Thesis (M.S.)--West Virginia University, 2004. / Title from document title page. Document formatted into pages; contains v, 158 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 148-158).

Thesis (M.A.)--Ohio University, June, 2009. / Title from PDF t.p. Includes bibliographical references.

Thesis (Ph. D.)--Claremont Graduate School, 1992. / Includes bibliographical references (leaves 289-304).

Thesis (doctoral)--Stockholms universitet, 1992. / Extra t.p. with thesis statement inserted. Includes bibliographical references (p. 221-230).

Albert Benveniste, Ramine Nikoukhah, Alan S. Willsky. / Caption title. "November 22, 1991." / Includes bibliographical references (p. 25-27). / First and second authors supported in part by INRIA-NSF agreement. Third author supported in part by the Air Force Office of Scientific Research. AFOSR-92-5-0002 Third author supported by the National Science Foundation. MIP-9015281 INT-9002393 Third author supported by the Office of Naval Research. N00014-91-J-1004

MACIEL, Elda Maria Freire. Caminhos e descaminhos de um pensar plural: o pensamento político do partido dos trabalhadores. 2009. 278f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2009. / Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2013-10-21T12:13:41Z No. of bitstreams: 1 2009-TESE-EMFMACIEL.pdf: 11408116 bytes, checksum: a4c22dcbb2e3fbbf882e90b04b78b180 (MD5) / Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2013-10-21T13:31:14Z (GMT) No. of bitstreams: 1 2009-TESE-EMFMACIEL.pdf: 11408116 bytes, checksum: a4c22dcbb2e3fbbf882e90b04b78b180 (MD5) / Made available in DSpace on 2013-10-21T13:31:14Z (GMT). No. of bitstreams: 1 2009-TESE-EMFMACIEL.pdf: 11408116 bytes, checksum: a4c22dcbb2e3fbbf882e90b04b78b180 (MD5) Previous issue date: 2009 / Este trabalho analisa a formação e o desenvolvimento do pensamento político do Partido dos Trabalhadores (PT) no período compreendido entre sua fundação em 1980 à realização de seu 1º. Congresso Nacional em 1991. A escolha desse tema se deu ao refletir sobre como o PT construiu o seu corpo simbólico ou o seu capital político no decurso de sua trajetória de lutas e como se capacitou para efetivá-lo através do conjunto partidário. Tal dúvida se manifestou quando analisava documentos (resoluções de encontros, congressos, reuniões etc.) dessa organização, inclusive de suas várias tendências e percebia como enfatizavam o fato do PT ter incorporado “novas teorias”, “novas práticas”, “novos rumos” durante sua trajetória e por isso, ser um “novo partido” ou um partido diferente do projeto originário. A inquietação com tal leitura me levou a refletir sobre uma premissa que considero fundamental para a vida das organizações sociais como um todo, qual seja, que toda organização política necessita de uma referência teórica sólida para formar-se e desenvolver-se. E claro isso advém de um processo de produção e de re-significação de idéias e práticas que de forma alguma são absolutamente “novas”, mas que se articula com experiências vividas por outras organizações políticas em meio a novas realidades, a novos contextos sociais e também, a determinados tempos históricos. Os dados da pesquisa foram coletados nas resoluções partidárias aprovadas desde o surgimento do Movimento pró-PT, passando pelos 07 encontros nacionais e um extraordinário e pelo 1º. Congresso Nacional. Contudo, foram consultados também artigos de militantes petistas, boletins, folhetos de propaganda eleitoral, programa de governo do PT e outros materiais. Ao todo foram analisados 53 documentos partidários. Como procedimento teórico-metodológico optei pela análise das categorias básicas do pensamento petista, dos fenômenos sociais privilegiados por ele, da ontologia de suas idéias, de sua pretensão crítica, das escolas de pensamento e Ideologia ao qual o PT se identificava. Para analisar o material coletado me orientei pela perspectiva teórico-metodológica de Antonio Gramsci sobre sua concepção de partido político. Mas também a instrumentação fornecida pela Análise de Discurso (AD) foi fundamental. A conclusão deste estudo fornece indicações sobre a construção do pensamento político petista em meio à conturbada década de 80, percebendo-o como uma síntese de rupturas, de superação e ao mesmo tempo de continuidade com o pensamento dos partidos de esquerda que o precederam demonstrando assim, caracteres ambíguos, conflituosos e contraditórios que concretamente incidiram para a prática petista.

Explorations is a three-movement experimental work for eighteen-piece jazz ensemble consisting of the following instruments: soprano saxophone, alto saxophone, two tenor saxophones, baritone saxophone, two trumpets, two flugelhorns, three trombones, bass trombone, electric guitar, vibraphone, contrabass, drums and piano. The duration of the work will approximate twelve minutes. The first movement features geometric configurations of spatially notated sound which emphasize percussive qualities of the ensemble (i.e. key clicks, tongue slaps, mouthpiece pops, etc.). Tone clusters of various pitch, texture and dynamics derived from blues scales provide the source material for the second movement. A slowly developing dynamic counterpoint creates the sound mass texture and delineates the form. Movement Three features a contrapuntal poly-metric collage of variations on a four-note theme. The collage provides the background fabric for an exchange of periodic and aperiodic events.

Seminario: Resistencia y formas de organización: años ochenta y transición a la democracia / Informe de Seminario para optar al grado de Licenciado en Historia / Esta investigación tiene como objetivo general el estudio de la organización política que realiza el mapuche en el espacio urbano, específicamente en la ciudad de Santiago. Dicha temática se aborda a partir del análisis de una entidad llamada Meli Wixan Mapu -que traducido del mapudungun significa de los cuatro puntos de la tierra- . El motivo de elegirla es que esta investigación tiene un carácter cualitativo, que busca profundizar el estudio de la realidad de un grupo específico, dando cuenta así de una de las manifestaciones políticas que efectúa el mapuche dentro del ámbito urbano, que es una de las piezas del rompecabezas que compone al movimiento mapuche desde principios de la década de 1990. Con ello no se pretende representar a toda una realidad, sino ahondar en las experiencias de los participantes de una organización mapuche y visualizar, a partir del análisis e interpretación de los mismos testimonios de los sujetos históricos, el cómo se construye y desarrolla una manifestación política mapuche en la ciudad.

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Criticism of Graham Greene often centers around what has been termed Greene's "obsessions." Much has been made of his "formula" of the hunted man. The suggestion usually is that Greene's "obsessions" and his "formula" are a blemish in his work. Since Greene's artistry in other respects is seldom questioned, it would seem to me that there is an explanation of what seems to be a blemish. The word "obsession" itself suggests an unconscious activity, an unconscious urge. It occurred to me that the recurrence of Greene's themes, and his "formula" could be explained as an unconscious urge translated into symbols which reflect his basic concern. Drawing on Jung's theory of "the collective unconscious," and examining the theory of archetypal terminology in literary criticism as used by such literary critics as Northrop Frye, and Maud Bodkin -- in her Archetypal Patterns in Poetry -- I attempt to show that Greene's heroes are symbols in a mythic structure. This structure, with varying artistic differences, is what we see as Greene's individual novels and "entertainments." The novels and entertainments represent the fusion of Greene's literary artistry, his unconscious symbolism, and his conscious ordering of experience. Greene's heroes, his "archetypes," are recurrent images which evince his theme: that man can only be spiritually regenerated through experience. The word "recurrent" helps to explain the term "formula" which has been applied to Greene's plots. I attempt, too, to relate Greene's mythology to his “obsession." The reason that Greene chooses to call some of his work "entertainments," and others "novels," is that these represent two different literary modes which roughly parallel two general modes in art and literature: the comic and the tragic. The two entertainments examined here, The Confidential Agent and The Ministry of Fear, are discussed as representative of the comic mode, and the two serious novels, The Power and the Glory and The Heart of the Matter, are discussed as "tragic." The entertainments represent not comedy, but the integrative urge; that is, in comedy the tendency is to integrate the hero into his society. Both Arthur Rowe, the hero of the entertainment, The Ministry of Fear, and "D," the hero of the entertainment, The Confidential Agent, are reintegrated into their society through the love of women. On the other hand, the tendency in the tragic mode is to isolate the hero from his society. For example, the whiskey priest of The Power and the Glory, and Scobie of The Heart of the Matter, are in conflict with their society and are not physically reintegrated into it. I also examine Greene's use of melodrama. I attempt to expose the link between his use of melodrama and the comic mode. The necessity for a happy ending in the comic mode is mainly the reason that Greene uses melodramatic formulae in his plot resolution in the entertainments. It soon becomes clear that Greene's use of melodramatic formulae is ironic. This is so because of Greene's basic theme that one should be aware of both good and evil in human nature. His heroes and the minor characters are his medium of expression of this theme. / Arts, Faculty of / English, Department of / Graduate