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No description available.

This thesis provides a brief history of opera as well as analysis of the operas of Giuseppe Verdi.

伍慧珠. / 稿本(電腦打印本) / Thesis (M.A.)--香港中文大學中國語言及文學學部. / Gao ben (dian nao da yin ben) / Includes bibliographical references (leaves [1-7](last group)). / Wu Huizhu. / Thesis (M.A.)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu. / Chapter 第一章 --- 緒論 --- p.1-3 / Chapter 第二章 --- 劉熙載的生平和著作 / Chapter 第一節 --- 劉氏所處的時代背景 --- p.4-5 / Chapter 第二節 --- 劉熙載的生平 --- p.5-22 / Chapter 第三節 --- 劉氏治學之概略及述作述要 --- p.22-23 / 註釋 --- p.34-40 / Chapter 第三章 --- 劉氏論詞的旨趣 / Chapter (一) --- 雅正 --- p.41-44 / Chapter (二) --- 比興 --- p.45-47 / Chapter (三) --- 詞品 --- p.47-60 / Chapter (四) --- 正宗 --- p.60-63 / Chapter (五) --- 兼美 --- p.63-66 / Chapter (六) --- 本色 --- p.66-69 / 註釋 --- p.70-72 / Chapter 第四章 --- 劉氏靜詞論詳析 / Chapter 第一節 --- 源流正變論 / Chapter 一. --- 釋名 --- p.73-74 / Chapter 二. --- 論源流 --- p.74-81 / Chapter 三. --- 論正變 --- p.81-83 / Chapter 四. --- 論詞家 --- p.83-143 / Chapter 五. --- 《藝慨. 詞曲概》論述詞家則數統計表 --- p.144-145 / Chapter 第二節 --- 創作論 / Chapter 甲. --- 概論 --- p.140-158 / Chapter 乙. --- 分論 / Chapter 一. --- 章法 --- p.150-156 / Chapter 二. --- 句法 --- p.156-165 / Chapter 三. --- 聲律 --- p.165-181 / Chapter 四. --- 用事 --- p.181-182 / Chapter 第三節 --- 餘論 --- p.183 / 註釋 --- p.184-192 / Chapter 第五章 --- 劉熙載詞論之淵源 --- p.193-198 / 源流¨®Ơ --- p.198-201 / 比興說 --- p.201-219 / 作者論 --- p.210-214 / 註釋 --- p.215-218 / Chapter 第六章 --- 結語 --- p.219-227 / 註釋 --- p.228-229 / 參考書目

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Richard Wagner, in writing the text which would become the libretto of his four operas comprising the Ring was influenced greatly by German Mythology as well as old Norse writings. His main sources are the Volsungensaga, the Thidreksaga and the Nibelungenlied. Certain portions of the Ring follow closely the events described in some of the sagas, other portions have been changed and elaborated to achieve theatrical effect. I have endeavoured to explain the differences between the sources and the finished masterpiece. Whether his version of the tales was to ensure good theatre or whether he felt that he was improving on the originals is a moot point. The similarities are sufficient to prove that he had totally immersed himself in the literature available and no doubt felt himself to be a worthy protagonist of this culture. There is no doubt that his music is a masterpiece which may be enjoyed with or without any depth of knowledge of its origins.

Diss.: Philosophische Fakultät: Bonn: 1975. _ Bibliogr. p. VIII-XXVII.

Thèse--Lettres--Rennes, 1965. / Avant-titre : "La Reconstruction catholique dans l'Ouest après la Révolution"