亨利．米勒作品素以自傳式的性意識著稱，而評家最易忽略的就是將其自傳視為事實，進而混淆敘事者與作者角色的岐異，作品的評論常流於對作者人格的批評。實則性意識的描述只是其整體敘述策略當中的一環。對於人性的惰性與奴性，以及制度的非人性與僵化，不論在家庭、社會、國家、傳統、乃至於宗教各個層面，他都施展了最嚴厲的批判。本文的目的即在彰顯其批判的策略與主題，試圖從《北迴歸線》與《南迴歸線》兩部文本，釐清其片斷、跳躍、而跡近精神分裂式的敘事風格與技巧。本文研究的方法及主題，乃借用法國思想家德勒茲與瓜達里著作裏的觀念，其中包括《反伊底帕斯》、《千座山台》、《卡夫卡》等。主要運用的概念，有遊牧策略、無器官身體、慾望生產及根莖多元論等，以期能更周延的詮釋米勒突破家庭、社會束縛的反隸屬化精神。 　　本論文分成三章：首章探討米勒的遊牧精神，與無器官身體如何達成逃逸陣線的目的。第二章分析米勒如何運用性意識，與對人性的描寫完成其慾望生產。第三章著重米勒的根莖式體裁與語言運用，以窺探其邁向「小」文學的堂奧之處。本文企圖闡明的終極目標即在於呈現反惰性、僵化與隸屬化的自由開放精神。 / Henry Miller is famous/notorious for a long time as an autobiographer coupled with sexual descriptions. Some critics tend to take Miller's auto-novel for a sheer autobiography, thereby identifying the narrator with the autor. In fact, sexuality is merely one of Miller's characteristic narrative strategies opposing to the institutions and establishments. One of his searing assaults is directed toward family, society, tradition, and God, all embody and reify his disappointments toward the inert human nature and dehumanized institutions. 　　This thesis deals with the important themes as represented in Miller's Tropic of Cancer and Tropic of Capricorn and attempts to illustrate his fragmentary and schizophrenic narrative strategy. I use the conceptions of nomad, body without oragns, desiring- machines and rhizome adopted from Deleuze and Guattari's Anti- Oedipus, A Thousand Plateaus, and Kafka to detect Miller's spirit of deterritorialization. This thesis is divided into three parts: Chapter One deals with how Miller approaches his line of flight through the nomadic spirit and body without organs. Chapter Two Probes into the consummation of desiring-production through Miller's description of sexuality and humanity. Chapter Three emphasizes the crucial points of the minor literature through the functioning of Miller's language and rhizomatic structure. The final goal of the thesis tries to situate Miller's texts in the free spirit of deterritorialization from the institutions.