O objetivo desta pesquisa é analisar as reais possibilidades do exercício da cidadania na comarca de SantAnna do Paranahyba, Mato Grosso, durante o Segundo Império, através da análise de processos-crime. Para isso, foi estudado o cotidiano das pessoas comuns daquela localidade, inclusive a forma como encaravam os crimes, a estrutura física e burocrática do Poder Judiciário de SantAnna,e como se dava a relação entre a população e os juízes.Pretende-se, assim, lançar luz sobre a formação do Estado brasileiro em Mato Grossoe, principalmente, para um de seus braços mais esquecidos, o Poder Judiciário. / The objective of this research is to analyze the effectiveness of citizenship in the district of Sant\'Anna Paranahyba, Mato Grosso, during the Second Empire, through the analysis of criminal cases. For this, we studied the daily lives of ordinary people of that locality, including how they perceived the crimes, the physical and bureaucratic structure of the Judiciary of Sant\'Anna, and how was the relationship between people and the judges. The aim is thus to illuminate the formation of the Brazilian state in Mato Grosso, and especially one of his arms most forgotten, the Judiciary.

À sa publication, La Joie de vivre d'Émile Zola fut reçue comme un roman à thèse réfutant les théories d'Arthur Schopenhauer. C'était là l'intention avouée du romancier. Or, nombreux sont les critiques à avoir soulevé la dimension puissamment pessimiste de l'oeuvre, invoquant surtout le personnage fortement autobiographique de Lazare et une genèse textuelle problématique. Zola accordait une grande importance à la documentation qu'il préparait en vue de rédiger ses romans. Notre objectif premier est donc celui d'examiner la façon qu'a eu le romancier d'écrire la philosophie qu'il a lue. À cette fin, nous nous penchons sur le Dossier préparatoire de La Joie de vivre et y suivons les stades successifs du personnage schopenhauerien; nous étudions également la version publiée du roman, mais de façon ciblée: nous nous limitons aux thèmes -fort schopenhaueriens -de la douleur et du malheur. Nous constatons, à partir de l'analyse des personnages, qu'un système très proche des idées du philosophe structure l'oeuvre et hiérarchise les forces en présence. Au cours de la préparation et de la rédaction de l'oeuvre, les faits compilés se mêlent au hasard des données biographiques, idéologiques et littéraires qui viennent en former la matière narrative. Notre labeur de généticien aura été celui de démêler les diverses influences rencontrées et de les replacer en ordre chronologique. Certaines, comme celles de Guy de Maupassant ou de Paul Bourget n'avaient pas encore été attestées ou n'avaient pas fait l'objet d'études approfondies. II en résulte une vision plus complète de l'avant-texte. Nos résultats démontrent qu'Émile Zola s'est trouvé à fictionnaliser plutôt fidèlement, à plusieurs égards, une philosophie qu'il entendait au départ réfuter. Le sens philosophique de l'oeuvre demeure ambigu néanmoins, irréductible à une conclusion nette. Partant, nous nous interrogeons sur la portée philosophique d'un texte Iiltéraire aussi plurivoque qu'est La Joie de vivre. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Zola, La Joie de vivre, Schopenhauer, Philosophie, Génétique, Personnage.

Thèse de doctorat : LITTERATURE FRANCAISE : Metz : 2000. / 2000METZ001L. 678 ref.

Texte remanié de : Dissertation : Literatur : Universität Freiburg : 2006 : Der photographische Blick bei Emile Zola. / Bibliogr. p. 249-255. Notes bibliogr.

No description available.

Odilon Redon, The Visual Poet of Edgar Allan Poe: A Study of the Lithographic Album A Edgar Poe argues that the album A Edgar Poe, published in 1882, fundamentally alters Redon's artistic career. The thesis advocates the importance of Poe's writing to Redon's development, contending that the lithographic album confirms nineteenth-century literary and artistic interest in Poe. The thesis maintains that, while Redon subsequently attempted to disassociate himself from the American writer, his art was recognized and admired for its Poe-esque visions. Chapter One examines Edgar Allan Poe's influence on the nineteenth-century French artistic and literary avant-garde. The chapter argues that the artistic and spiritual resemblance between Poe and Redon facilitates the design the lithographic album A Edgar Poe, a work Redon uses to promote his own standing as an artist. Through examination of the original plates of the lithographic album A Edgar Poe at The Art Institute of Chicago, Chapter Two illustrates Poe's centrality to the evolution of Redon's art. Chapter Three argues for the importance of A Edgar Poe in Redon's oeuvre, contending that subsequent albums and commissions show the important role of literary art in Redon's artistic growth. The chapter demonstrates the significance of Redon's work to the Symbolist avant-garde of Brussels. Utilizing Andre Mellerio's notes, essays, collected letters and writings in the Ryerson & Burnham Library at the Art Institute of Chicago, the thesis argues that the album A Edgar Poe represents a pivotal stage in Redon's career through its dedication to a literary artist and the unification of art and poetry. Contending that the album develops themes prevalent in the noirs, the thesis illustrates the artistic resemblance and relationship between Poe and Redon and emphasizes the crucial role of Poe's work in Redon's progression and acceptance as an artist.

O objetivo desta pesquisa é analisar as reais possibilidades do exercício da cidadania na comarca de SantAnna do Paranahyba, Mato Grosso, durante o Segundo Império, através da análise de processos-crime. Para isso, foi estudado o cotidiano das pessoas comuns daquela localidade, inclusive a forma como encaravam os crimes, a estrutura física e burocrática do Poder Judiciário de SantAnna,e como se dava a relação entre a população e os juízes.Pretende-se, assim, lançar luz sobre a formação do Estado brasileiro em Mato Grossoe, principalmente, para um de seus braços mais esquecidos, o Poder Judiciário. / The objective of this research is to analyze the effectiveness of citizenship in the district of Sant\'Anna Paranahyba, Mato Grosso, during the Second Empire, through the analysis of criminal cases. For this, we studied the daily lives of ordinary people of that locality, including how they perceived the crimes, the physical and bureaucratic structure of the Judiciary of Sant\'Anna, and how was the relationship between people and the judges. The aim is thus to illuminate the formation of the Brazilian state in Mato Grosso, and especially one of his arms most forgotten, the Judiciary.

No description available.

No description available.

Over the course of the nineteenth century, gaslight supplanted the candles and oil lamps that had brightened Europe and America for centuries, and, by 1900, electricity would attain decisive dominance over both. In their narrative figurations of lighting, however, novels of the same period often arrest this march of progress, lingering in an Arcadian past organized around the rhythms of the solar day and the agricultural year. Mining works by Frances Burney, George Eliot, Thomas Hardy, Marcel Proust, and others, my dissertation argues that novelists employ obsolete lighting technologies not merely to provide historical texture, but to express narrative impulses that run counter to the realist mode, to dramatize transgressive forms of ambition within the rural communities they depict, and sometimes even to voice ambivalence about the commercial constraints of the serial form. Characters in these novels who avail themselves of artificial illumination alter the rhythm of the workday in order to satisfy desires inconsistent with the interests and pursuits sanctioned by their neighbors: by the light of lamps and candles, they pursue cross-class romance, literary aspirations, or professional goals that fall outside the parameters dictated by social class and the historical moment. For Proust’s narrator, this entails a series of adjustments to his evening schedule over the course of the Recherche, first to accommodate an aristocratic social calendar, and, later, to facilitate the nocturnal composition of his own novel. In Eliot’s case, the inclination to stay awake after nightfall—whether the illicit romantic fantasies of a Hetty Sorrel or the workmanlike resolve of an Adam Bede—constitutes a meaningful challenge to the author’s narrative realism. By examining the formal innovations these technologies provoke in nineteenth-century fiction, my research unearths a pervasive counter-realist tendency in novels often famed for their fidelity to the protocols of realist representation.