurred following the 1979 Revolution. Adapting Max Weber's interpretative approach, it focuses on the changing patterns of shared meanings and social relations in schools in one area of North West Iran. Taking a deliberately one-sided approach to educational change, this thesis isolates the impact of Islamic ideology on schools in the area where ethnographic fieldwork was conducted in 1995-96. Interviews, participant observation in schools, questionnaires and analysis of official documents were the chosen methods of research. The aim was to discover how Islamic ideology has been promulgated and how it has affected the day-to-day social relations of school teachers, pupils and administrators as well as their relations with parents and local authority officials. The main findings not only confirm the pervasiveness of Islamic ideology in Iranian schools but also document its influence over matters such as curriculum design and delivery, the segregation of the sexes in schools, and the teachers' conditions of work and professional development. Nevertheless, there is also evidence that the stated aims of educational reform were not always achieved and that some changes were ironic. The findings also showed that the recent history of change in Iranian schools calls for a flexible understanding of such notions as modernity, tradition, patrimonialism, and bureaucracy. Iran has certainly tried to modernise its educational system since 1979 but it has done so in ways which challenge much of the received wisdom about modernisation processes.

Thesis (Ph.D.)--Indiana University, School of Education, 2006. / Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1245. Adviser: Edward P. St. John. "Title from dissertation home page (viewed May 7, 2007)."

This thesis constitutes the first analysis of the development of the French education system and the emergence of the French 'collège' in relation to Gilles Deleuze’s assertion that, in the post-war period, the disciplinary societies described by Michel Foucault have entered into crisis and that a new ‘control society’ is emerging. The first chapter of the thesis establishes the theoretical framework to be applied, elucidating the connections between Foucault’s concepts of power and 'dispositif' and Deleuze’s concepts of desire and 'agencement', before considering how historical change emerges through the intensification of strategies of power. The rest of the chapter outlines the abstract traits of discipline and then control and considers how these strategies of power might be actualised in the institution of the school. The second chapter applies this framework to the development of the education system established under the Third Republic, which is found to consist of three separate disciplinary 'dispositifs' of education that actualise distinct logics of education. The third chapter traces the intensification of strategies of power responding to the logics of the three institutions identified in the previous chapter and the transformations of the education system that this provokes before showing the emergence of the 'collège' from the confluence of these intensified logics, which establishes it as an institution of control traversed by a modulation of disciplinary logics. The 'collège' is then also shown to develop governance structures that promote modulation as the local negotiation of the institution. The thesis argues that the emergence of the 'collège' marks the beginning of a shift from discipline to control in the French education system.

No description available.

<p> The purpose of this study is to examine the social and historical foundations of the music education program in the Baldwin Park Unified School District in terms of personnel, organizational structure, performance activities, funding, and district support in order to gain an understanding of how the program has developed, sustained, and thrived despite significant challenges during the years 1950-2015. Whereas many school districts in California have elected to drastically reduce or cut funding to music programs, BPUSD has maintained a robust music program in the schools for more than 65 years. Demographic information indicates that the city of Baldwin Park, fifteen miles east of Los Angeles, is one of the lowest socio-economic regions in the state; this economic factor is among the challenges the district has faced throughout the years. </p><p> Data from this historical overview include interviews with former BPUSD music teachers and artifacts in the form of district personnel records, school yearbooks, concert programs, photos, newspaper clippings, and personal correspondence. Data also revealed there was strong leadership due to the administrative position of Music Coordinator held by Bob Greenwell from 1960 to 1986 and by Danny Wagner from 1986 to 2005. Under Greenwell&rsquo;s leadership, a graduated music program was implemented for grades four through 12 &ndash; a structured program having elements that are still recognizable today, more than 60 years later. Collegial interactions between music teachers provided an environment for all BPUSD students to have equal opportunities to quality musical training and experiences. Program elements such as traditional performance activities &ndash; concerts, parades, field shows, and evaluation festivals &ndash; are examined with a particular focus on the role and perceived value of competition. </p><p> The investigation into this musical tradition will be beneficial to music teachers, school administrators, students and parents alike, by providing an understanding of the social and historical influences. This study will serve to fill a gap in the comprehensive history of California public school music education, documenting the early historical events occurring in this district. It will contribute to the general field of knowledge of historical music education and will benefit the Baldwin Park Unified School District by conveying a detailed account of past music education activities and providing school leadership a strategic tool for future planning.</p><p>

The allegation that students in hospital schools of nursing were exploited has not been adequately supported by research. This examination of the financial relationship between Worcester Hahnemann Hospital (WHH) and Worcester Hahnemann Hospital School of Nursing (WHHSON), from the school's founding in 1900 until both hospital and school closed in 1989, begins to fill this gap in the history of nursing education. The study explores the effects of historical events on WHHSON while focusing on the development of the educational program and the financial relationship between school and hospital. Classic and contemporary writings about nursing and nursing education, including the work of Dock and Nutting (1907), Robb (1907), Goldmark (1923), Nutting (1926), Burgess (1934), Brown (1948), Stewart (1950), Kalisch and Kalisch (1995), and Donahue (1996) were sources of contextual material. The WHHSON archives, a rich source containing letters, brochures, annual reports, yearbooks, newspaper clippings and photographs, was the primary source of data on WHH and WHHSON. The study follows Stewart's (1950) chronology of nursing education until 1932. From 1933–1989 the chronology is based on national economic events which impacted nursing education. Chapters move from the general to the particular, beginning with contextual events, continuing with developments in nursing and nursing education, and finally relating this material to developments at WHH and WHHSON. The study found that the relationship between the students and the hospital was more complex than one of simple exploitation. While WHH depended on the cheap labor of student nurses to balance its budget in the early years, students received a good education, achieved entry into nursing practice, and fulfillment of basic human needs. The hospital consistently funded educational improvements mandated by accreditation standards for WHHSON. In later years these costs were covered by insurance reimbursements and by shifting educational expenses to students. The study concluded that not only one hospital, but the whole health care system in the Worcester area was subsidized by the labor of student nurses in a relationship characterized by dependency, enmeshment, symbiosis, and synergy.