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La traducion de las interjecciones en el habla juvenil audiovisual en contrastividad entre español e italianoMagazzino, Raffaele <1980> 10 October 2008 (has links)
No description available.
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Eventos sonoros en los viajes colombinosCabrera Silvera, Eliana Teresita <1980> 28 May 2009 (has links)
No description available.
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Il Comentum super cantum di Roger Caperon. Introduzione ed edizione criticaBevilacqua, Gregorio <1981> 28 May 2009 (has links)
No description available.
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Il Tentamen novae theoriae musicae di Eulero (Pietroburgo, 1739): traduzione e introduzioneDe Piero, Alvise <1974> 28 May 2009 (has links)
No description available.
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I concerti per due violini di Vivaldi (con edizione di RV 513, 521, 528, 764 e ricostruzione di RV 520, 526)Ammetto, Fabrizio <1965> 31 May 2010 (has links)
In the whole of Europe the most important composer of concertos for two violins is indubitably Vivaldi (1678-1741), who produced almost thirty works of this type during almost the full length of his creative career. The dissertation examines this particular side of Vivaldi’s activity, starting with an examination of the concerto in Rome, Bologna, and Venice at the turn of the seventeenth and eighteenth centuries. The aspects investigated include the ‘conceptual’ origins of the double concerto for two violins in Vivaldi, the nature, distribution and interrelationship of their sources (particular attention being given to compositional revisions in the autograph manuscripts) and an analysis of the works themselves that takes in form, tonal structure, technical-instrumental character and performance practice. The concertos that have come down in particularly problematic non-autograph sources are discussed in detail and presented in critical editions. A reconstruction is offered of the two works (RV 520 and 526) that have survived only in incomplete form, lacking the part of the first soloist. The concertos for two violins composed in Germany by Telemann and J. S. Bach, the contemporaries of Vivaldi who paid greatest attention to the double concerto genre, are then described and analysed. The thesis ends with a complete list of modern editions of Vivaldi’s concertos for two violins and a select discography.
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La psicologia della Gestalt. Ricerche teoriche e sperimentali sulla percezione sonora e musicale (1890-1939)Buccio, Daniele <1980> 31 May 2010 (has links)
The aim of the present work is a historical survey on Gestalt trends in psychological research between late 19th and the first half of 20th century with privileged reference to sound and musical perception by means of a reconsideration of experimental and theoretical literature. Ernst Mach and Christian von Ehrenfels gave rise to the debate about Gestaltqualität which notably grew thanks to the ‘Graz School’ (Alexius Meinong, Stephan Witasek, Anton Faist, Vittorio Benussi), where the object theory and the production theory of perception were worked out. Stumpf’s research on Tonpsychologie and Franz Brentano’s tradition of ‘act psychology’ were directly involved in this debate, opposing to Wilhelm Wundt’s conception of the discipline; this clearly came to light in Stumpf’s controversy with Carl Lorenz and Wundt on Tondistanzen. Stumpf’s concept of Verschmelzung and his views about consonance and concordance led him to some disputes with Theodor Lipps and Felix Krueger, lasting more than two decades. Carl Stumpf was responsible for education of a new generation of scholars during his teaching at the Berlin University: his pupils Wolfgang Köhler, Kurt Koffka and Max Wertheimer established the so-called ‘Berlin School’ and promoted the official Gestalt theory since the 1910s. After 1922 until 1938 they gave life and led together with other distinguished scientists the «Psychologische Forschung», a scientific journal in which ‘Gestalt laws’ and many other acoustical studies on different themes (such as sound localization, successive comparison, phonetic phenomena) were exposed. During the 1920s Erich Moritz von Hornbostel gave important contributions towards the definition of an organic Tonsystem in which sound phenomena could find adequate arrangement. Last section of the work contains descriptions of Albert Wellek’s studies, Kurt Huber’s vowel researches and aspects of melody perception, apparent movement and phi-phenomenon in acoustical field. The work contains also some considerations on the relationships among tone psychology, musical psychology, Gestalt psychology, musical aesthetics and musical theory. Finally, the way Gestalt psychology changed earlier interpretations is exemplified by the decisive renewal of perception theory, the abandon of Konstanzannahme, some repercussions on theory of meaning as organization and on feelings in musical experience.
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Alcuni aspetti compositivi de "L'organiste" e dei "Trois chorals" di César FranckScognamiglio, Francesco <1973> 31 May 2010 (has links)
No description available.
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Struttura genetica spazio-temporale e tracciabilità delle popolazioni di tonno rosso (Thunnus thynnus) del Mediterraneo.Ferrara, Giorgia <1979> 11 May 2010 (has links)
No description available.
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Donne tra natura e cultura: la riproduzione del ruolo materno nella pubblicità. Annunci italiani e spagnoli di prodotti per l'infanzia.Businaro, Chiara <1979> 14 June 2010 (has links)
No description available.
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Jean-Philippe Rameau, Code de Musique pratique ou Méthodes pour apprendre la musique. Introduzione, traduzione, note.Pulito, Caterina <1981> 31 May 2010 (has links)
No description available.
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