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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Tranen van bloed het beleg van 's-Hertogenbosch en de oorlog in de Nederlanden, 1629 /

De Cauwer, Peter. January 1900 (has links)
Also published as the author's Thesis--Universiteit van Amsterdam, 2007. / Description based on print version record; title from e-book title screen (viewed Aug. 4, 2009). Includes bibliographical references (p. 389-414).
2

Tranen van bloed het beleg van 's-Hertogenbosch en de oorlog in de Nederlanden, 1629 /

Cauwer, Peter De, January 1900 (has links)
Also published as the author's thesis--Universiteit van Amsterdam, 2007. / Includes bibliographical references (p. 389-414).
3

Twee eeuwen Bosch' boekbedrijf, 1450-1650 een onderzoek naar de betekenis van Bossche boekdrukkers, uitgevers en librariërs voor het regionale socio-culterele leven /

Oord, C. J. A. van den, January 1984 (has links)
Thesis (doctoral)--Katholieke Universiteit te Nijmegen, 1984. / Summary in English. Includes indexes. Includes bibliographical references (p. xviii-xxix).
4

Naissance d'une région :aux origines de la mairie de Bois-le-Duc: Recherches sur le Brabant septentrional aux 12e et 13e siècles

Steurs, Willy January 1987 (has links)
Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished
5

Ascents and Descents: Personal Pilgrimage in Hieronymus Bosch's The Haywain

Daines, Alison 03 December 2009 (has links) (PDF)
At the end of the fifteenth century, Hieronymus Bosch provided the foremost expression of the strict religious piety embodied by the Devotio Moderna and the impending embrace of secular humanism. As a result, Bosch's seemingly complex images provided viewers with positive messages concerning the journey of life through the use of binary symbolism. He utilized the pilgrimage motif as a guide throughout his paintings and in relation to the liminal spaces surrounding his works. This article will examine his important triptych, The Haywain, (c.1495-1516) as an example of spiritual paths taken simultaneously by both religious and contemporary figures, along with the viewers themselves. The underlying theme of Christ's Ascension in The Haywain plays out in an interwoven assortment of journeys, identified by characteristic northern and medieval Christian iconography. Christ's final journey acts as the ultimate goal and the paradigm for both the pilgrim within the triptych and the viewer. Evidence of processional celebrations mimicking pilgrimages reveals that the motifs in Bosch's works were located throughout his visual culture. Finally, an investigation of Bosch's 1505 triptych The Temptation of St. Anthony reveals that Bosch remains consistent in his use of the pilgrimage theme. Bosch worked within the context of the visual and textual culture of the Netherlandish city of ‘s-Hertogenbosch, and despite his creative style, was understood among his contemporaries as a messenger of positive piety.

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