Note:

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.

王俊儒. / 手搞本 / 論文(碩士)-香港中文大學, 1967 / 參考文獻: leaves 107-110 / Wang Junru. / 引論──修訂大清律例之源起 / Chapter （一） --- 清末現行律例重法之廢除 / Chapter （甲） --- 廢止凌遲、梟首、戮屍重刑 / Chapter （乙） --- 取消緣坐制度 / Chapter （丙） --- 削除刺字款目 / Chapter （二） --- 清末現行律例刑名之改定 / Chapter （甲） --- 虛擬死罪戲殺、誤殺、擅殺改為流徒 / Chapter （乙） --- 凌遲斬梟改為斬絞 / Chapter （丙） --- 答杖改為罰金及限制刑訊 / Chapter （三） --- 清末現行律例條文之删訂 / Chapter （甲） --- 删除總目 / Chapter （乙） --- 華禁買賣人口及删除奴婢律例 / Chapter （丙） --- 删除同姓為婚律 / Chapter （丁） --- 删除其他各種條例 / Chapter （戊） --- 改訂律例文 / Chapter （四） --- 變通秋審舊制 / Chapter （五) --- 滿漢法律平等 / Chapter （甲） --- 開滿漢不通婚禁令 / Chapter （乙） --- 議定滿漢通行刑律 / Chapter （丙） --- 變通旗民交產舊制 / Chapter （六） --- 對於宗室覺羅犯罪事件之處理 / 結語 / 參考書目

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Texte remanié de : Dissertation : Littérature : Universität Bonn : 1988. / Texte en allemand, contient des extraits en français. Bibliogr. p. 213-224. Notes bibliogr.

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This thesis deals with stage adaptation of Emile Zola's novel L'Assommoir. Adapted for the stage in 1879 by William Busnach, L'Assommoir was a hit, especially with the working class. Despite this, because of its supposed weak aesthetic value, the theatrical adaptation has not been recognized by literary history. Notwithstanding, the analysis of the characters and staging of this adaptation bring some interesting points to light. The representation of people at work, daily life, the clever transposition to stage of some of the novel's more daring passages, the use of slang and the choice of realist costumes and decor are novelties that signal a change in the established dramatic code and announce the realism of Andre Antoine.

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Orientador: Roberto Berton de Angelo / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-10T18:37:17Z (GMT). No. of bitstreams: 1 Leite_MarceloEduardo_D.pdf: 30582697 bytes, checksum: a7321fbe3467cd0fcf16bc2abf73ad49 (MD5) Previous issue date: 2007 / Resumo: Esta pesquisa objetiva compreender melhor a difusão da fotografia no Brasil do Segundo Império. Em particular, daremos atenção à sistemática do trabalho nos ateliês e as mudanças trazidas após a difusão das fotografias carte de visite. Argumentamos que, sendo o ateliê um espaço importante para a sociedade da época, os fotógrafos tornam-se mediadores de processos de representação e autorepresentação da população, sendo que a análise mais pontual do trabalho privilegiará quatro profissionais que aqui atuaram e que, cada um à sua maneira, indica diferentes formas de fazer o ofício fotográfico / Abstract: This research has as main objective to better understand the spread of photograph in Brazil in the period of the Second Empire. Especially, we will have our focus to the work systematic in the worshops and also to the changes brought after the spréad of the carte de visite photographs. Our argument is that the workshop is an important space for the society of this age, once the photographers became the mediators in the process of representation and self-representation of the population. We will analyze four professional who worked at this age and each one in their one way indicates different ways of the photographic labor / Doutorado / Doutor em Multimeios