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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

André Gide et les beaux-arts

Petcoff, Christine. January 1984 (has links)
No description available.
42

André Gide, traducteur d'anglais littéraire

Sims, Nicholas January 1981 (has links)
No description available.
43

Place des littératures anglaise et américaine dans le cosmopolitisme littéraire d'André Gide, de 1885 à 1893

Cotnam, Jacques. 12 February 2024 (has links)
No description available.
44

The Minor Choral Works of Hector Berlioz

Martin, Morris, 1943- 05 1900 (has links)
The minor choral works are those exclusive of the well-known choral works. Symphonic movements for chorus are also excluded. Conflicting and incomplete information from the composer himself and from secondary sources were principal research problems. The published letters, the memoirs, and a small number of secondary sources, containing little more than passing references, form the body of the research material beyond the scores themselves. The arrangement is by opus number, with unpublished works inserted chronologically by date of composition. A description of the circumstances surrounding each work' s composition precedes a study of the music within each chapter. The last chapter delineates stylistic characteristics of the minor choral works.
45

Edwin Arlington Robinson : the torch of woman / Torch of woman

Krassoi, Bernadette January 2010 (has links)
Typescript, etc. / Digitized by Kansas Correctional Industries
46

Doença, fotografia e representação: revistas médicas em São Paulo e Paris, 1869-1925 / Maladie, photographie et représentation: revues médicales à São Paulo et à Paris, 1869-1925

James Roberto Silva 03 September 2003 (has links)
Le but de cette étude est d\'analyser la façon comment la maladie, dans la période 1898- 1925, a été représentée dans les photographies publiées dans des revues médicales. Entre celles de São Paulo, on a traité: Revista Médica de S. Paulo (1898-1914), Gazeta Clínica (1903-1949), Imprensa Médica (1904-1914), Annaes Paulistas de Medicina e Cirurgia (1913-) et Memórias do Serviço Sanitário (1918-1920). On a aussi étudié les photographies présentées dans la Revue Photographique des hôpitaux de Paris (Paris, 1869-1876), une des premières publications à employer systématiquement la photographie pour représenter les maladies. D\'autres revues, de même type, brésiliennes et françaises ont été soumises à l\'analyse à titre de comparaison et comme source pour l\'histoire de ce genre d\'image. En sa majorité, cette documentation visuelle (paulista ou française) a son origine dans l\'espace de la clinique privée ou publique. Endroit, où l\'application du savoir médicale et sa propre construction étaient une seule chose. C\'est là, dans le cabinet ou dans le service de l\'hôpital, que le médecin avait l\'occasion de photographier les malades lorsqu\'ils se présentaient. Une autre partie des sources photographiques a été produite pendant les campagnes sanitaires vers l\'intérieur de l\'état de São Paulo. Quelques unes de ces images devenaient partie des articles médicaux dans les magazines scientifiques. Environ 1200 photographies ont été analysées. Ceci nous a permis de connaître les principales raisons d\'être de ces images. Parmi elles, le désire des médecins de composer une collection pathologique et, à la fois, d\'avoir du prestige en employant les photographies comme illustration de leurs observations cliniques. / Neste estudo, analisamos a representação da doença formulada por meio da fotografia. A principal fonte onde fomos buscar tais imagens foram as publicações médicas paulistas do período 1898-1925: Revista Médica de S. Paulo (1898-1914), Gazeta Clínica (1903-1949), Imprensa Médica (1904-1914), Annaes Paulistas de Medicina e Cirurgia (1913-) e Memórias do Serviço Sanitário (1918-1920). Outra importante fonte foi a Revue Photographique des hôpitaux de Paris (Paris, 1869-1876), publicação francesa que inaugura o emprego da fotografia na representação das doenças em periódicos. Além dessas, foram exploradas também outras publicações congêneres, brasileiras e francesas, que serviram de termo de comparação e de subsídio para traçar a história desse gênero de representação. A maior parte dessa documentação, tanto paulista quanto francesa, foi originada na clínica médica, particular ou pública, onde aplicação e pesquisa eram atividades indissociadas e o médico tinha ocasião para reproduzir fotograficamente os corpos doentes que passavam por sua observação. Outra parcela do material pesquisado foi resultante de registros realizados durante campanhas sanitárias pelo interior do estado de São Paulo. Uma fração dessas imagens chegou até nós pelos periódicos médicos, ilustrando artigos. Para tratar o tema, o estudo partiu da abordagem crítica da fotografia, valendo-se de análises qualitativas e quantitativas, interpretação iconológica e classificação; e traçou comparações entre as informações de natureza visual e escrita, sempre com atenção para aspectos científicos, culturais e sociais envolvidos na densidade histórica da produção das fotografias. Cerca de 1200 fotografias representando a doença passaram pelo crivo da pesquisa, permitindo concluir que dentre as principais motivações dos médicos para realizar os registros estavam o desejo de constituir um arquivo de imagens patológicas e, ao mesmo tempo, o de ancorar suas observações clínicas no prestígio imanente das fotografias. O estudo dessas fotografias permitiu reconhecer transformações como as que se passaram na mentalidade médica, na forma de representar as doenças, nos recursos semiológicos apoiados na imagem etc. O modo como esse repertório fotográfico foi sendo revelado através das revistas sugere ter havido uma certa observância por parte de seus editores e dos médicos de limites mais ou menos demarcados de se reproduzir o corpo doente, conotando a vigência, mesmo que precária, de uma política da imagem enferma.
47

August Halm's Von zwei Kulturen der Musik : a translation and introductory essay

Kelly, Laura Lynn, 1968- 21 September 2012 (has links)
August Halm (1869-1929) was a composer and theorist whose writings on music, especially his Harmonielehre (1900) and Von zwei Kulturen der Musik (1913), were widely known and highly respected in the early 20th century, particularly in Germany. In Von zwei Kulturen der Musik, Halm describes two historical cultures of music, opposes them dialectically, and identifies their synthesis. His first culture--melody--is exemplified by Bach’s fugues. The second culture--harmony--is exemplified by Beethoven’s works in sonata form. Halm believed a third culture that united the previous two had arisen in Bruckner's symphonies, the subject of his next book, Die Symphonie Anton Bruckners (1914). In Von zwei Kulturen, Halm demonstrates the way that these two cultures are different manifestations of dynamic forces in music. To Halm, a well-written fugal subject contains the seed from which the entire piece is generated. A fugue will only be as good as its subject, for its listener must be able to immediately apprehend the dynamic course of the piece. In contrast, the sonata form is the form of opposition that gains its energy from the working out of its two primary key areas. His idea of the organic nature of form is clear in his description of the fugue as the "formula of individuality" and the sonata as the "formula of the collective activity of many individuals,” that is, an “organism in the large.” Halm’s Von zwei Kulturen also provides us with valuable commentary on analytical practices of the time, as Halm criticizes the hermeneutic approaches taken by theorists such as Hermann Kretzschmar (1848-1924) and the narrative approach taken by critics like Paul Bekker (1882-1937). Halm believed that analysis or criticism that relied upon hermeneutic description or imposed narratives not only failed to educate one on the merits of good music and musical form, but also encouraged one to evaluate music according to the inventiveness of the analyst or critic. It is my hope that the English version presented here will introduce many readers to Halm’s unique perspective on music and criticism. / text
48

"Big Bill" Haywood and the Wobblies, 1905-1924

Jensen, Richard J. (Richard Jay), 1943- January 1972 (has links)
No description available.
49

"Big Bill" Thompson's rise to power: a commentary on Chicago politics, 1900-1915

Lang, Gordon, 1933- January 1957 (has links)
No description available.
50

William Vaughn Moody's The Great Divide; a production and production book

Fritsch, Jon Edgar, 1938- January 1962 (has links)
No description available.

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