No abstract available. / Thesis (Ph.D.)-University of Natal,1980.

The major purpose of this study is to present a narrative account of the activities of the Society of Friends, or Quakers, in Indiana during the American Civil War. It is also an attempt to undo a myth that has persisted among many historians for over one hundred years. The Friends' adherence to the belief that all wars were unlawful in the eyes of God has caused many historians to take Quaker nonparticipation in the War Between the States for granted. Much historical writing has focused upon Friends' pacifism refusal to perform military service and the suffering they received as a result. Also mentioned in the historical literature concerning the Society is the benevolent work of Friends for the Blacks, both during and after the war, and in caring for sick and wounded soldiers. Virtually no major work, however, chronicles the nonpacifistic labors of this religious sect.Quaker activities including performance of military service, civilian support of the war, as well as opposition to the Civil War are recounted in this dissertation. Inextricably intertwined with the preceding topics are discussions of Quaker motivation for joining military companies, reactionto military life, and treatment of military Friends by the monthly, or local, meetings.Utilizing church records, Friends' manuscript collections, and cemetery records, the major finding of this work is that far more Quakers from Indiana took up arms in the Civil War than was generally known. Quakers also supported the war effort by donating money, food, clothing, and other accouterments of military life to the soldiers and in a variety of activities not approved by the monthly meetings. So widespread were these war-related gestures that, at least in Indiana, few Friends suffered recriminations because of their pacifism. In general, then, Friends who remained faithful to the peace testimony were able to preserve their conscientious beliefs without fear of reproach.

This thesis has examined the moon and sun imagery of Yeats's Last Poems (1936-1939), contrasting the diminution and transmutations of astronomical imagery with its rich symbolic development from 1889 to 1936. Using lyric poetry of The Collected Works of W. B. Yeats and selected prose works of William Butler Yeats, the study has traced the multiple antinomial forces embodied in moon and sun and the change in imagery that marked Yeat's poetic growth. The thesis has discussed vestiges of overt moon and sun imagery in Last Poems, Yeats's reasons for the changes that characterize his career, and the substitutes that replaced moon and sun.

This thesis has been a study of strategies employed in the poetry of W. B. Yeats. Specifically, it has treated five poems important in Yeats' development as a poet: "The Song of Wandering Aengus"; "The Wild Swans at Coole"; "Leda and the Swan"; "Lapis Lazuli"; "Long-Legged Fly." It has demonstrated certain devices used in the composition of the poems. In short, it has been an explication of the poems.Further, this thesis has revealed Yeats' concern for art as a subject for poetry. It has revealed that early in his development, Yeats was concerned with art and the individual, and that later in his development, he was concerned with art and civilization.

Carl Nielsen, considered by some to be Denmark's greatest composer, has had great influence on twentieth-century Danish music. Nielsen wrote several chamber works that include the flute, three of which were examined in this study. These pieces, "The Fog is Lifting" (for flute and piano or flute and harp), "The Children are Playing" (for flute alone) and "Faith and Hope are Playing" (for flute and viola) are part of the incidental music for the Helge Rode patriotic drama "The Mother." "Fantasy Pieces, op. 2," originally written for oboe and piano, was transcribed for flute and piano by James Galway, and is also discussed in this study.The purpose of this research was to conduct a detailed examination of these works with regard to pedagogical, performance and compositional concerns. Information was gathered through the examination of written materials about Nielsen, results of questionnaires sent to selected flute pedagogues, results of coaching sessions with three flutists and comparisons of three recordings. Questionnaires revealed that many pedagogues were not familiar with the pieces in question. Varying responses were provided to questions regarding the level of proficiency needed to study these pieces, appropriate situations in which to program the works, why the pieces are not often programmed and pedagogical concerns. Coaching sessions revealed potential pedagogical problems, while recordings provided information regarding differences in interpretation. Compositional traits of Nielsen are discussed, as are additional pedagogical suggestions for students with little experience. / School of Music

In addition to being a respected poet, dramatist, essayist, and statesman, William Butler Yeats was a dedicated student of the occult and practicing magician for most of his adult life. In spite of his dedication, Yeats’ commitment to occultism has often been ridiculed as “bughouse” (as Ezra Pound put it), shunted to the margins of academic discourse, or ignored altogether. Yeats’ occult-focused prose fiction—the occult trilogy of stories “Rosa Alchemica,” “The Tables of the Law,” and “The Adoration of the Magi” and the unfinished novel The Speckled Bird—has often received similarly dismissive treatment. Some critics have accused Yeats of being an escapist or of being out of touch with the intellectual currents of his time. However, Yeats was in touch with the intellectual currents of his time, one of which was the late nineteenth- and early twentieth-century occult revival. This was not a fringe movement; it was one which intersected with some of the most pressing social and cultural issues of the time. These include the dissatisfaction with mainstream religions, the renegotiation of women’s roles, the backlash against science, and nationalism and the colonial enterprise. This intersection is what I have termed occulture. The central purpose of this dissertation is twofold. First, I demonstrate the cultural and academic relevance of the occult revival by analyzing its connections to these critical issues. Second, I situate the occult trilogy and The Speckled Bird as artifacts of the occult revival and its associated facets. Through its main characters, the occult trilogy illustrates a fragmented self associated with literary modernism and with scientific challenges to individual identity from Darwin, Freud, and others. In addition, these three stories exemplify a sacralization of the domestic sphere which conflicts with the officially-sanctioned sacred spaces of mainstream religions. The Speckled Bird also reconfigures the sacred space as Michael Hearne contemplates a magical order with Irish nationalist implications. In examining these works within this historical context, I present them as texts which engage with the social and cultural landscape of the time. / Occulture : occultism and the occult revival -- The occult trilogy : self and space in an occult context -- The speckled bird : sacralizing Ireland. / Department of English

William Butler Yeats published the first section of the Autobiographies in 1915 with the appearance of Reveries Over Childhood and Youth and published the last contribution to the final volume of 1955 with Dramatis Personae in 1935. For a period of twenty years, Yeats was formulating this official version of his life. The constant building and selecting for this version created a volume that, for the most part, carefully edited out too personal reflections and also served to present an incomplete and disjointed autobiography.

No description available.

Zugl.: Jena, Univ., Diss., 2005 u.d.T.: Salheiser, Britta: "Stories of war" in Stephen Cranes The Red Badge of Courage

Thesis (Ph. D.)--University of Notre Dame, 2008. / Thesis directed by George M. Marsden for the Department of History. "March 2008." Includes bibliographical references (leaves 409-461).