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A realidade brasileira na obra de Drummond / The brazilian reality in Drummond\'s workArakaki, Anderson Massaru 13 August 2010 (has links)
A ênfase do estudo é ver a representação do período de 30-60 na obra drummondiana; ou seja, a incorporação da realidade brasileira na subjetividade lírica a partir de alguns pontos específicos: certos traços do país-colônia e do país-burguês na construção da figura do gauche; o discurso da ditadura de Vargas; os novos meios de produção e recepção da arte na década de 40; e o desenvolvimentismo de JK. / Our approach of Drummonds work aims to study the way in which the decades of 30-60 are represented in his poetry; or the way by which the Brazilian reality is incorporated in the subjectivity of the poet starting from some particular elements: some aspects regarding realities of the country that are due to Brazils colonialist past, and some aspects that are linked to the modern developments of the country, both seen in the building of the gauches 3 portrait; the dictatorial speech of the Vargas era; new production and reception means of art in the decade of 40s; and the effort towards development in the government of JK.
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A realidade brasileira na obra de Drummond / The brazilian reality in Drummond\'s workAnderson Massaru Arakaki 13 August 2010 (has links)
A ênfase do estudo é ver a representação do período de 30-60 na obra drummondiana; ou seja, a incorporação da realidade brasileira na subjetividade lírica a partir de alguns pontos específicos: certos traços do país-colônia e do país-burguês na construção da figura do gauche; o discurso da ditadura de Vargas; os novos meios de produção e recepção da arte na década de 40; e o desenvolvimentismo de JK. / Our approach of Drummonds work aims to study the way in which the decades of 30-60 are represented in his poetry; or the way by which the Brazilian reality is incorporated in the subjectivity of the poet starting from some particular elements: some aspects regarding realities of the country that are due to Brazils colonialist past, and some aspects that are linked to the modern developments of the country, both seen in the building of the gauches 3 portrait; the dictatorial speech of the Vargas era; new production and reception means of art in the decade of 40s; and the effort towards development in the government of JK.
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