<p>The subject of this thesis is Scandinavian nationalism from the late 18th century to ca 1920. The focus lies on that particular aspect of nationalism that was at the same time the most mundane and the most enigmatic: the ever-present depicting of the nation in words, pictures and music, which in effect created a parallel universe, a patriotic dreamland. This creation was highly gendered, and the media in which it flourished most abundantly was the patriotic song. The study therefore uses song texts as its primary source material and builds upon the theoretical foundations laid by, e.g., Joan Scott and Michael Billig.</p><p>Geographically, the investigation centers on Sweden, using Norway and Swedish-speaking Finland as objects of comparison. The main producers of the lyrics and their intended target groups are identified, and an in-depth analysis of a large corpus of songs is made.</p><p>The main conclusion is that the patriotic songs, in spite of spreading to an ever increasing proportion of the population, were not an expression of the ‘voice of the people’ or even that of the bourgeoisie as a whole. The texts were chiefly written by male academics, and from their formative years during the Napoleonic wars the songs preserved an obsession with a warlike unmarried manhood. Only in the last decades of the period were civilian virtues and national womanhood slightly more emphasized. It is suggested that the songs, apart from being an expression of what Billig has termed ‘banal nationalism,’ also functioned as a bastion of a ‘banal androcentrism.’</p><p>The thesis shows that the patriotic dreamland of the patriotic songs was designed in a way that promoted the interests of its producers and reproducers. The seemingly semi-autonomous quality of the discourse is also discussed, employing meme theory as used by, e.g., Daniel Dennett.</p>

The subject of this thesis is Scandinavian nationalism from the late 18th century to ca 1920. The focus lies on that particular aspect of nationalism that was at the same time the most mundane and the most enigmatic: the ever-present depicting of the nation in words, pictures and music, which in effect created a parallel universe, a patriotic dreamland. This creation was highly gendered, and the media in which it flourished most abundantly was the patriotic song. The study therefore uses song texts as its primary source material and builds upon the theoretical foundations laid by, e.g., Joan Scott and Michael Billig. Geographically, the investigation centers on Sweden, using Norway and Swedish-speaking Finland as objects of comparison. The main producers of the lyrics and their intended target groups are identified, and an in-depth analysis of a large corpus of songs is made. The main conclusion is that the patriotic songs, in spite of spreading to an ever increasing proportion of the population, were not an expression of the ‘voice of the people’ or even that of the bourgeoisie as a whole. The texts were chiefly written by male academics, and from their formative years during the Napoleonic wars the songs preserved an obsession with a warlike unmarried manhood. Only in the last decades of the period were civilian virtues and national womanhood slightly more emphasized. It is suggested that the songs, apart from being an expression of what Billig has termed ‘banal nationalism,’ also functioned as a bastion of a ‘banal androcentrism.’ The thesis shows that the patriotic dreamland of the patriotic songs was designed in a way that promoted the interests of its producers and reproducers. The seemingly semi-autonomous quality of the discourse is also discussed, employing meme theory as used by, e.g., Daniel Dennett.

This thesis studies the literary genre of pastoral between 1559 and 1647. The first of these dates is that of a work that changed the course of early modern pastoral, Montemayor’s Diana; and the second marks the English translation of Gomberville’s Polexandre, a pastoral romance which exemplifies the shifts in cultural values that re-shaped Montemayor’s model over the century that followed its publication. My study focusses on the significance for this genre of the ethical quality known to classical moral philosophy as otium, and translated in early modern English by words such as peace, leisure, retirement, ease and idleness. Otium has strong historical associations with the tradition of Virgilian pastoral. Its significance in early modern pastorals, however, has been largely overlooked, despite the fact that early modern interest in otium had been revitalised by the rediscovery of some of its most important classical discussions. This renewed interest in otium, I argue, was essential to the development of early modern pastoral. My argument challenges both old and new critical perspectives on pastoral, and engages with key issues in early modern culture which literary scholars have neglected. Older studies understood pastoral otium simply as idyllic retreat; newer ones accept this view, but argue against its privileged and quietist political implications, preferring to concentrate on the tradition of interpreting pastoral as political allegory. Otium’s principal connotations, however, were neither quiet nor idyllic. Though its restorative qualities were sometimes cautiously acknowledged, otium’s potential to corrupt was ever-present, and affected a range of areas including privacy, politics, moral psychology and medicine. When people wanted to imaginatively explore those effects, I argue, pastoral was the genre to which they were most likely to turn. Listening to what pastorals say about otium can play an important role in reconstructing this crucial and misunderstood aspect of early modern culture.

Theoretical understandings of war have been dominated by the thought of Clausewitz for a number of decades. His thought is valid in many respects, but for various reasons it is open to misinterpretation and misunderstanding; furthermore, a number of his observations (particularly on the prevalence of chance and uncertainty in war) are not fully explored and substantiated theoretically. This thesis is an attempt to present and elucidate a new theoretical understanding of war's nature which complements Clausewitz's theories and addresses these concerns: this is the understanding of war as a form of violent conflict which is not bound by rules. The thesis consists of five main chapters. The first is an in-depth study of Clausewitz, which will provide an exegesis of his theories and highlight the deficiencies in his thought, before positing how understanding war as ‘violent conflict without rules' could be used to address and explain them. The second chapter is a study of the theory of rules, examining in particular the role they play in moderating conflict: we can find that amongst other things, rules lend predictability and psychological security to a contest, restrict the scope of physical harm and tend to preserve the political and social status quo. As war lacks rules (in the sense that there are no ‘rules of war' as there are ‘rules of chess'), it therefore lacks these benefits. A following chapter on the laws and customs of war will address cases where war appears to be bound by rules, and clarify my position. The final two chapters explore the implications of war's lack of rules with reference to two areas which are most commonly associated with war. The fourth chapter on strategy will explore how this military concept is necessitated by war's ruleless nature; the final chapter will examine the uniquely violent, physical nature of war through the same theoretical prism, and will show how the technological innovation associated with war is a consequence of its lack of regulation, and a potent contributor to the chance and uncertainty which plagues warfare.

PixD (Slr1694) ist ein Photorezeptor, der den sensors of blue light using FAD (BLUF) Proteinen zugeordnet wurde. Die Übertragung des Stimulus auf das Apoprotein erfolgt in dieser Proteinfamilie über eine Neuordnung des Wasserstoffbrückennetzwerkes um den Kofaktor, in das die strikt konservierten Reste Tyrosin-8 (Y8), Glutamin-50 (Q50) und möglicherweise das semi-konservierte Tryptophan-91 (W91) involviert sind. Ziel dieser Arbeit war es, weitere Hinweise auf die Wasserstoffbrückenkonfiguration der Flavinbindetasche in Dunkel- und Lichtzustand zu erhalten, um eine bessere Vorstellung von der Stabilisierung des Lichtzustandes zu bekommen und mögliche Wege der Signaltransduktion an die Proteinoberfläche einzugrenzen. Die Ergebnisse weisen darauf hin, dass sich lichtaktivierte Interaktionsänderungen zwischen Apoprotein und Chromophor auf die Neubildung einer Wasserstoffbrücke zum Flavin C4-Carbonyl beschränken. In Übereinstimmung zu früheren Analysen liegt das Q50 im Dunkelzustand in seiner Amid-Form vor. Sein Seitenkettencarbonyl ist im Lichtzustand vermutlich zu Y8 ausgerichtet, wobei Hinweise auf eine Amid-Imidsäure-Tautomerisierung des Glutamins in PixD gefunden wurden. Eine selektive Isotopenmarkierung des Tryptophan-91 zeigte Anzeichen für eine Verlängerung des β5-Stranges, die wahrscheinlich ein zentrales Element der Signalweiterleitung an die Proteinoberfläche darstellt. Möglicherweise erstreckt sich das Wasserstoffbrückennetzwerk dabei bis in die über dem beta5-Strang liegende alpha-Helix. Wird es gestört, scheint das Proteininnere für Imidazol zugänglich gemacht zu werden, wo es die Aktivierungsenergie für die Rückkehr in den Dunkelzustand beeinflusst. Auch Substitutionen des H73 im gegenüberliegenden Eckstrang des beta-Faltblattes beeinflussten die Geschwindigkeit der Dunkelrelaxation von PixD. Sie veränderten die IR-Absorption gegenüber dem Wildtyp jedoch nicht und unterstützen die Theorie einer Protonenleitung über das benachbarte H72. / The photoreceptor PixD (Slr1694) belongs to the sensors of blue light using FAD (BLUF) protein family. These photoreceptors propagate the signal by a rearrangement of hydrogen bonds surrounding the cofactor, involving the highly conserved residues tyrosine-8 (Y8), glutamine 50 (Q50) and perhaps the semi-conserved tryptophan-91 (W91). One aim of the presented work was to gain a deeper insight into the hydrogen bond configuration of the flavin binding pocket in the light and dark state conformations. Thereby, knowledge of the stabilization mechanisms for the light state and the signal propagation to the protein surface could be acquired. The results indicate a restriction of light induced changes in hydrogen bonding of the flavin to its C4 carbonyl. In agreement with former studies, the Q50 forms the amide isomer in the dark state. Its side chain carbonyl group most likely points towards Y8 in the active protein. Besides, the results support an amide-imidic acid-tautomerization of Q50 in PixD. A selective isotope labeling of the tryptophan-91 localized at the beginning of an edge strand of the beta sheet indicates an elongation of the secondary structure that may represent a central element of the signal propagation to the protein surface. The secondary structure is possibly connected with an alpha helix located above the beta5 strand by hydrogen bonds. A disturbance of this interaction probably allows the base catalyst imidazole to enter the protein core. Substitutions of H73 in the opposing edge beta strand changed the rate of the PixD dark relaxation as well. However, they had no visible effect on the infrared absorbance compared to the wild type and hence support a putative involvement of the neighbouring H72 in proton transfer reactions.

Although many historians consider Joseph II's campaign of 1788 against the Ottoman Turks a failure, no one has yet provided a thorough account of it. This study attempts to put something into the void. / Based mostly on original sources found in the Kriegsarchiv (War Archives) in Vienna, it examines the campaign from the perspective of Joseph II. The first chapter tries to explain how Joseph became involved in a conflict with the Porte. The second chapter covers the period of February-July 1788, when Joseph postponed his offensive on Belgrade until the fall and waited in Zemun on the defensive. The third chapter begins with the Ottoman advance into the Banat of Timisoara in early August 1788 and ends with the Habsburg army's retreat to winter quarters in November. / Despite failing to take Belgrade, the Habsburg army captured strategically important positions for the campaign of 1789. The difficulties encountered cannot be blamed solely on Joseph's poor generalship. Other factors, such as insufficient Russian assistance, a difficult climate and terrain and a surprisingly strong Ottoman effort, must also be considered.

Tesis para optar al grado de Licenciada en Historia / En este estudio me interesa abordar la pregunta por los significados que tiene el lugar y las actividades de los sirvientes en una economía doméstica tradicional. Ello requiere que se les observe en el tejido de las relaciones familiares, por una parte, y en el contexto de las prácticas asociadas al mantenimiento de un orden en lo doméstico. Se trata de una aproximación desde la historia de la vida cotidiana, la cual entenderé como un conjunto de prácticas llevadas a cabo por los sujetos, que pretende dar cuenta de las formas concretas en que los individuos se apropian de sus condiciones materiales y las transforman en «maneras de hacer». Se trata de una perspectiva que también puede abordar las relaciones de poder que se instalan en el tejido social, pero con una reducción del enfoque a un ámbito mucho más íntimo, como el del espacio doméstico, por ejemplo, para dar cuenta de la tensión siempre presente que se produce entre la circulación de los discursos y el despliegue de las prácticas, y de las diversas representaciones que allí tienen lugar.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Menciona un elemento de mucho interés para entender la historiografía peruana desde tiempos coloniales y su vinculación con la idea o las ideas de nación: la confrontación de versiones históricas, su condición de historia crítica, de herramienta de denuncia social y política. A pesar de los esfuerzos de la historiografía conservadora por imponer su versión de la historia como consensual, nunca ha podido acallar las versiones contrarias o heterodoxas. En efecto, las versiones históricas están en competencia, en contraposición, enfrentadas unas a las otras en función de intereses de sus autores en los campos políticos, ideológicos, religiosos, culturales, económicos y sociales. Las versiones historiográficas se nutren unas de otras, se cuestionan, se sustituyen pero también conviven y, por eso, no siempre resulta fácil hallar las influencias de interpretaciones históricas en autores y tendencias posteriores. De ahí que la identificación de paradigmas historiográficos haya servido para establecer mejor el origen y el flujo de las ideas de la nación peruana en la historiografía. La investigación se realizó una revisación de los postulados originales y a la necesidad de ampliar el marco cronológico del análisis para vincular los discursos históricos posteriores a la rebelión de Túpac Amaru con aquellos vigentes antes de 1780. Por este motivo, a pesar de que el título sugiere que el análisis de los casos empieza hacia 1780, se considera pertinente iniciar la investigación con interpretaciones historiográficas que se remontan al siglo XVI. / Tesis

No description available.