李銘賢. / 論文(碩士) -- 香港中文大學中國語言及文學學部, 1997. / 參考文獻: leaves 638-707. / Li Mingxian. / Chapter 第一章 --- 引言 --- p.1-4 / Chapter 第二章 --- 硏究動機、目的、範圍、方法 --- p.5-65 / Chapter 一 --- 研究動機 --- p.5-23 / Chapter 二 --- 研究目的 --- p.24-26 / Chapter 三 --- 研究範圍 --- p.26-27 / Chapter 四 --- 研究方法 --- p.27-65 / Chapter 1 --- 小引 --- p.27-28 / Chapter 2 --- 「民間」的精神 --- p.28-32 / Chapter 3 --- 「民間」的意涵 --- p.32-37 / Chapter 4 --- 「民間」的轉化 --- p.37-56 / Chapter 5 --- 本文的「民間」定義 --- p.56-63 / Chapter 6 --- 小結 --- p.63-65 / Chapter 第三章 --- 「農民意識」的闡釋 --- p.66-139 / Chapter 一 --- 引言 --- p.66-68 / Chapter 二 --- 評論界有關莫言「農民意識」討論的整理 --- p.68-110 / Chapter 1 --- 關於「軍旅文學」方面的討論 --- p.68-77 / Chapter 2 --- 關於「尋根文學」方面的討論 --- p.77-87 / Chapter 3 --- 關於「先鋒文學」方面的討論 --- p.87-99 / Chapter 4 --- 關於「新寫實」、「新歷史」方面的討論 --- p.99-108 / Chapter 5 --- 小結 --- p.108-110 / Chapter 三 --- 莫言的「農民意識」觀點 --- p.110-138 / Chapter 1 --- 小引 --- p.110 / Chapter 2 --- 莫言有關「農民意識」的言論 --- p.111-137 / Chapter 3 --- 小結 --- p.137-138 / Chapter 四 --- 本章結語 --- p.138-139 / Chapter 第四章 --- 《天堂蒜薹之歌》的寫作背景 --- p.140-170 / Chapter 一 --- 引言 --- p.140 / Chapter 二 --- 《天堂蒜薹之歌》的寫作背景簡介 --- p.141-169 / Chapter 1 --- 改革開放 --- p.141-143 / Chapter 2 --- 反官僚主義 --- p.143-153 / Chapter 3 --- 反資產階級自由化 --- p.153-156 / Chapter 4 --- 蒼山「蒜薹事件」 --- p.157-163 / Chapter 5 --- 農村經濟體制改革 --- p.165-169 / Chapter 三 --- 本章結語 --- p.169-170 / Chapter 第五章 --- 《天堂蒜薹之歌》的版本比較 --- p.171-218 / Chapter 一 --- 引言 --- p.171-173 / Chapter 二 --- 《天堂蒜薹之歌》版本比較 --- p.173-217 / Chapter 1 --- 【十月版】、【作家版】 --- p.174-190 / Chapter 2 --- 【洪範版】 --- p.190-191 / Chapter 3 --- 【修改版】 --- p.191-206 / Chapter 4 --- 【文集版】、【英文版】 --- p.207-217 / Chapter 三 --- 本章結語 --- p.217-218 / Chapter 第六章 --- 《天堂蒜薹之歌》的「民間」觀點 --- p.219-278 / Chapter 一 --- 引言 --- p.219-221 / Chapter 二 --- 評論界討論《天堂等薹之歌》觀察角度的整理 --- p.221-237 / Chapter 1 --- 小引 --- p.221-222 / Chapter 2 --- 有關「角度」和「層面」討論的整理 --- p.222-235 / Chapter 3 --- 小結 --- p.235-237 / Chapter 三 --- 《天堂蒜薹之歌》觀察角度分析 --- p.238-264 / Chapter 1 --- 正統「官方」觀察角度 --- p.238-244 / Chapter 2 --- 貌似「非官方」的「官方」覲察角度 --- p.245-254 / Chapter 3 --- 「民間」觀察角度 --- p.254-264 / Chapter 四 --- 《天堂蒜薹之歌》「民間」觀點分析 --- p.265-276 / Chapter 五 --- 本章結語 --- p.276-278 / Chapter 第七章 --- 《天堂蒜薹之歌》的「民間」內容 --- p.279-343 / Chapter 一 --- 引言 --- p.279-282 / Chapter 二 --- 《天堂蒜薹之歌》「民間」內容分析 --- p.282-342 / Chapter 1 --- 高羊故事 --- p.282-318 / Chapter i --- 妻子生產過程 --- p.283-298 / Chapter ii --- 母親被鬥情形 --- p.298-307 / Chapter iii --- 童年痛苦經驗 --- p.308-318 / Chapter 2 --- 高馬故事 --- p.318-342 / Chapter i --- 扭曲婚戀狀況 --- p.320-327 / Chapter ii --- 感人家庭瑣事 --- p.327-336 / Chapter iii --- 危險性愛場面 --- p.336-342 / Chapter 三 --- 本章結語 --- p.342-343 / Chapter 第八章 --- 《天堂蒜薹之歌》的「民間」形式 --- p.344-418 / Chapter 一 --- 引言 --- p.344-346 / Chapter 二 --- 《天堂蒜薹之歌》「民間」形式分析 --- p.346-415 / Chapter 1 --- 《天堂蒜薹之歌》的文體類型 . --- p.346-369 / Chapter 2 --- 《天堂蒜薹之歌》的語言形色 --- p.370-415 / Chapter i --- 農民、文人化的書寫模式 --- p.370-378 / Chapter ii --- 譫言妄語式的語氣情態 --- p.378-400 / Chapter iii --- 流氓痞子式的語言傾向 --- p.400-415 / Chapter 三 --- 本章結語 --- p.415-418 / Chapter 第九章 --- 《天堂蒜薹之歌》的評價 --- p.419-439 / Chapter 一 --- 《天堂蒜薹之歌》的總體評價 --- p.419-424 / Chapter 二 --- 《天堂蒜薹之歌〉的版本問題評價 --- p.424-429 / Chapter 三 --- 《天堂蒜薹之歌》的定位問題評價 --- p.429-433 / Chapter 四 --- 〈天堂蒜薹之歌〉的硏究方法反思 --- p.434-439 / Chapter 第十章 --- 總結 --- p.440-448 / Chapter 一 --- 結論 --- p.440-445 / Chapter 二 --- 餘論 --- p.445-448 / 附錄 --- p.449-637 / Chapter 一 --- 《天堂蒜薹之歌〉評論摘要 --- p.449-458 / Chapter 二 --- 莫言早期軍旅文學評價 --- p.459-478 / Chapter 三 --- 反「官僚主義」報紙報導 --- p.479-495 / Chapter 四 --- 蒼山「蒜薹事件」報紙報導 --- p.496-507 / Chapter 五 --- 蒼山「蒜薹事件」其他資料 --- p.508-529 / Chapter 六 --- 《天堂蒜薹之歌〉中《群眾日報》 與《大眾日報》比較 --- p.530-534 / Chapter 七 --- 《天堂蒜薹之歌〉六種版本改動 --- p.535-596 / Chapter 八 --- 《天堂蒜薹之歌〉故事大綱 --- p.597-604 / Chapter 九 --- 莫言小說愛情描寫的嬗變 --- p.605-618 / Chapter 十 --- 瞎子張扣「說唱片斷」的分類整理 --- p.619-626 / Chapter 十一 --- 從「農民意識」到流氓化 --- p.627-637 / 參考書目 --- p.638-707

歐韻賢. / "2008年10月". / "2008 nian 10 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. / Includes bibliographical references (leaves 401-415). / Abstracts in Chinese and English. / Ou Yunxian. / Chapter 第一章： --- 引言 --- p.1 / Chapter 第一節： --- 硏究動機 --- p.5 / Chapter 第二節： --- 硏究目的 --- p.6 / Chapter 第三節： --- 硏究範圍 --- p.8 / Chapter 第四節： --- 硏究方法 --- p.9 / Chapter 第二章： --- 莫言小說的硏究槪況 --- p.11 / Chapter 第一節： --- 從軍事文學的角度看莫言小說的硏究槪況 --- p.15 / Chapter 第二節： --- 從尋根文學的角度看莫言小說的硏究槪況 --- p.22 / Chapter 第三節： --- 從先鋒文學的角度看莫言小說的硏究槪況 --- p.31 / Chapter 第四節： --- 從民間的角度硏究莫言小說的硏究槪況 --- p.37 / Chapter 第五節： --- 本章結語 --- p.41 / Chapter 第三章： --- 「民間」的槪念 --- p.43 / Chapter 第一節： --- 民間的定義 --- p.45 / Chapter 第二節： --- 民間立場 --- p.59 / Chapter 第三節： --- 民間的審美價値 --- p.68 / Chapter 第四節： --- 「民間」的寫作技巧 --- p.78 / Chapter 一、 --- 結構 --- p.78 / Chapter 二、 --- 敍事角度 --- p.84 / Chapter 三、 --- 語言 --- p.87 / Chapter 第五節： --- 本章結語 --- p.90 / Chapter 第四章： --- 莫言小說中的民間立場 --- p.93 / Chapter 第一節： --- 作爲老百姓寫作´ؤ´ؤ寫自我的自我寫作 --- p.96 / Chapter 第二節： --- 農民式的思維´ؤ´ؤ站在民間的立場設想 --- p.107 / Chapter 第三節： --- 以民間的立場說大歷史 --- p.112 / Chapter 第四節： --- 本章結語 --- p.129 / Chapter 第五章： --- 莫言小說中的民間審美價値 --- p.130 / Chapter 第一節： --- 「大紅大綠」的民間審美價値 --- p.132 / Chapter 第二節： --- 從「肉體」體現民間審美價値 --- p.139 / Chapter 第三節： --- 從「開放的孔穴」體現民間審美價値 --- p.147 / Chapter 第四節： --- 從審美到「審醜」 --- p.155 / Chapter 第五節： --- 本章結語 --- p.160 / Chapter 第六章： --- 莫言小說中的民間寫作技巧 --- p.162 / Chapter 第一節： --- 民間的結構 --- p.162 / Chapter 第二節： --- 民間的敍事角度 --- p.177 / Chapter 第三節： --- 民間的語言運用 --- p.184 / Chapter 第四節： --- 本章結語 --- p.193 / Chapter 第七章： --- 結語 --- p.195 / Chapter 附錄一： --- 《檀香刑》附錄 --- p.202 / Chapter 附錄二： --- 《四十一炮》附錄 --- p.266 / Chapter 附錄三： --- 《生死疲勞》附錄 --- p.321 / Chapter 附錄四： --- 莫言作品篇目 --- p.360 / 參考書目： --- p.401

Digitized by Kansas Correctional Industries

Diss. : Philosophie : Zürich : 1992.

Inaug. _ Diss.: Philosophische Fakultät: Uppsala: 1963. La 1e éd. de la thèse a paru dans la collection "Studia litterarum Upsaliensia", n° 3. _ Bibliogr. p. 291 à 310. Index.

The Inadequacy of the image has ever been the besetting problem of idealist esthetics. The discrepancy between the absolute and the contingent, between the thing, the idea of the thing and the experience of the thing provides common cause for the compositions of hermetic art. The basic affirmation of this thesis is that the theory of Wallace Stevens offers a demonstrable solution to the problem and that his relational use of images in The Collected Poems overcomes the inadequacy of those images. In practice, however, this thesis involves the delineation of that solution less than the dialectics necessary to determine its nature. Such a method is dictated by an initial acceptance of deliberate obscuration as one of the formative principles of Stevens' esthetic. The introduction to this paper is little more than an examination of the causes and values of obscuration in Stevens' prose and in his poems and a defence of the method adopted herein to deal with those values; in it, Stevens' poems are viewed as acts appropriate to the practical process of transcendence - a process designed to attain, in the words of the Athanasian Creed, "One, not by conversion of the Godhead into flesh, but by taking of the manhood into God." The theoretic validity of transcendence as process becomes the onus probandi of "Part I". It constitutes an attempt to appease apparent ambiguities in Stevens' theory of poetry -ambiguities that have plagued critics who would perceive in his poems the principles of his theory - by determining the nature and implications of Stevens' concept of "central poetry." The source, nature, and mode of existence of that concept - used herein as generic name for Stevens' total theory - are characterized by the image of oscillations contained in the thesis title. Basically, the discipline of the "central poet" is analogous to that involved in the via affirmativa and via negativa of religious art, but the phrase 'oscillations of the absolute’ more easily manifests the character of his symbols. The phrase describes both the movement of the mind from involvement in the limitations of images and ideas to free contemplation and the nature of the 'existent images' which become adequate objects for that contemplation. The coupling of oscillations in the image with movements of the mind dictates the kind of study projected in "Part II" of this paper. Therein Stevens' theory is compared to the tenets of symbolism, in terms both of the creation of the individual symbol and of the symbolic work - specifically with Mallarmé's concept of "the Book." The architectonics of The Collected Poems of Wallace Stevens - the variation and repetition of image, the incorporations of allusion, the progression in the volume from positings of the contingent to existent images of the absolute - are indicated, and the karmic process of the mind as it dramatizes itself in that created architecture is described. Decreation, abstraction, composition, and repetition are treated as the major aspects of the movement of the mind towards the unfettered experience of the absolute. The purpose of this thesis is to provide a concept of the nature of Stevens' poetic that will prove efficacious as a critical approach to his poems. Its validity, therefore, is dependent upon the degree to which the concept herein evolved provides an insight into the experience of The Collected Poems of Wallace Stevens. / Arts, Faculty of / English, Department of / Graduate

Submitted by Julie_estagiaria Moraes (julie.moraes@fgv.br) on 2012-01-06T16:05:42Z No. of bitstreams: 1 000048018.pdf: 4208143 bytes, checksum: 359ddf281245d5a4cd73e52208741312 (MD5) / Made available in DSpace on 2012-01-06T16:05:59Z (GMT). No. of bitstreams: 1 000048018.pdf: 4208143 bytes, checksum: 359ddf281245d5a4cd73e52208741312 (MD5) Previous issue date: 1986 / Cette étude traite de la question de la qualité de l'enseignement, comme elle est presentée dans le programme officiel du développement de l'education, de l'époque compris entre 1955 a 1980. Ce que l'on a essayé de chercher, pendant tout le developpement du travail, fut le sens que l'expression 'amélioration de la qualité de l'enseignement', prenait dans le discours officiel, en ensayant de l'expliquer du point de vue des intérêts des classes dominantes; et, parallélement, en ensayant de percevoir comment les classes populaires la comprenaient, pendant la même période. L'étude des plans furent effectués, en considerant que la qualité de l'enseignement signifie la pratique pédagogique, développée dans les écoles, capables de donner aux éléves des classes populaires les outils nécessaires et la possibilité de structuration de la connais sance pour qu'ils puissent avoir une participation dans le processus politique du pays, lutter pour l'élimination de leur marginalisation dans les décisions polítiques, et chercher de meilleures conditions de vie. / Este estudo trata da questão da qualidade do ensino, tal como ela se apresenta nos planos oficiais de desenvolvimento da educação, do período compreendido entre 1955 e 1980. O que se tentou buscar, durante todo o desenvolvimento do trabalho, foi o significado que a expressão melhoria da qualidade do ensino tomava no discurso oficial, procurando explicá-la do ponto de vista dos interesses das classes dominantes e, paralelamente, procurando perceber como as classes populares a entendiam no mesmo período. O estudo dos planos foi feito tendo presente que qualidade do ensino significa a prática pedagógica, desenvolvida nas escolas, capaz de dar aos alunos das classes populares a instrumentalidade necessária e a possibilidade de organização do conhecimento para que eles possam ter, efetivamente, participação no processo político do país, lutar pela superação de sua marginalização nas decisões políticas e buscar melhores condições de vida.

Orientador : Octavio Ianni / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-18T23:16:20Z (GMT). No. of bitstreams: 1 Cortizo_MariaDelCarmen_M.pdf: 4691059 bytes, checksum: b6c975fa54f9dda3f4947b6c00c76417 (MD5) Previous issue date: 1993 / Resumo: Não informado / Abstract: Not informed / Mestrado / Mestre em Sociologia

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