Orientador: Izabel Andrade Marson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-13T12:32:10Z (GMT). No. of bitstreams: 1 Domingos_SimoneTiago_M.pdf: 2398842 bytes, checksum: 38c129ebb9d85210aded7eccea4cfbff (MD5) Previous issue date: 2009 / Resumo: Este trabalho tem como objetivo principal a identificação e análise das imagens e concepções sobre os jesuítas que emergem nas páginas da Revista do Instituto Histórico e Geográfico Brasileiro (IHGB) no período de 1839-1886. A partir do exame dos artigos e documentos publicados pela RIHGB e da exploração dos extratos das Atas das sessões, buscamos mapear o debate que se estabeleceu a propósito deste tema entre os membros do IHGB, o levantamento dos possíveis motivos das diferentes posições sobre o assunto, anotando, ainda, as concepções de história e de nação emergentes neste debate. Além dos artigos e documentos divulgados neste periódico, analisamos duas obras importantes da literatura internacional que tematizaram os loyolanos, mais especialmente Des Jésuites, de Jules Michelet e Jesuítes! de Paul Féval, juntamente com a peça O Jesuíta, de José de Alencar, mencionadas por autores estrangeiros e brasileiros, e expressivas da discussão pró ou contra aqueles personagens ocorrida no Brasil e na Europa durante o século XIX. O caminho traçado pela polêmica sobre a Companhia de Jesus no período recortado demonstrou-se sinuoso e multifacetado, pois revelou desde defesas dos religiosos - apoiando especialmente a sua atuação como catequizadores exemplares - até falas críticas ancoradas numa mitologia jesuítica que delineava os loyolanos como "conspiradores" e elementos ameaçadores para o Estado, imagem que inviabilizava a integração da Ordem Inaciana na nação. O trabalho evidencia o quanto essa discussão e seu percurso imbricaram-se em questões políticas importantes vivenciadas pelo Império, a exemplo da unificação política, as guerras no Prata e a Questão Religiosa / Abstract: The main aim of this paper is to identify and analysis the images and concepts about the Jesuits described on the pages of the Brazilian Historical and Geographical Institute (IHGB) Magazine, between the years of 1839-1886. Beginning by the examine of articles and documents published by the RIHGB and the exploitation of extracts from the records of the sections, we intend to map the debate established concerning this theme among the members of the IHGB, reasons that could explain those different views about the issue, noticing the concepts of history and nation that emerge in this debate. Besides the articles and documents published in this periodical, we have analyzed two important volumes from the international literature that has as theme the loyolans, but specially Des Jésuites, by Jules Michelet and Jesuítes!, by Paul Féval, and also the play O Jesuíta, by José de Alencar, mentioned by foreign and Brazilian authors, and expressive of the arguing for or against those characters that had place in Brazil and Europe during the 19th century. The path forged by the controversy about the Society of Jesus in the studied period demonstrated to be winding and multifaceted, because it revealed points of view that varies from defenses of the religious - mainly supporting their action as exemplars catechizers - to the critic lines anchored in a Jesuitical mythology that outlined the loyolans as "conspirators" and threatening components to the State, image that made impossible the integration of the Order of St. Ignatius into the nation. The paper makes evident how much the discussion and the journey leaded to important political issues experienced by the Empire, taking as an example the political unification, the wars at the Prata and the "Religious Matter" / Mestrado / Politica, Memoria e Cidade / Mestre em História

Orientador: Izabel Andrade Marson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-16T02:04:10Z (GMT). No. of bitstreams: 1 Sgrignero_AdrianoAugusto_M.pdf: 14159323 bytes, checksum: 8f52337560ca5d27d4d8303d2668c155 (MD5) Previous issue date: 2010 / Resumo: Esta dissertação identifica e analisa a articulação entre a disputa pela definição de quais as razões e os critérios adequados a configuração de um passado para o Brasil e o projeto político Imperial. A partir do exame dos artigos nomeados de Juízos e Pareceres (avaliações de obras de escritores nacionais e estrangeiros que abordaram a História do Brasil contemporâneo a fundação do IHGB e publicados pela RIHGB), da exploração dos extratos das Atas das sessões periódicas e das sessões aniversárias, buscamos mapear o debate que se estabeleceu a propósito da escrita de uma História Geral para o Brasil, travado pelos membros do IHGB entre 1838-1860. Procuramos evidenciar o quanto essa discussão e seu trajeto perpassam questões e embates políticos vivenciados pelo processo de emancipação política da América Portuguesa, do decorrer do conturbado período regencial e nos primeiros anos do Segundo Reinado / Abstract: This dissertation identifies and analyses the articulation between the debate of which appropriate reasons and criteria to the configuration of a past to Brazil and its political Imperial project. From the exam of the articles named of Judgments and Opinions (valuation of the works of the national and foreign writers who approach the history of contemporary Brazil to the IHGB and published by RIHGB), of the exploration of the extracts of the regular and anniversary sessions, we tried to map the debate which established itself by the way of a Brazil General History, established by the IHGB members between 1838 and 1860. We tried to make evident how much this discussion and its pathway pass by the political questions and impacts experienced by the political emancipation process of the Portuguese America, during the troubled regency period and the first years of the Second Reign / Mestrado / Politica, Memoria e Cidade / Mestre em História

The purpose of this thesis is to examine Thomas Hardy's treatment of nature in his major works. His interpretation of nature was sharply divergent from the traditional viewpoint regarding the natural world, and it was the direct antithesis of those interpretations of nature made by the writers who had preceded him.

A thesis submitted to the Faculty of Arts in fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of History at the University of Zululand, South Africa, 2004. / This thesis focuses on the reasons why King Dingane of the Zulu nation has been portrayed predominantly as a treacherous tyrant in South Africa's Eurocentric historical databases and poses the question whether he should, instead, not be regarded as the forerunner of African nationalism. It also examines the roots of European imperialism in South Africa, as recorded in governmental, geographical, trade and missionary records, and points out that, as with the first colonial invasion by Islam that resulted in the Tarikh chronicles, European imperialism was also inherently based on foreign and nationalistic biases. The study concludes that these preconceived notions have adulterated and overwhelmed the purer African voice that is uniquely represented by the oral tradition. Because the subdued African voice is regarded as more reliable than the written Eurocentric records, this study attempts to augment the Africa- centered work of Africanist historians who have, for several decades, revisited the oral history of Africa in order to recover, rehabilitate and represent a point of view and perspective intrinsic and special to Africa. The history of King Dingane of the Zulus encapsulates the problem of African historiography best because most of the sources from which accounts of his reign are reconstructed are European, and for this reason, propagate a Eurocentric bias. For example, while Eurocentric White historians are able to present, in print, three eyewitness accounts of the death of Piet Retief, the African point of view based on oral history is largely disregarded. This study seeks to redress this imbalance by championing the African point of view, which is considered to be not only sensible but also plausible and justifiable. Likewise, much attention has been given to the many studies that demonise King Dingane for the single act of viciously killing the purportedly innocent and innocuous Voortrekkers, while the broad contours of context against which his actions should be judged are disregarded. The purpose of this thesis is to debunk the myth of King Dingane's unfairness and criminality. It can therefore be interpreted as an effort at decriminalizing King Dingane's actions - a dimension that earlier as well as contemporary scholars of African history have hitherto ignored. It is hoped that in time similar studies on other issues will broaden this perspective and help to create the balance so sorely missing in Zulu history. A theoretical framework for historical representation is provided in chapter one of the study, while chapter two examines the mindset of the White explorers that arrived in Africa, and their imperial agenda that sought to control, drastically change and re-order everything. Chapter three attempts to portray the greatness of King Dingane in dealing with matters of governance as well as other issues that were to have a profound impact on the way in which he came to be portrayed in history books. Chapter four discusses the relationship between King Dingane and the British Settlers at Port Natal, while chapter five deals with the relationships between King Dingane and the Voortrekkers, who sought the very freedom from the British in the Cape Colony that they were prepared to destroy among Africans in the Zulu Kingdom. The final chapter deals with public history and perceptions about King Dingane in the 21^' century. The two museums that commemorate Impi yase Ncome/the Battle of 'Blood River' on 16 December are contrasted with each other and their potential for nation building is examined in a critical light. The central thesis of this study is that the historiography of the early years of the 19'^ century inevitably, and perhaps even deliberately, represented King Dingane as a tyrant with neither nationalistic proclivities nor stately qualities. The popularity of this historiographic perspective is arguably symptomatic of a hegemonic disciplinary praxis that seeks to privilege the principles of selection, preference and bias in the use of the vast archive of sources available to the historian, from the written to the oral source. To all intents and purposes, this principle, which interpolates the discourse of history as well as the producers and consumers of historical scholarship, has led to a limited, over-determined and totalizing view of King Dingane. It is this biased discourse that articulates with the dominant ideology that not only informed scholarship, but also reflected the ideology of the institutions responsible for shaping historiography. A full analysis of the circumstances surrounding King Dingane at the time, including the history, the culture, the political dynamics and the personalities of the actors, leads one to the inexorable conclusion that this thesis arrives at - namely that the king did what 'a king had to do.' It is furthermore concluded that the evidence leads one to believe that King Dingane should be seen as a forerunner of Black Nationalism, instead of being branded as a treacherous, bloodthirsty tyrant.

No description available.

No description available.

No description available.

No description available.

Robert Schumann’s compositional work during 1840 stands out as an unexpected turn of events. With relatively no background composing songs, Schumann suddenly produced a plethora of widely successful and monetarily lucrative songs all within one year. Perhaps most fascinating was the amount of detail Schumann placed into each song. This detail can be seen in the sketches which include the composer’s handwritten edits in both the piano and vocal scores. With a focus on Schumann’s song cycle, Frauenliebe und -leben the qualities of Schumann’s songs and the compositional process used to create the songs’ final versions are examined through this study. The origins of the poems and their author, Adelbert von Chamisso, are investigated in addition to the relationship created by Schumann between the poems and vocal lines. Main emphasis is placed on tracing the progression from the rough vocal lines found in the autograph score to the relatively finished copyist’s score and finally to the final published version of the cycle

Note: