During the first half of this century, a wealth of anthem literature was published and performed in the United States that, as a result of the deluge of new publications since those years, has been either forgotten or is unknown to modern church musicians. The purpose of this study is to make the best of this music known, for much of it is still both suitable and desirable for contemporary worship. The research is grouped into six chapters that are entitled: The Quartet Anthem, "Anthems in the Anglican Tradition," "Prominent Choral Ensembles and the Dissemination of the Anthem," "Anthems by Prominent Music Educators," "Anthems in the Russian Style," and "The Negro Spiritual."

方鳳婷. / "2009年8月". / "2009 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 64-69). / Abstracts in Chinese and English. / Fang Fengting. / 鳴謝 / 論文提要 --- p.i / 圖版目錄 --- p.iv / 引言 --- p.1 / Chapter 第一章 --- 博古畫緣起 --- p.5 / Chapter 一. --- 歷史中的「博古」 --- p.5 / Chapter 二. --- 全形拓技術與拓片入畫的傳統 --- p.8 / Chapter 三. --- 混合槪念´ؤ´ؤ「博古」與「清供」 --- p.11 / Chapter 第二章 --- 鄦叀鼎´ؤ´ؤ個案硏究 --- p.17 / Chapter 一. --- 焦山寺與古鼎 --- p.18 / Chapter 二. --- 全形拓片的其他來源 --- p.23 / Chapter 三. --- 鄦叀鼎的意涵及畫家筆下的鄦叀鼎 --- p.26 / Chapter 第三章 --- 磚甓博古畫 --- p.31 / Chapter 一. --- 以古磚作「清供」 --- p.32 / Chapter 二. --- 磚甓文字的角色 --- p.35 / Chapter 三. --- 改製古物以爲今用 --- p.40 / Chapter 第四章 --- 博古畫的變奏 --- p.44 / Chapter ´ؤ. --- 黃士陵的博古畫 --- p.44 / Chapter 二. --- 以筆墨仿拓片效果 --- p.50 / 結語 --- p.55 / 附錄一鄦叀鼎全形拓片 --- p.60 / 附錄二陶陵鼎全形拓片 --- p.62 / 參考書目 --- p.64 / 圖版 第一章圖版 --- p.70 / 第二章圖版 --- p.82 / 第三章圖版 --- p.99 / 第四章圖版 --- p.112 / 結語圖版 --- p.134

Lee, Tin Yan Grace. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (leaves [106-111]). / Abstracts in English and Chinese. / Introduction --- p.1 / Chapter Chapter 1: --- Laughter and Man --- p.15 / Chapter Chapter 2: --- Laughter and Man's Obligation to Persist in Beckett's Endgame --- p.37 / Chapter Chapter 3: --- Laughter and Self-Knowledge in Pinter's The Birthday Party --- p.68 / Conclusion --- p.100

Typescript (photocopy) Includes bibliography.

Jenny Holzer's text-based projects have attracted the attention of critics, historians, and curators from Des Moines to Dresden. An understanding of the complex interplay between language, gender, power, and site within Holzer's work demonstrates how a singular interpretive approach is insufficient for discussing the multitude of meanings her projects produce. Perhaps most significantly, a fresh analysis of Holzer's work and critical reactions to it challenges the story of modernism and postmodernism and the relationship between these two terms.

published_or_final_version / English / Doctoral / Doctor of Philosophy

published_or_final_version / Chinese / Doctoral / Doctor of Philosophy

Not available / text

Not available / text

This thesis, Strangers in the House, illuminates how "strangers in the house"--unconventional women, Travellers, emigrants and immigrants--have made significant contributions to the evolving traditions of Irish literature and culture. I trace the literary and creative contributions of groups that were silenced during the early twentieth-century nation-building project to review the impact of the Irish Revival, from the politics of Arthur Griffith and Eamon de Valera to the writings of Yeats, Gregory and Synge, on the establishment of an "authentic" Irish identity. I draw on scholarship that establishes Ireland as a postcolonial nation, suggesting that contemporary identity is closely linked to the national, religious and gender expectations reinforced during the periods of colonialism and decolonization. My scholarship considers individuals who continue to be peripheral in the "reimagining" of what it means to be Irish in a post-Celtic Tiger, E.U. Ireland.