Thesis (PhD) - [Higher Education Division - Lilydale], Swinburne Institute of Technology, 2009. / Submitted for the degree of Doctor of Philosophy, [Higher Education Division - Lilydale], Swinburne University of Technology, 2009. Includes bibliographical references (p. 351-371)

Thesis (Ph. D.)--Wheaton College (Ill.), 2008. / Abstract. Mysterion appears in Greek letters on t.p. Includes bibliographical references (leaves 372-418).

Thesis (Ph. D.)--Wheaton College (Ill.), 2008. / Abstract. Mysterion appears in Greek letters on t.p. Includes bibliographical references (leaves 372-418).

Thesis (Ph.D.)--University of Hong Kong, 2000. / Includes bibliographical references (leaves 304-317) Also available in print.

No description available.

Thesis (Ph. D.)--University of Chicago, Dept. of Germanic Studies, 2001. / Includes bibliographical references. Also available on the Internet.

Please note: creative writing theses are permanently embargoed in OpenBU. No public access is forecasted for these. To request private access, please click on the lock icon and filled out the appropriate web form. / Creative writing / 2031-01-01T00:00:00Z

No description available.

abstract: This is a solo guitar transcription of the first five movements, known as the "Joyous Mysteries," of the Mystery Sonatas by Heinrich Ignaz Franz von Biber, accompanied by a history of the sonata collection, an analysis of the process of translating a Baroque solo sonata to the guitar, and a guide for performance. The work was chosen because of its significance and popularity within violin repertoire, and the suitability of the solo sonata genre for performance on a guitar. The first section of this project addresses the history and appeal of Biber and the Mystery Sonatas. It is supplemented by a brief survey of guitar transcriptions of Biber's compositions, and the value of the present edition in modern guitar literature. The second section explores the process and challenges of arranging the Mystery Sonatas for solo guitar, followed by a summation of the general allowances and limitations the genre offers to arrangers. The third section focuses on performance practice issues encountered in adapting this series and other Baroque solo sonatas to the guitar. The project concludes with the arrangement, complemented with the original violin and continuo parts for comparison. Although instrumentations may force an arranger to impose speculative harmonies and countermelodies on a thin texture or sacrifice inner voices in a denser texture, the solo sonata's instrumentation of melody and continuo provides an effective balance. This style allows an arranger three important details: a clear and paramount melody, a flexible bass line, and harmonies with unspecified voicings. Similarly, the compositional freedom that Baroque composers allowed to performers also facilitates the arranging process and enables a variety of creative solutions. / Dissertation/Thesis / Doctoral Dissertation Music 2014

Orientador: Maria Célia de Moraes Leonel / Banca: Márcio Scheel / Banca: Sylvia Helena Telarolli de Almeida Leite / Resumo: O tema do trabalho é a caracterização do romance policial de Rubem Fonseca, tendo em vista a importância desse gênero em sua obra. O objetivo é verificar, em três livros do autor, o modo como ele se apropria de recursos clássicos desse tipo de composição, trazendo ou não contribuição para o gênero em pauta. O corpus é composto pelos romances O caso Morel, de 1973, A grande arte, de 1983, e Agosto, de 1990. Para a concretização da proposta, realizamos análise detida de cada livro em particular. A história, as personagens, a narração, a focalização, bem como o espaço e o tempo, serão objeto de exame com o intuito de se estabelecer a maneira como, atuando organicamente ou não, tais elementos constituem romances que são classificados como policiais. Entre tais componentes, no que se refere à história, levantamos e analisamos a menção a um homicídio já realizado, cujo autor deve ser descoberto na sequência da narrativa, e o leitor acompanha as investigações. No que diz respeito às personagens, é examinada a presença de detetives, delegados, policiais, advogados, etc., como também a sua caracterização superficial ou mais profunda. Para que os objetivos sejam atingidos, é fundamental a investigação das figuras do narrador (quem fala) e do focalizador (quem vê). O espaço social e a ambientação construída na obra também serão levados em conta, bem como a representação ou não de determinado período histórico do país. Além dos livros pertencentes ao corpus, há inserções relativas a obra... (Resumo completo, clicar acesso eletrônico abaixo) / Abstract: The theme of the work is the characterization of Rubem Fonseca's detective novel, considering the importance of this genre in his work. The objective is to verify, in three books by the author, the way in which he appropriates classical resources of this type of composition, whether or not making a contribution to the genre in question. The corpus is composed by the novels O caso Morel (1995), A grande arte (1990) and Agosto (1990). For the purpose of the proposal, we carry out a detailed analysis of each book in particular. History, characters, narration, focus, as well as space and time, will be examined in order to establish how, acting organically or not, such elements constitute novels that are classified as criminal. Among such components, as far as history is concerned, we raise and analyze the mention of a homicide already made, whose author must be discovered following the narrative, and the reader accompanies the investigations. With regard to the characters, the presence of detectives, delegates, police officers, lawyers, etc., is examined, as well as their superficial or deeper characterization. In order for the objectives to be achieved, it is fundamental to investigate the figures of the narrator (who speaks) and the focus (who sees). The social space and the atmosphere built in the work will also be taken into account, as well as the representation or not of a certain historical period of the country. In addition to the books belonging to the corpus, there are ... (Complete abstract click electronic access below) / Mestre