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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 5 of 5 (0.021 seconds)Spelling suggestions: "subject:"[een] SUPERFICIALITY"" "subject:"[enn] SUPERFICIALITY""
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Přitažlivost / AttractionKojetská, Monika January 2015 (has links)
In my thesis the focus is on the attraction with which I work in multiple planes. I focus on the essence of the material and its predictive value. I place emphasis on the significance of the use of specific material and use the category of its surface, superficies, fashion, luxury, kitsch, goodliness, atracction,object and desire. I work with visual, physical and sensual attraction.
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[en] ERNEST HEMINGWAY BETWEEN LITERATURE AND HISTORY / [pt] ERNEST HEMINGWAY ENTRE A LITERATURA E A HISTÓRIAJOAO ARTHUR BASILE MACIEIRA 29 July 2021 (has links)
[pt] Esta dissertação investiga as relações entre Literatura e História, assim
como aparecem na obra de Ernest Hemingway. Aqui, buscamos dialogar com
algumas das principais correntes do pensamento historiográfico, assim como da
crítica literária, a fim de apontar algumas especificidades na produção desse autor.
Menos um capítulo de História da Literatura, o texto a seguir buscou ser um
estudo dos espaços que existem entre a História e a Literatura. Tenta ler a obra de
Hemingway como um objeto de investigação privilegiado para o estudo da
literatura no século XX, partindo daquilo que foi identificado em nossa pesquisa
como a superficialidade e a fragmentariedade de sua forma narrativa. Isso
quer dizer que a dissertação considerou não apenas os conteúdos de sua produção
ficcional como historicamente relevantes, mas também a própria forma na qual
esses conteúdos são apresentados. / [en] This dissertation investigates the relations between Literature and History
as in the work of Ernest Hemingway. Here, we seek to dialogue with some of the
main currents historiography and literary criticism, in order to point out some
specificities in the production of this author. Less than a chapter on the History of
Literature, the following text sought to be a study of the spaces that exists
between History and Literature. It tries to read Hemingway work as a privileged
object of investigation for the study of literature in the 20th century, based on
what was identified in our research as the superficiality and fragmentation of
his narrative form. Finally, the dissertation considered not only the contents of his
fictional production as historically relevant, but also the very form in which these
contents are presented.
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha 14 January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha 14 January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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Rejecting the Page, Inciting Visuality: Staging 'Woyzeck' in a Mediatized CultureConway, Elisha January 2013 (has links)
The influence of new media on theatrical practice over the past fifty years has spurred a movement towards theatrical forms which are increasingly organized around the sensory elements of performance. This change is most noticeable in the visual approaches to theatre, and it has produced what I have labeled a theatre of visuality. This thesis argues that the tendencies for visualization found in visual media have extensively marked the performance strategies of contemporary theatre practice, resulting in a shift away from the logocentric dramatic text and towards theatre performance organized around the visual.
Looking at four contemporary productions of Georg Buchner’s Woyzeck –Thomas Ostermeier’s Woyzeck (2005), Vesturport’s Woyzeck (2005), Robert Wilson’s Woyzeck (2000), and Josef Nadj’s Woyzeck ou l’Ébauche du Vertige (1994)– this thesis produces a preliminary typology of four distinct visualities/theatrical forms which make up the theatre of visuality: hyperrealism, synesthesia, superficiality, and visual narration.
This thesis contributes to the conceptualization and understanding of postdramatic theatre by linking the theatre’s rejection of the text to the increased centrality of the visual in performance, and by tracing these shifts to the influence of visual media.
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