Dissertação (mestrado)—Universidade Brasília, Instituto de Ciências Sociais, 2012. / Submitted by Gabriela Botelho (gabrielabotelho@bce.unb.br) on 2012-07-11T17:25:25Z No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / Approved for entry into archive by Jaqueline Ferreira de Souza(jaquefs.braz@gmail.com) on 2012-07-13T11:50:42Z (GMT) No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / Made available in DSpace on 2012-07-13T11:50:42Z (GMT). No. of bitstreams: 1 2012_MarianaYokoyaSimoni.pdf: 18375682 bytes, checksum: e0cd633559dd5caf4bba7ce04e46ea58 (MD5) / A anistia política brasileira de 1979 e os programas de reparação referentes às violações de direitos humanos no período entre 1946 e 1988 são duas temáticas controversas no seio da academia e da sociedade brasileira. O presente estudo enfoca-se nos processos de anistia política de militantes que participaram da chamada “Guerrilha do Araguaia” para buscar melhor compreender a memória e os sentidos de anistia política e de reparação que permeiam esses documentos. Com base em 50 processos de anistia, concluídos entre 2001 e 2011, no âmbito da Comissão de Anistia do Ministério da Justiça, desenvolve-se uma análise sobre a memória da guerrilha do Araguaia e sobre as mudanças de significado da anistia política de 1979. Essas discussões são de grande importância para se compreender o processo reparatório brasileiro e as múltiplas dimensões nele implicadas, como a reparação econômica, a moral e a histórica. O estudo conclui que houve transformações no sentido de anistia política e de reparação ao longo da transição política brasileira. Essas transformações ocorreram no sentido de incorporar conceitos do campo de estudo da “justiça de transição” e dos direitos humanos, que passaram a conviver com os referenciais clássicos de anistia política no Brasil. Essa aproximação entre campos conceituais diferentes permitiu não somente complementar noções pretéritas, mas também colocar novos desafios na agenda de transição brasileira. _________________________________________________________________________ ABSTRACT / Brazilian political amnesty of 1979 and the reparation programs concerned human rights’ violations between the years of 1946 and 1988 are two controversial topics in the academy and in the Brazilian society. This study focuses on the political amnesty of militants that participated in the so-called “Guerrilha do Araguaia” (1966-1975). The objective is to understand the memory and the meanings of political amnesty and reparations that underlies these documents. Based on 50 processes of amnesty, finished between 2001 and 2011, in the Brazilian Amnesty Commission, the study develops an analysis on the memory of the “Guerrilha do Araguaia” and on the changes of meaning of the 1979’s political amnesty. These discussions are of great importance in order to understand the Brazilian reparatory process and the various dimensions involved in it – such as economic, moral and historic reparation. The study concludes that there have being some transformations in the meaning of political amnesty and reparation in the course of Brazilian political transition. These transformations are signaling to the incorporation of concepts from the field of “transitional justice” and human rights. Such concepts are coexisting with traditional references of political amnesty in Brazil. This approximation between two different conceptual fields allowed not only to complement past notions, but also to put new challenges in the Brazilian transitional agenda.

Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2009. / Submitted by Elna Araújo (elna@bce.unb.br) on 2010-04-29T19:11:23Z No. of bitstreams: 1 2009_JullianyAlvesMucury.pdf: 627863 bytes, checksum: 7ddb9bf321d174a3c2c5a679350f95a0 (MD5) / Approved for entry into archive by Daniel Ribeiro(daniel@bce.unb.br) on 2010-05-04T14:34:11Z (GMT) No. of bitstreams: 1 2009_JullianyAlvesMucury.pdf: 627863 bytes, checksum: 7ddb9bf321d174a3c2c5a679350f95a0 (MD5) / Made available in DSpace on 2010-05-04T14:34:11Z (GMT). No. of bitstreams: 1 2009_JullianyAlvesMucury.pdf: 627863 bytes, checksum: 7ddb9bf321d174a3c2c5a679350f95a0 (MD5) Previous issue date: 2009-02 / A poesia de Fabrício Carpinejar perpassa a fragmentação do eu e a desreferencialização sofrida pelo sujeito representado no eu-lírico, inscrevendo-o dentre os poetas que melhor representam a pós-modernidade. Tendo em vista esta vertente, aprofunda-se a questão imposta pelo prefixo des- em duas obras, Um terno de pássaros ao sul e Meu filho, minha filha, no que concerne às mudanças perceptíveis na contemporaneidade na relação paifilho(s), com ênfase na despatriarcalização, fenômeno acentuado no Brasil em 1977, quando foi tornado oficial o termo divórcio, os seus efeitos legais, e houve a legitimação da quebra da estrutura de patriarcado vigente em nossa sociedade. Para Carpinejar esse fenômeno das relações sociais é crucial, pois ele assistiu ao divórcio dos pais e vive distante da filha, em um modelo para ele revisitado da relação a distância entre pai e filhos. São quatro os principais teóricos utilizados neste estudo, os quais conciliam essas questões atreladas à contemporaneidade. Octavio Paz e sua teoria sobre o fazer poético serviu para entender o posicionamento do autor como produtor de poesia. Homi Bhabha, com seus estudos conceituais sobre o lugar do sujeito na cultura, aponta nas relações globalizadas para a percepção de espaço cindido que está patente na poética de Carpinejar. Frederic Jameson, em crítica ao termo pós-moderno, iluminou as intenções da pesquisa com diretrizes teóricas fundamentais para o entendimento e a reproblematização da conceituação do termo. Umberto Eco fundamenta as três intenções analíticas de uma obra literária, que serviram de parâmetro para o que foi constatado na análise dos poemas quanto ao posicionamento do prisma do autor em si um sistema semiológico a ser considerado como vetor de interferência na significação interpretativa deste estudo. _______________________________________________________________________________________ ABSTRACT / The poetry of Fabrício Carpinejar permeates the fragmentation of self and the de-referentialization experienced by the subject behind the lyrical self, which makes him one of the poets that best represents postmodernity. Considering that perspective, we analyze in detail the issue posed by the prefix de- in two of his works, Um terno de pássaros ao sul e Meu filho, minha filha, regarding the visible contemporary changes in the father-child relationship emphasizing the phenomenom of de-patriarchalization. In Brazil, such phenomenon was intensified in 1977, when the term divorce, as well as its legal effects, became official, and breaking the prevailing patriarchal structure in our society was legitimated. For Carpinejar, taking that social phenomenon into account is crucial because he watched his parents divorce at a young age and currently lives away from his daughter, in a revisited model of the long distance father-child relationship. Our thesis is supported by similar lines of research from four authors who address such issues from a contemporaneous perspective. Octavio Pazs theory on the poetic act lent itself to understanding Carpinerjars establishment as a producer of poetry. Homi Bhabhas conceptual studies on the place of the subject in culture point out the perception of split-space in globalized relationships, present in Carpinejars poetic. Frederic Jameson critique to postmodernism shed some light on our research intentions by providing theoretical guidelines that are fundamental to understanding and reproblematizing the conceptualization of the term postmodern. Umberto Ecos explanations on the three analytical intentions of a given literary work served as a basis for our conclusions on the analysis of Carpinejars poems on what concerns the authors perspective which is in itself a semiologic system to be considered influenced the interpretation presented in this study.

Tese (doutorado)—Universidade de Brasília, Faculdade de Ciência da Informação, Programa de Pós-Graduação em Ciência da Informação, 2012. / Submitted by Alaíde Gonçalves dos Santos (alaide@unb.br) on 2013-10-01T14:15:00Z No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2013-10-14T16:44:51Z (GMT) No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / Made available in DSpace on 2013-10-14T16:44:51Z (GMT). No. of bitstreams: 1 2012_ShirleydoPradoCarvalhedo.pdf: 3298937 bytes, checksum: 3692290b403ef81d84983f4493d70cd0 (MD5) / A partir de 2004, a imprensa brasileira intensificou a produção de reportagens a respeito da possível existência de documentos arquivísticos relacionados à guerri-lha do Araguaia (1972-1975), movimento armado promovido pelo Partido Comu-nista do Brasil contra o Regime Militar (1964-1985), contrariando o discurso oficial então esposado, segundo o qual todos os documentos teriam sido destruídos há tempos: trata-se da tese da destruição total. No presente trabalho, essa tese será examinada à luz de princípios e noções arquivísticas, especialmente os de fundo e de proveniência. O exame da questão, com base nesses princípios e noções, revelou a existência de noção arquivística, “a ramificação”, definição preliminar que será proposta ao longo deste trabalho. Na perspectiva referencial de Muller, Feith e Fruin; Jenkinson; Casanova; Schellenberg; Duchein; Lodolini; Nesmith; Cook e Duranti, as seguintes indagações foram postuladas para nortear a presen-te pesquisa: Os conceitos de fundo e de proveniência contribuiriam para o enten-dimento do fluxo, logo para o mapeamento, dos documentos de arquivo relaciona-dos à Guerrilha do Araguaia? A tese da destruição total dos documentos arquivís-ticos relacionados a determinado evento histórico é sustentável? Se a resposta for negativa, por que é insustentável? A noção arquivística de ramificação dos docu-mentos de arquivo poderia explicar a insustentabilidade de tal tese? A pesquisa realizada foi qualitativa, descritiva e explicativa. Os procedimentos metodológicos adotados foram o levantamento bibliográfico e o documental. Foi verificado o conteúdo dos documentos arquivísticos localizados nos fundos das instituições vi-sitadas e dos questionários respondidos por seus funcionários. A identificação de bibliografias, cujos temas centrais focalizavam a Guerrilha do Araguaia, possibi-litou o mapeamento das instituições participantes da eliminação daquele movi-mento. Foram aí incluídas muitas daquelas tradicionalmente consideradas alheias ao universo das instituições de repressão, conjunto esse ampliado a partir das re-flexões do Grupo de Trabalho da Unesco sobre os arquivos de regimes repressi-vos. Esse mapeamento contribuiu para desvelar a complexa teia de relações inter e transinstitucionais desenvolvidas sob a tutela de missão única e abrangente: o desmantelamento da Guerrilha do Araguaia. Atrelados a essa missão, os fundos das instituições de Estado passavam a comunicar-se entre si (embora não se misturassem), estabelecendo um elo entre eles aqui denominado de ramificação. Essa noção de ramificação serviu de apoio para demonstrar a impossibilidade de destruição, de maneira completa e absoluta, de todos os documentos arquivís-ticos relacionados a um evento histórico – neste caso, os documentos arquivís-ticos da Guerrilha do Araguaia. Os resultados ora apresentados, portanto, contra-riam as afirmações de que inexistem, nos dias de hoje, documentos arquivísticos relacionados àquele evento histórico. A pesquisa realizada aponta, igualmente, para a necessidade de redefinir o próprio conceito de arquivos de repressão e de realizar mudanças na legislação de acesso às informações a fim de regular as persistentes práticas de sigilo, bem como rever a tradição de opacidade informacional do Estado brasileiro. _______________________________________________________________________________________ ABSTRACT / Starting in 2004, the press in Brazil intensified its coverage about the archival documents related to the Araguaia Guerrilla (1972-1975), an armed movement promoted by the Communist Party of Brazil against the Military Regime (1964-1985), and the possibility that some of these documents did still exist. These press reports went counter to the official discourse then espoused, according to which all the documents had been destroyed long ago: this may be defined as "the total destruction hypothesis". In the present work, this hypothesis was examined in light of archival concepts, especially those of fonds and provenance. The examination revealed the existence of the archival notion of “ramification”, a definition of which was here presented. Taking into account the theoretical references of Muller, Feith e Fruin; Jenkinson; Casanova; Schellenberg; Duchein; Lodolini; Nesmith; and Cook and Duranti, the following questions were postulated in order to guide the research: Do the concepts of fonds and provenance contribute to the understanding of the processing flow of the Araguaia Guerrilla archival documents? Is the total destruction of archival documents relating to a determined historical event sustainable as a hypothesis? If not, why is it unsustainable? Could the notion of “ramification” of archival documents explain the unsustainability of such a hypothesis? The research performed was qualitative, descriptive and explicative in nature. The methodological procedures included bibliographical and documental surveys. The content of the archival documents located at the institutions visited as well as of the questionnaires filled out by their respective employees was analysed. Through the consultation of literary and academic works whose main theme focused on the Araguaia Guerrilla it was possible to map the institutions which participated in the elimination of that movement. Some of these were not traditionally considered part of the “institutions of repression”, a label which began to encompass many other institutions after taking into account Plathe's (1998) considerations. This mapping helped reveal a complex network of inter- and trans-institutional relations which grew under the aegis of a single and overarching mission: the dismantling of the Araguaia Guerrilla. Undergirded by this mission, the fonds of State institutions began to communicate with each other (although they did not intermingle), thus establishing a unifying link between themselves here defined as “ramification”. This theoretical instrument was used as support in order to demonstrate the impossibility of the complete and absolute destruction of all the archival documents related to a historical event – in this case, the Araguaia Guerrilla. The results of this research, therefore, contradict the affirmations according to which archival documents related to that historical event no longer exist. The research also points to the need for redefining the concept of “archives of repression” and for making changes in laws regarding information, so as to attenuate both the persistant practice of confidentiality and the tradition of informational opacity of the Brazilian State.

Chapter One ("Amongst The Ruins") attempts to survey contemporary society through Lewis' eyes. The main characteristics of the age are these: (1) the extent to which the machine dominates the life of our times, and the economic, social, and psychological maladjustments which result; (2) the tragedy of recurring war; (3) the decay of religious orthodoxy and the quest for spiritual reassurance Chapter Two (The Appetite For Wholeness) deals with Lewis' attempt to achieve singleness of mind as related in his spiritual autobiography, Transitional Poem. This poem is especially important for the expression of certain germinal ideas which later develop into fundamental concept These germinal ideas are the polarity of flesh and spirit: the duality of physical and spiritual love; a carpe diem conception of pleasure; the acceptance of pain; the worship of hero in his role of decisive action; and the decision to take the side of the proletariat in the class struggles of the age. Chapter Three (The Spendthrift Fire the Holy Fire) examines the poetry of love and sex. From Feathers To Iron relates the thoughts and feelings of the poet during the nine months which precede the birth of his first child. This poem is considered from three different levels; as a human story, as a pageant of nature, as a political allegory on the birth of a new world. Other lyrics of love and sex deal with sex perversion, and the change which time brings to the marriage relationship, while others are in the mood of cavalier dalliance. Chapter Four (Inertia and Stimulants) presents Lewis’ argument that the key to the sickness of society is a divorce between flesh and spirit. This divorce brings about frustration and inertia, as exemplified by the various "Defendants" of The Magnetic Mountain, and leads to attempts at artificial stimulation, as exemplified by the four "Enemies" of the same book. Chapter Five (The Shape of Man’s Necessity) contends that The Magnetic Mountain offers socialism as a political solution which will heal the divorce of flesh and spirit. The enthusiasm of The Magnetic Mountain and Noah and the Waters gives way in later poems to a disappointment tempered by the faith that the socialist solution, though delayed, will eventually come. Chapter Six (In The Act of Decision) presents Lewis’ ideas of tradition and shows that the hero is one who acts decisively because his knowledge of necessity has united the desires of flesh and the desires of spirit. "A Time To Dance" and "Nabara" are epic stories which may be regarded as example of men in the act of decision. Chapter Seven (The Unique Minute) discusses the dual nature of Lewis’ philosophy of acceptance, The acceptance of joy becomes a carpe diem philosophy; the acceptance of suffering shows that the poet recognizes the complementary nature of joy and pain. Chapter Eight (Defend The Bad Against The Worse) examines the war poems which fall into three categories: (1) prophetic poems written before 1939; (2) poems about England at war; (3) poems about the prospect of lasting peace in the future. Chapter Nine (Emotional Logic) deals with the technique of the poems. Some of the conclusions drawn are these: (1) Soth logical and emotional coherence are used, hut the former predominates; (2) In matters of rhythm and rhyme, the influence of Anglo-Saxon versification, Hopkins, Owen, Eliot and Auden is present, but as not as great as is commonly supposed; (3) in general Lewis Is not an obscure poet; (4) In his latest poems (Short Is The Time) Lewis reveals that technically he is both versatile and accomplished, and that his poetry does not lack the purposeful ambiguity or qualities of "occlusion" which is a mark of great poetry. / Arts, Faculty of / English, Department of / Graduate

The purpose of this thesis is to offer some explination of the manner in which Ezra Pound has created a metaphysical centre for The Cantos through absorption and integration of the Renaissance metaphysic of courtly and transcendent love and the pragmatic ethical philosophy of Confucius. It resolves no problems, either textual or critical, but rather suggests that the thirty-sixth Canto is central to the philosophy underlying the poem as a whole. From the central fourth chaper, the thesis attempts to give some idea of the nature of Pound's influence upon one other poet and how this influence has resulted in a new evaluation of the original Cavalcanti material. The short intoductory chapter outlines the nature of the problem of love as an ordering principle which provides a reconciliation of the disparate and seemingly opposing forces which shape human experience. This unity, it is stated, represents an attempt on the part of western man to integrate his dualistic response to the world of Process, an essentially eastern concept. Chapter two outlines the nature of Cavalcanti's poem and the philosophy of love which it contains. Apparently, this poem has yet to be interpreted with any degree of finality and I have necessarily had to work through the general concensus of critical opinion. The third chapter points to Pound's conception of the philosophy of Guido Cavalcanti's canzon and how Pound has interpreted the "guerdon" of the amour courtois tradition as the Confucian doctrine of li. Chapter four explores the connexion between Pound's conception and interpretation of Donna Me Prega and how, from the concept of individual compassion, Pound envisions a viable order for the society of western man, while continually maintaining the concept of the universe as Process. The fifth chapter deals with Robert Duncan's stated variation on Pound's view of Donna Me Prega and the philosophy contained therein, and offers some comments on the different possibilities of order, or lack of same, as expressed by Duncan. The conclusion discusses the metaphysical concept of love as a principle of unity in relation to some modern statements of epistemology and aesthetics, and concludes that Pound has expressed the sense of order and unity in a more universal and objective manner than has Duncan. The addendum of chapter seven suggests some possibilities for further research into these areas and concludes that Ezra Pound's consciousness of the Processal universe is essentially oriental, ie., an aesthetic response, while the concept remains largely an intellectual postulate in the western world. On the whole, the primary concern is for the explanation of the relationship among such elements as imagination, transcendent love, human social order, and the concept of the universe as an all-embracing Process of interacting elements. / Arts, Faculty of / English, Department of / Graduate

The fiction of Padraic Colum (1881-1972), although it reflects important concerns of the Irish Revival, has been, like Irish fiction in general (Joyce excepted), almost entirely overlooked. To begin to correct this critical oversight, I have focused in this study on Colum's attempt, beginning with his children's book, The King of Ireland's Son (1916), to derive from the Irish folktale new and distinctive forms and themes for Irish fiction. In The King of Ireland's Son, Colum arranges and alters folktales to form a folktale-like synthesis which, however, expresses literary rather than folktale meanings. In Chapter I, I have identified Colum's folktale sources; in Chapter II, shown how he finds narrative patterns to convey literary meaning by transforming the traditional rhythms of the folktale into the literary rhythms of "deferral," "failure," and "gathering"; and in Chapter III, elucidated the themes--of the primacy of tradition in determining identity and of a new Irish heroism, that of the peasantry--which these rhythms are designed to express. Folklore continues to influence structure and content in Colum's romantic novel Castle Conquer (1923), the subject of my next two chapters, although the superficial trappings of the folktale are absent. In this novel, Colum's new image of heroism blends romance, the anti-heroism of comic folktales, and the real-life example of Ireland's rebel-poets (Chapter IV); as well, Castle Conquer's many interpolated stories carry the theme of oral tradition into the structure of the novel (Chapter V). The following two chapters are devoted to The Flying Swans (1957). A great achievement, this novel, with the disillusioned hindsight of the fifties, revises the ideas of heroism (Chapter VI) and of the relevance of folklore to life (Chapter VII). Yet Colum regenerates both ideas, in the process recasting in realistic terms the forms and themes of The King of Ireland's Son, written fifty years before. / Arts, Faculty of / English, Department of / Graduate

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