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The term pioneer simply means one who pushes ahead to remove obstacles and to prepare the way for others who are to follow. Nevertheless, when we speak of the pioneers in American history, we are really speaking of three different types of men who have only a little in common. All pioneers leave behind them settled communities and highly civilized life and push out into an unknown and. unsettled country;y. Also, all pioneers are seekers, but they do not all seek the same things, Some are seeking adventure. These are the explorers, the pioneers seized with the wanderlust, those who move on and on from one place to another, and, if they live long enough, finally come back; to their friends telling wonderful tales of what they have seen and done. The second group includes those who are seeking for gold, some literally and some figuratively. The miners, the trappers, the hunters might all be classed here. The third group includes those who seek an opportunity to build new homes. These are the pioneers whose work is permanent and most worthwhile. In this sense the Puritans and other early settlers were pioneers of the truest type. They were willing to leave home and friends in order to found a new and better home for themselves and their children. The explorer and gold seeker were necessary for the complete settlement of .the United States. but after all, it was the home seeker who finally conquered the forests and the plains. The home-seeker, to be a good pioneer, must have within him. however, the courage and impetuous desire of the explorer to push forward if he is to be successful. He must be willing to endure any number of hardships and even defeat if he is to carry out his purpose. It is this last type of pioneer whom the modern novelist has sought to portray and interpret, and in this discussion only those novels which deal with such pioneers will be discussed.

The purpose of this thesis is to trace the history of the trumpet in chamber music through the first half of the 20th century. It aims to discuss the technical advances in the instrument and demonstrate the importance of the trumpet in this medium. Chamber music is defined, in this thesis, as all serious instrumental music for two or more instruments played with one instrument to a part. The selections have been chosen on the basis of recognized merit of the composer, the variety of instrumentation, and the availability of music.

The purpose of this thesis is to isolate the techniques presently being used by composers and to define and explain these techniques. The thesis concludes with a series of studies based on these twentieth-century compositional techniques for high school students in the form of warm-up and technique materials. The purpose of this study was to devise a sequence of studies designed to acquaint band members with twentieth-century composition techniques found in contemporary band literature.

This study shows how the Grotesque Hero evolves from the grotesque victim in selected American novels from 1919 to 1972. In these novels, contradictory forces create a cultural dilemma. When a character is especially vulnerable to that dilemma, he becomes caught and twisted into a grotesque victim. The Grotesque Hero finds a solution to the dilemma, not by escaping his grotesque victimization, but by accepting it and making it work for him. The novels paired according to a particular contradictory dilemma include: Winesburg, Ohio and The Crying of Lot 49, As I Lay Dying and Wise Blood, Miss Lonelyhearts and The Dick Gibson Show, Cabot Wright Begins and Second Skin, The Day of the Locust and The Lime Twig, and Expensive People and The Sunlight Dialogues.

It would seem that the thematic structure of the sonata is at least as important as the tonal scheme, if not more so. With this possibility in mind and with the recognition that composers continue to employ "sonata" as a title, a study of the contemporary sonata seems both useful and valid.