In spite of the enormous resurgence of critical interest in minor figures of the Victorian era over the last twenty years, almost no attention has been paid to Francis Turner Palgrave (1824-1897). In his own age, he was respected as a man of letters, educator, art critic, poet, friend of Alfred Tennyson, and editor of The Golden Treasury of the Best Songs and Lyrical Poems in the English Language, first published in 1861. This dissertation attempts to make good that neglect in two ways: firstly, through an analysis of his life and times, an assessment of his writings as an art and literary critic, an examination of his considerable corpus of original poetry, and the compilation of the first comprehensive bibliography of his own publications. This bibliography is accompanied by a checklist of manuscript sources and a listing of secondary materials about Palgrave himself. Secondly, the dissertation makes the first systematic examination of the Golden Treasury, its genesis and editing principles, its critical reception, and its publication history. This detailed study is accompanied by eight appendices giving bibliographical information about the form and contents of the four major editions of the Treasury published in Palgrave's lifetime, along with a listing of sources and a checklist of contemporary reviews. Throughout the dissertation, the intellectual concerns that led Palgrave to develop a set of fixed principles for judging all art and literature are examined in order to establish that, like his friend Matthew Arnold, he was a committed Hellenist, who insisted that all poetry conform to what he perceived as the "Homeric" ideals of simplicity and unadorned language. The Golden Treasury, in particular, is based on an ideal of "unity" which Palgrave used to justify the many editorial excisions and variant readings which are such a feature of the volume's texts. It is impossible to account fully for the unprecedented success of the Golden Treasury, which has continued to be reprinted in a variety of editions from the time of its first publication until the present, but one of its most important features is that it is the first anthology of English lyric poetry to declare itself complete: Palgrave insisted that the book contained all the best lyrics in the English language. Just as significant is the fact that it is the first anthology by a professional educator who refused to make his selections on the basis of their morally improving qualities, but relied instead on poetic excellence alone. "Francis Turner Palgrave and The Golden Treasury," therefore, attempts to account for the extraordinary success of the Golden Treasury and to examine one of the nineteenth-century's more interesting minor figures, one who was a friend of some of the most brilliant men of his day, including Jowett, Browning, Arnold, Clough, and Gladstone; a recognised minor poet of the "contemplative" school which included Arnold and Clough; and a well-known champion of the Pre-Raphaelite painters. / Arts, Faculty of / English, Department of / Graduate

Made available in DSpace on 2019-04-05T23:02:45Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-02-25 / The paper aims to analyze 1824 Constitution as a liberal one, that even though has institutes from liberalism, develops conceptual aspects from empire´s politicaljuridical praxis. On that matter, discusses the liberal ideology present in the Constitution as a reflex of the juridical reality constituted by the Emperor. The presence of the liberal philosophy was necessary for the Constitution to have a decisive fundament to maintain the liberal ideals of freedom, equality and fraternity, so present at that time. The liberalism was decisive for the establishment of the necessary conditions of governability, but also strengthened the idea that it was necessary to rethink the moderator power and that´s why it was established the 1832 Additional Act. Nevertheless, the 1824 Constitution represented a struggle between conservatives and liberals. So, it´s right to say that the principles of freedom, equality and fraternity were strong in the empire´s constitutionalism. The Constitution of 1824 has liberal aspects. / Esta Dissertação tem como objetivo analisar os aspectos liberais da Constituição de 1824. Discute-se a ideologia liberal presente na Carta enquanto reflexo de uma realidade sócio-política e jurídica. O liberalismo criou condições necessárias para a governabilidade, mas também determinou forte oposição ao poder moderador. A Constituição de 1824 foi produto de um processo dialético travado entre conservadores e liberais. Apesar do ambiente hostil caracterizado pelo catolicismo ibérico, pela tradição lusitana do autoritarismo político, o liberalismo consegue se fazer presente na Carta Constitucional de 1824 e na cena política do Império.

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The opus of Joseph Joubert (1754--1824) was for a long period barely known, due to the fact that it languished unpublished, both during his lifetime and after his death, until the complete version of his Notebooks was brought out in 1938 by Andre Beaunier (reissued in 1994). It was thanks to this new form which his thoughts now took that a completely new Joubert came into view. No longer was he merely a moralist, as portrayed by Sainte-Beuve, whose version held sway for a number of decades, but a diarist as well, i.e., writing his thoughts on a daily basis, in the bourgeois tradition of the books of hours. However, there is something else visible in Joubert's works, for, as Maurice Blanchot put it, "[Joubert's] journal, while it still takes days as its starting point, is not a reflection thereof, but reaches toward something other than them" (Le Livre a venir). Toward what does it reach? On the one hand, one can see, as Georges Poulet does, that Joubert "is not a philosopher, a moralist or an aphorist, but a wonderful poet of light." (Etudes sur le temps humain ). On the other hand, however, Joubert, in a way which is surprising and as yet unexplored, is also a thinker who takes on novelistic thought, that is, the Hegelian world, and thus the world of prose in all of its fullness. If we consider novelistic thought as superimposing essence onto existence in an attempt to discover the former within the latter (which makes the novel the locus, through the experience of weariness, of the question of man's salvation in a world in which religion's possibilities are elusive), this study ventures a survey of the Notebooks, paying particular attention to the forms taken by return in Joubert's thought and then following the uncompleted circles of detour which Jacques Ranciere has called "The Book of Life" (La parole muette). Notebooks also provide one of the first manifestations of what today is known, with all of the contradictions which this entai

Often mischaracterized as a sedate, muddled, and issueless personality contest, the U.S. presidential election of 1824 actually proved an important transitional contest between the First and Second American Party Systems. The five very active candidates involved in the contest created dynamic organizations, sponsored energetic newspaper networks, staged congressional legislative battles, and spread vicious personal attacks against each other, presaging the tactics of the more-celebrated succeeding 1828 election. Four key developments determined the outcome of the 1824 contest. One, the decline of the opposition Federalists encouraged the Republican Party to fracture into five competing candidacies. Two, Secretary of War John C. Calhoun's vicious political attacks fatally undermined the campaign of frontrunner Treasury Secretary William H. Crawford. Three, political outsider General Andrew Jackson successfully equated the practice of politics with corruption, capturing a plurality of the popular vote by running against Washington politicians. Four, Secretary of State John Quincy Adams' superb insider deal-making ability undergirded his successful effort to win the required House election once no candidate received a majority of electoral votes from the popular election. While adversely affecting the political careers of all the participants except Jackson, the election of 1824 accelerated the ongoing trend toward democratized presidential elections and helped give birth to the Second American Party System. / History

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In order to investigate the stylistic transformation that occured before Bruckner abandoned the composition of Masses, this paper analyzes the Credo settings in his last three great Masses, with special attention to the treatment of the text. The relationship between the text and specific musical techniques is also considered. The trends found in these three works, especially in the last setting in F minor, confirm the assumption that Bruckner's Mass composition served as a transition to the composition of his symphonies.