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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
491

"A" is for "archive": a case study in the American long poem / Case study in the American long poem

Nelson, Thomas J. ǂq (Thomas John) 28 August 2008 (has links)
Long poems like Ezra Pound's The Cantos, William Carlos Williams's Paterson, and Louis Zukofsky's "A" collect and preserve cultural documents, much in the manner of archives. Long poems of the so-called "Pound tradition" are arrangements of discrete passages, including direct citations from sources such as letters, historical texts, and other often "non-poetic" documents. Acting as an archivist, the poet selects material for preservation. Critics have used various frames, notably the epic, the sequence, and the collection, to interpret twentieth-century long poems. Though similarities to archives have been noted, an archival frame has not been fully developed. This dissertation draws on the disciplinary practices of the archivists as well as critical imaginings of archives to develop a frame for interpreting long poems as archives. After establishing the parameters of the archival frame, the bulk of the dissertation concentrates on Zukofsky's archival tendencies. Zukofsky worked as an archivist for the Work Projects Administration's Index of American Design project, where he developed strategies for using an archive as a communicative form. He crafted and marketed his own literary archive as a means of establishing a literary reputation and as an alternative means of publication. But not only did he develop pragmatic uses of archives, he also applied his understanding of archival principles to the construction of his long poem "A". The difficulties of reading "A" parallel those of working the Zukofsky archive. Readers are overwhelmed with hermetic details, documents of personal and public incidents, and records that we are unable to relate readily to surrounding material. Reading "A" as an archive, we must respond to the documents that are the component parts of the poem, to each document's situated context, and to the relationships among the parts that make up Zukofsky's "poem of a life."
492

The German drama under the influence of the Great War and the Revolution

Garten, Hugo Frederick January 1944 (has links)
No description available.
493

Representing the nation : cinema, literature and the struggle for national identity in contemporary France

Oscherwitz, Dayna Lynne 30 March 2011 (has links)
Not available / text
494

The dialectical voice of Enrique Lihn and the metapoetics of twentieth-century Latin American literature

Travis, Christopher Michael 07 April 2011 (has links)
Not available / text
495

Sacred eroticism : Georges Bataille and Pierre Klossowski in Latin American literature

Ubilluz, Juan Carlos, 1968- 05 May 2011 (has links)
Not available / text
496

The relationship of art to science and technology in the United States, 1957-1971 : five case studies

Goodyear, Anne Collins 16 May 2011 (has links)
Not available / text
497

Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard

Turner, Irene. January 1987 (has links)
published_or_final_version / Literary Studies / Master / Master of Arts
498

Love and marriage

李仕芬, Lee, Shi-fan. January 1989 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
499

Chinese lyrical fiction in the period 1919-1989

Chan, Wai-ying., 陳惠英. January 1995 (has links)
published_or_final_version / Chinese / Master / Master of Philosophy
500

The male characters in the fiction of contemporary Taiwanese women writers

李仕芬, Lee, Shi-fan. January 1997 (has links)
published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

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