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"In dreams begins responsibility:" the role of Irish drama and the Abbey Theatre in the formation of post-colonial Irish identityStout, Rebecca Lynn 16 August 2006 (has links)
This research does not hope to give a finalized portrait of Ireland and its vast and
diverse people. Instead, it hopes to add one more piece to the complicated mosaic that is
an honest depiction of Irish personal and national identity. Several plays by authors
considered to be quintessential Irish nationalists have been read in conjunction with
those authors biographies and the historical moments in which those plays were created,
to offer a multi-faceted perspective to the intersection between art, politics and
individual senses of personhood and nation. The final conclusion is that the growth and
development of a nation requires that the definition of national identity be in a constant
state of performance and revision.
Several key conclusions can be drawn from the findings here. First, Irish identity
is slippery and elusive. To try to finalize a definition is to stunt the growth of a
constantly evolving nation. Secondly, personal and national identity formation cannot
be separated into two distinct processes. Due to the unique political situation leading up
to Irish independence and the subjugated state of all Irish people, regardless of their class
or economic distinction, an individual always exists in relationship to those other members of his or her class, as well as those who define him or her by their differences.
Finally, because of this constantly evolving state and this complicated interrelationship
between the personal and the public, Irish stage drama bears a unique relationship to
Ireland, and to critics seeking to analyze that literature. The multiplicity of the Irish
experience demonstrates itself most clearly in the consistent newness of repeated
performances of its classic texts.
By examining the historical ruptures that resulted from the initial performances
of those texts and comparing them to the texts themselves, documents that live outside of
history until they are drawn back in by those who seek to reinterpret and re-perform
them, researchers can witness the evolution of key ideas of Irish nationalism from their
roots in personal experience, through the interpretive machine of the early Abbey
audiences, and as they continue to transform in modern presentations.
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Die Dramatische Struktur der Spiele von W.B. Yeats /Jochum, Klaus Peter, January 1900 (has links)
Inaug.-Diss.: Philosophische Fakultät: Frankfurt am Main: 1967 / 68. _ Résumé en anglais. _ Bibliogr. p. 250 à 254. Index.
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Christian themes and symbols in the later poetry of W.B. YeatsBabu, M. Sathya, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin. / Vita. Includes bibliographical references (leaves 254-258).
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The isolated cultural hero in W.B. Yeats' At the Hawk's Well and Isaac Rosenberg's MosesGoldman, Hana January 2006 (has links)
Boston University. University Professors Program Senior theses. / PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you. / 2031-01-02
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Musicalised language and the evolving landscape: towards an aural articulation of the poetical Irish soundscape in W.B. Yeats' poetryFernández Arce, Francisca January 2017 (has links)
Informe de Seminario para optar al grado de Licenciado en Lengua y Literatura Inglesa
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Repetition in Yeats's Poetry / イェイツ詩における反復Nishitani, Mariko 24 November 2015 (has links)
京都大学 / 0048 / 新制・課程博士 / 博士(文学) / 甲第19350号 / 文博第691号 / 新制||文||623(附属図書館) / 32364 / 新制||文||623 / 京都大学大学院文学研究科文献文化学専攻 / (主査)准教授 廣田 篤彦, 教授 佐々木 徹, 准教授 森 慎一郎 / 学位規則第4条第1項該当 / Doctor of Letters / Kyoto University / DGAM
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William Butler Yeats : les fondements et l'évolution de la création poétique, essai de psychologie littéraire /Genet, Jacqueline, January 1976 (has links)
Thèse--Lettres--Paris III, 1973. / Bibliogr. p. 723-735. Index.
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Folklore and W. B. Yeats the function of folklore elements in three early plays /Bramsbäck, Birgit January 1984 (has links)
Diss. English and Celtic sections : Uppsala : [1984]. / Bibliogr. p. 157-170. Index. -
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Yeats, the master of sound : an investigation of the technical and aural achievements of William Butler Yeats /Devine, Brian. January 2006 (has links)
Texte remanié de: Thesis Ph. D.--University of Ulster, GB, 2001. / Bibliogr. p. 315-336.
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Aspects of scientific thought in modern Irish literatureHeaney, Liam Francis January 1996 (has links)
No description available.
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