This study is textual in its resource rather than empirical, and is applied to the experiential nature of the dream-ego. It is conceptual in its application, and its domain of inquiry is focussed on redescribing and reinterpreting the Jungian literature in order to further inform the understanding of the role of the dream-ego in analytical psychological practice. The major underlying assumption which forms the primary foundation for this study is that ‘mind is the subjective experience of brain’ and this statement serves the purpose of positioning the study as being anchored in biological science but not biological in scope. The statement also implies there is no conflict in the conclusions of neurobiological studies and phenomenological studies and positions these realms as correlates of each other. The subjective experience of brain is the realm in which our lives are lived and in which all our perceptions, ideas and feelings are experienced and so the phenomenological approach of the study is a consequence of that fact. The focus is on the dream-ego itself, using a selection of Jung’s own recorded dreams as vehicles to support, describe and reinterpret concepts from the literature in order to elucidate the dream-ego’s function in psychological health. If the dreaming state were exclusively an innocuous epiphenomenon of neurological processes with no experiential function, then it would be expected that the images generated would be quarantined from consciousness entirely, for reasons of psychic stability and hence then cease to be images, but the commonality and regularity of the dream-ego experience indicates an evolved psychic phenomenon with a definite relationship to the waking-ego. The remarkable images and associations experienced in dreams are expressions of the psyche’s uncompromising experiential authenticity and although these dream experiences may be profoundly complex, the dream-ego is seen to have an underlying naivety whose nature is captured by the title of Charles Rycroft’s (1981) book “The Innocence of Dreams”. When the dream-ego is contrasted to the waking-ego it becomes clear that the major difference is in this ‘innocence’ which is a consequence of the attenuation of rationality and volition for the dream-ego. This weaker rationality and volition prevents the dream-ego from talking or walking its way out of confrontation with unconscious content which manifests before it. The dream-ego experience is based on feelings and emotions which were the original reasons and criteria driving the censorship of the ‘feeling toned complexes’, as Jung describes them. The experience of unconscious material by the vulnerable dream-ego and the subsequent transfer to the waking-ego provides the option for the waking-ego to ‘reconsider’ or to make decisions based on the authentic feelings of the psyche. The fact that mammals exhibit REM sleep, and the strong case for mammals dreaming during that period, complicates the understanding of human dream function. In non dreaming sleep the ego is annihilated but is underwritten by the neural networks which constitute the ego when ‘active����. Since neural networks are known to atrophy with disuse, the sequestered ego is at risk of loss of fidelity on manifestation, and therefore may mismatch the environmental context. The study presents the dreaming state as the periodic partial activation of the ����neural ego���� to prevent atrophy and to maintain ego retrieval fidelity. This concept has applicability also to the animal case, since they must maintain their behavioural fluency and environmental congruence. Once the evolved dreaming state is established in mammals it may be subject to further evolutionary possibilities and subtleties in the human case. A consequence of this study is the presentation of the dream-ego as the partial arousal of the waking-ego, rather than the normal wording of the dream-ego as the half asleep waking-ego, since the dream-ego is seen as the psyche rehearsing its ego. The defining phenomenology of the dream-ego is found in its vulnerability to the feelings and emotions of the psyche, but paradoxically this vulnerability is its strength in its role as the feeling nexus between the unconscious and conscious mind. The waking-ego which may misconstrue its role in the psyche’s scheme of things and become aloof in its mentations believing all problems are intellectual, has the innocence of the dream-ego experience as its lifeline to the psyche’s authenticity. It is the intent of this study to contribute to the understanding of the role of the dream-ego experience in therapeutic practice, and placing the dream-ego as the protagonist of the study, to be attentive to the power of its innocence. / Doctor of Philosophy (PhD)

This thesis applies the analytical psychology of C. G. Jung to the study of films. The thesis is in three parts. Part One forms an introduction to the theory of analytical psychology and makes the initial links to film theory. Part Two involves the development of a model for systematically applying the theory and Part Three is a detailed analysis of one film. Part One: In Chapter One Jung's theories about conscious behaviour are explored, some initial points of contact are made with film analysis, and a variety of films are used to illustrate the relevance of the theory. Chapter Two finds areas of correspondance between Jung's theories of the unconscious and film theory. This is a bridging of what had previously been regarded as separate critical traditions. Chapter Three is a detailed analysis of Tightrope (Dir. R. Tuggle, Warner Brothers, 1984) which demonstrates the applicability of analytical psychology n the analysis of films. Part Two: Chapter Four presents more theory about the nature of archetypes, and from this a model is derived. This model enables the central tenets of analytical psychology to be used for the analysis of films. This is demonstrated in Chapter Five which is an analysis of the detective film Blade Runner (Dir. R. Scott, Columbia, 1982). Chapter Six explores the function of the symbol in film, especially how it relates to the development of the narrative and to the psychological growth of the film's central characters. Chapter Seven is the last of the theoretical chapters and indicates how the individuation process can be applied to films. The figures of the shadow and the femme fatale are regarded as having a particular generic and cultural importance. Part Three: The remaining chapters are a detailed examination of Trancers (Dir. C. Band, Lexyen Productions, 1984), in which the model established in Chapter Four is used to facilitate the analysis of the film. This reveals that beneath the visual and narrative surface of the film there exists a series of mythological and psychological structures. Ultimately the film is regarded as an expression of collective latent unconscious psychological needs.

M. Tech. Fine Arts / This dissertation will attempt to contextualise the notion of art created by individuals suffering from schizophrenia. These individuals include four non-westernised individuals. Artworks used in this dissertation were obtained, with permission, from a psychiatric facility on the East Rand. It is the aim of this dissertation to analyse the symbols that manifest in these artworks, symbols that manifest from the personal unconscious of collective unconscious. The symbols that manifest in these artworks will be analysed through the application of Jungian psychoanalytic theory as put forth by the 20th century analytical psychologist, Carl Gustav Jung. The Jungian theoretical propositions to be included in the argument include: Jung's view of the psyche (which is divided into ego, personal unconscious and the collective unconscious, which houses the main archetypes) as well as Jungian views on symbolism, and Jung's understanding of schizophrenia. This thesis attempts to show that the methodology that is used during the Jungian dream analysis can also be applied to the analysis of artworks created by schizophrenic individuals. Dream analysis, in this context, will be adapted to an analysis of visual symbols.

Thesis (D. Min.)--Denver Seminary, 1999. / Includes bibliographical references.

Thesis (D.Min.)--Acadia University, 2000. / Includes bibliographical references (leaves 268-282). Also available on the Internet via the World Wide Web.

Thesis (D. Min.)--Denver Seminary, 1999. / Includes bibliographical references.

Thesis (Ph.D.)--University of Western Sydney, 2008. / A thesis submitted to the University of Western Sydney, College of Arts, School of Psychology in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliography.

Thesis (D. Min.)--Denver Seminary, 1999. / Includes bibliographical references.

Thesis (M. A.) -- Pacifica Graduate Institute, 2006. / Production thesis: contains podcasts by the author. Includes bibliography.

This thesis is directed towards investigating the nature of English language learning in a foundation-year programme in one public university in the United Arab Emirates. The aims of the thesis were based on the need to provide a possible explanation for the significant number of learners achieving low results, or failing their English language courses, in this programme. It was felt that a critical Jungian perspective could help uncover the existence in the Emirati tertiary system of both conscious and unconscious student resistance to English and of, synchronous, discursive forms of linguistic imperialism. This notion was based on findings in the literature, principally in Analytical Psychology, which suggest that the individual psyche is composed of profound and powerful personal and collective unconscious elements as well as critical theory, which maintains that the language classroom cannot be extricated from the influence of surrounding political, or even geopolitical, forces. The thesis sought, through the use of both a critical discourse analysis and critically-oriented case studies, to provide insight into the nature of the dialectical tension believed to exist, in this milieu, between the propagators of the language and those adopting it. The findings provided considerable evidence of a tension operating both at the discursive level and at the psychological level in the use of English in the foundation-year programme. The findings suggested that the discourse presented to learners, from western textbook writers and editors, is heavily Anglo-Saxon in its use of motifs and topics and that there is room, at least on a macrostructural level, to offset this tendency and reconsider the cultural weighting of topical content so as to more appropriately cater to an Arabic and Muslim audience. Also, the primary data revealed that the study’s participants were critical of the use of English as the university’s medium of instruction and there was consensus among them that a significant number of Emirati students, as well as some members of the public, were not receptive to the intrusion of this foreign language into their lives. Critical Discourse Analysis and critical case studies were combined in the shaping of the research methodology and this enabled the researcher to gain an in-depth and qualitative insight into the nature of English propagation and adoption. Key data collected from the research interviews was placed into a Jungian taxonomy and combined with the critical discourse analysis. Upon examination, it provided the researcher with information, supported by relevant literature, that led to a number of recommendations directed, in particular, to language teachers (and publishers) regarding the need to shape discourse to cater to the cultural needs of the learners and to consider the psychological impact that the tertiary English language policy was having on the Arab student body. The thesis strongly maintains that the discursive content of the language materials delivered to such students needs to be more extensively adapted in order to cater to the student body so as to minimize, as much as possible, potential cultural alienation. It also advocates the provision of Jungian psychological counseling in English language programmes because it would encourage policy makers to acknowledge the role of the unconscious in learning as well as provide invaluable support to language learners who are experiencing conscious or unconscious resistance to the English language in such a setting.