La présence importante de personnages féminins dans les Rougon-Macquart d'Émile Zola de même que leur rôle dans le cycle ont suscité bon nombre d'études féminines. Or, Félicité Rougon, personnage influent au niveau politique, reste peu mentionnée par ces critiques qui ne voient en elle qu'un acteur secondaire, sans grand intérêt. Pourtant, les réalisations de Félicité sont remarquables; nous nous proposons dans ce mémoire d'étudier la puissance de ce personnage et les mécanismes qui lui permettent de vaincre tous les obstacles. Le premier chapitre est consacré à une étude du personnage de Félicité. En premier lieu, à partir de la théorie du nom chez les personnages zoliens de Philippe Hamon, nous montrons que le nom « Félicité » annonce sa destinée. Nous nous attardons ensuite à la question du corps chez les femmes politiques zoliennes, ce qui permet de comprendre que les actions de Félicité ne sont pas liées à la sexualité ou à son corps, fait exceptionnel dans l'univers des Rougon-Macquart, mais bien à sa parole hypocrite. Le deuxième chapitre, qui s'appuie sur les théories narratologiques de Gérard Genette, traite des mécanismes mis en oeuvre par le personnage pour utiliser sa parole efficacement dans un but de contrôle de son entourage. Que ce soit en s'associant à d'autres personnages hypocrites, en terrorisant ses proches ou en les mettant en confiance, Félicité prend, grâce à la puissance de sa parole, une place particulière dans le cycle. Le troisième chapitre s'attache à déterminer la place qu'occupe Félicité dans les Rougon-Macquart. Au niveau spatial, elle se tient en hauteur, de sa fenêtre, d'où elle observe et prépare ses actions. Au niveau symbolique, elle prend la place de l'écrivain naturaliste en détruisant les Dossiers sur la génétique de son fils Pascal, pour les remplacer par une histoire embellie de sa famille. Quant à son lien avec l'époque, le Second Empire dont elle tire ses réussites politiques, il est ambigu, puisqu'elle se sert de l'Empire sans être réellement impérialiste. Enfin, le quatrième chapitre pose l'hypothèse d'une appartenance de Félicité à l'univers romanesque de Balzac. Or, s'il est vrai que certains traits la rattachent à La Comédie humaine, entre autres son appartenance à la noblesse par son père naturel, Félicité Rougon s'inscrit aussi dans la mouvance du siècle, dans la montée des bourgeois parvenus dont parle Zola dans son oeuvre. Félicité Rougon se révèle ainsi être un personnage de la marge, ancré dans l'univers zolien par ses valeurs, mais demeurant à l'écart par ses actions. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Zola, Personnage, Second Empire, Hypocrisie, Balzac.

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This thesis examines public opinion towards the participation opinion of the British Auxiliary Legion in the Spanish Civil War. It is based on an analysis of British newspapers, periodicals and political discussion between 1835 and 1838. It suggests that, although there was some degree of support for the foreign policy of Lord Palmerston in sending the legion to aid liberalism in the Peninsula, yet that support declined rapidly. In spite of Palmerston's eventual claim that intervention in Spain had been worthwhile, public opinion was not to reflect the view that his policy had been a right one, or that the British Auxiliaries had been indispensable to the cause of Spanish constitutionalism.

Orientador: Izabel Andrade Marson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-15T00:43:38Z (GMT). No. of bitstreams: 1 Ferreira_LoyaneAlinePessato_M.pdf: 3064927 bytes, checksum: dc3ac8324fd755c52c170cce78573c6f (MD5) Previous issue date: 2009 / Resumo: Na construção da História nacional pretendida na criação do Instituto Histórico e Geográfico Brasileiro (1838) estava imbricado um projeto de estabelecimento de originalidades para a nação recém independente, que legitimasse o Brasil enquanto corpo político singular. Compreendendo que, em geral, os membros do IHGB foram também participantes ativos na política do Brasil Imperial, este trabalho tem por objetivo principal considerar que aquilo que foi produzido por eles possuiria marcas de referenciais e idéias daquela esfera no período entre 1838 e 1889. Assim, explora como modificações de interpretação ocorridas em temáticas do passado - especialmente a colonização portuguesa - poderiam se fazer presentes ora conforme alterações nas circunstâncias e necessidades políticas (a unidade e legitimidade da nação e de seu território, a afirmação da autoridade de Pedro II, a "conciliação", as guerras platinas, a escravidão e o declínio do império) ora de acordo com o indivíduo que enunciava determinado discurso, ou defendia determinada interpretação da História. Nesse sentido demonstra que ao mesmo tempo em que se engendrava um trabalho intelectual, no qual havia espaço para indagações sobre a escrita da História, também eram condicionadas interpretações diferentes sobre o Império. Privilegiando a leitura da Revista do IHGB, foram selecionados algumas memórias compostas pelos sócios, documentos coligidos relativos à História do Brasil, e as atas das sessões realizadas periodicamente. Este material permite vislumbrar a maneira como os sócios interpretaram a história do Brasil, dando especificamente ao passado português diferentes imagens e considerações diversas: ora como figura de participação valorizada, zeloso protetor do território, ora como representante de uma Colonização mal organizada, legando ao Brasil independente diversos problemas / Abstract: In the creation of the Brazilian Institute of History and Geography (IHGB) in 1838 with the aim of constructing the national history, a project was implicated for the establishment of originality for the newly independent nation that would legitimize Brazil as a singular country. Understanding that members of IHGB were in general also active participants in the policy of Imperial Brazil, this papers main objective is to consider what was produced by those members of IHGB has marks of reference and ideas from that area of politics in the period between 1838 to 1889. Thus, it explores how changes of interpretation in themes of the past - especially Portuguese colonization - could be present as alterations in the political circumstances occur (the unity and rightfulness of the nation and its territory, the affirmation of the authority of Pedro II, the "Conciliation" politics, the wars in Prata River area, slavery and the downfall of the Empire); or according to the individual who enunciate certain speech or defended his own particular interpretation of history. In this sense, the paper shows that at the same time IHGB engendered an intellectual work, in which there was room for questioning the adequacy of the writing of history, and different interpretations about the Empire were also conditioned. Giving preference to the reading of the Journal of IHGB, some memoirs made by the members, documents relating to the history of Brazil collected by them, and extracts from the minutes of the meetings held periodically were selected for the study. This material provides a glimpse of how members interpreted the history of Brazil, specifically giving the Portuguese past different images and different considerations: sometimes as a figure of valued participation, zealous protector of the territory; sometimes as a representative of a poorly organized colonization, bequeathing to independent Brazil several problems. These discrepancies were related to political issues of the Empire, as the search for legitimacy at the border of neighboring republics or the debates about the emancipation of slaves / Mestrado / Politica, Memoria e Cidade / Mestre em História

In this thesis the process of adaptation from novel to film is examined. La Bête humaine by Emile Zola and the film version by Jean Renoir provide specific examples. The starting point is the assumption, often made by cinema audiences, that the film should be "faithful" to the novel upon which it is based. A statement made by Renoir regarding his efforts to be true to what he describes as the "spirit of the book" is quoted to illustrate the prevalence of this attitude. Novel and film are then compared in order to test Renoir's claim to fidelity. What is revealed are the differences between the two. Through an examination of character, action, and space some of the reasons for the director's departure from the novel begin to emerge and it becomes increasingly clear that Renoir was obliged to adopt a different approach. Theme and form are then examined and the organic nature of their relationship suggested. Finally, the departure of the film from the novel is traced to the very different ways in which the two media function — linearity in the written medium as opposed to simultaneity in the cinematic medium — and the indelible nature of the association of theme and form is confirmed. In conclusion, the view that the media should and do correspond is found to be mistaken, and Renoir's statement is re-evaluated and assessed as an attempt, by a director sensitive to the public's insistence on fidelity, to disarm criticism. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate

Orientador: Maria Lygia Quartim de Moraes / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-14T10:50:13Z (GMT). No. of bitstreams: 1 SantosJunior_Jairdos_D.pdf: 1154576 bytes, checksum: fe30def2ad8aa0bb8138913ac5ba0e54 (MD5) Previous issue date: 2009 / Resumo: Este trabalho tem como objetivo conhecer alguns dos aspectos da sociedade brasileira. Para tanto, adotamos como estratégia a abordagem a partir de fontes secundárias, ao invés de uma pesquisa de fontes primárias, que requereria uma pesquisa que os limites deste doutoramento não permitiriam. Como um trabalho de sociologia, nosso objetivo geral é conhecer a sociedade brasileira. Já nosso objetivo específico, delimitado neste doutoramento, é entender como se deu o processo de consolidação da sociedade brasileira, resultante de uma colonização européia e que alcançou seu clímax de desenvolvimento no período denominado Segundo Reinado. A metodologia escolhida foi a pesquisa de fontes secundárias, através de análise bibliográfica da produção intelectual de Raymundo Faoro. A estratégia para alcançar nossos objetivos geral e específico, seguindo a metodologia escolhida foi analisar a relação que possa existir entre dois de seus principais trabalhos, Os Donos do Poder e A Pirâmide e o Trapézio. / Abstract: This thesis attempts to clarify some particular aspects of Brazilian society. In order to do so, we chose as our research strategy the analysis of secondary sources, since discussing primary sources would exceed the possibilities of our doctoral work. As a work in sociology, our overall goal is to understand Brazilian society. As for our specific goal, as outlined in this doctoral thesis, it is to understand how the process of consolidation of Brazilian society took place, resulting as it was of European colonization and reaching its climax in the period known as "Segundo Reinado". Our methodology of choice was the analysis of secondary sources, namely, the analysis of Raymundo Faoro's intellectual production. Our strategy to pursue both our overall and specific objectives according to the chosen methodology was to analyze the relationship between two of Faoro's main published works, "Os Donos do Poder" and "A Pirâmide e o Trapézio". / Doutorado / Doutor em Sociologia

Orientadores: Leila Mezan Algranti, José Maurício Paiva Andion Arruti / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-27T13:01:32Z (GMT). No. of bitstreams: 1 Assis_GabrielaPiaide_M.pdf: 2305629 bytes, checksum: 92da07c8e33989b5db7dbd7304aa8a3e (MD5) Previous issue date: 2015 / Resumo: Esse trabalho é uma reflexão sobre a relação entre narrativa histórica e administração de povos indígenas, assim como a contribuição prática de José Joaquim Machado de Oliveira, homem de letras e Diretor Geral dos Índios de São Paulo, na formação do Estado nacional, especialmente sobre questões de cidadania e de terras. Seu livro Quadro Histórico da Província de São Paulo, primeiramente publicado em 1864, é seu trabalho definitivo sobre a história da província de São Paulo até o ano de 1822, em que ele trabalhou com suas ideias anteriormente publicadas na Revista do IHGB e em jornais, fazendo uma singular mediação entre teoria (narrativa histórica) e prática (a direção da Diretoria Geral) buscando absorver grupos indígenas para o interior da sociedade nacional, ou, pelo menos, reduzir o obstáculo que tais existências representavam para o desenvolvimento nacional / Abstract: The subject of this dissertation is the consideration about the relationship between historical narrative and administration of indigenous people, as well as the practical contribution of José Joaquim Machado de Oliveira, man of letters and Diretor Geral dos Índios of São Paulo, to the formation of the national state, especially regarding the questions of citizenship and land properties. His book Quadro Histórico da Província de São Paulo, first published on 1864, is his ultimate work about the history of São Paulo¿s province until the year of 1822, in which he handled his ideas, previously published by Revista do IHGB and newspapers, through singular mediation between theory (the writing of history) and practice (the management of the Diretoria Geral) seeking to absorb the indigenous groups in the national society, or, at times, to reduce the obstacle that their existence represented to the national development / Mestrado / Politica, Memoria e Cidade / Mestra em História

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No description available.

Although the Council House Fight is well written about in the annals of early Texas history, this all-encompassing study will reveal a whole new picture. Unlike previous works that maintained one point of view, multiple perspectives were analyzed and explored to allow a more comprehensive view of the Council House Fight to emerge. Primary focus on social and cultural misunderstandings, as well as the mounting hostility between the Penateka Comanche and Texians across the frontier, will demonstrate their general distrust and hatred of the other. Detailing their complicated relationship will prove that neither the Texians nor the Comanche were without blame, and both shared responsibility for the deterioration of events on and before March 19, 1840.