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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

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收編與轉喻－90年代後鑲嵌於中共官方意識型態下的台灣流行歌曲 / Metaphor and metonymy—embedded in the ideology of the Chinese communist government of the Taiwanese pop music after 90s

黃翔翔, Huang,Hsiang Hsiang Unknown Date (has links)
90年代後，中國大陸的文化政策逐步鬆綁，流行音樂市場呈現百家爭鳴。其中，台灣流行音樂的市占率超過80%，傳播其所承載的意識型態，伴隨著一代又一代的中國大陸青年成長，對中國大陸社會的影響不曾間斷。在文化政策的宏觀調控下，中共官方對台灣流行音樂持續施展政治性的運用，運用黨國機器的管制與特殊的演出場域收編轉喻台灣流行音樂；而台灣歌手在「政治正確，商演不斷」市場的考量下，也樂於登上黨國控管的演出場域。這也使得中國大陸市場上的台灣流行音樂，鑲嵌於中共官方政策意識型態中。 / Since the 90s, cultural policy of the Chinese mainland has deregulation.The music market is more divers, and Taiwan's pop music market share over 80%. Chinese government tries to Metaphor and Metonymy Taiwanese pop music, Taiwanese singer to move closer Party-state field to market incentives.
中國大陸流行音樂
台灣流行音樂
文化霸權
構連理論
Chinese Pop Music
Taiwanese Pop Music
Cultural Hegemony
Articulation Theory

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