This research discusses the post-migration lived experience of the Peraktown Sikhs, a diaspora community of visible difference in the specific context of Malaysia. Using a qualitative case study methodology, I juxtaposed oral life history narratives and extensive interviews, memoirs and photographs, to study eighteen members of a total thirty-five Sikh families who lived in the multi-ethnic township I renamed Peraktown. Their narratives offer a loose historical chronology from the early 20th century to the 1970s of a diasporic group seeking to find home and a place to belong. Using a postcolonial lens, the research demonstrates the complex negotiation between inherited cultural traditions and the appropriation of colonial knowledge. It explores engagement and interaction with broader societal structures and dominant habitus within the rubric of identity construction, hybridity and the idea of home. My focus is the liminal generation, born prior to Indian and Malaysian independence, between 1915 and 1947. Framed in both the concept of diaspora as bounded space and the diaspora as a societal process, I co-opted a concept native to Sikhs, the Pindh, to understand and interrogate their unique understanding of identity, belonging and home. The Pindh or village incorporates relationships with the landscape and social structure in the construction of Sikh/Punjabi identification. In contrast to studies on Sikhs elsewhere, in Peraktown, the nostalgic attachment and identification with the physical spaces of their ancestral homeland and the meaning it imbued is accompanied by the appropriation of concepts and practices that sustain the idea of community belonging, bridging the divide of being at home both ‘here’ and ‘there’. This conceptual category is extended further, creating a Pindh of the mind, not bounded by geography or time. Their position offers this research a place in continued discussions of the complexity and fluidity of cultural identity and belonging and how this is constructed. Their lived experiences offer a map to the continued negotiations of diaspora identities in the newly forged linkages and relationships with land, a recreation of place and space in the course of settlement in the new host country.

by Lau Chi Chuen, Paris. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1990. / Bibliography: leaves 89-95. / Chapter I. --- Preface --- p.1 / Chapter II. --- Introduction --- p.5 / Chapter III. --- Chapter One -- Interaction Theory of Metaphor : From Richards to Ricoeur --- p.13 / Chapter IV. --- Chapter Two -- Metaphorical Process and the Transcendence of Meaning --- p.36 / Chapter V. --- Chapter Three -- Metaphorical Process in Sikong Tu's Ship in --- p.55 / Chapter V. --- Conclusion --- p.85 / Chapter VI. --- Works Cited --- p.89 / Chapter VII. --- Works Consulted --- p.94

by T. Pappas, A.J. Laub, N.R. Sandell, Jr. / Bibliography: leaf 38. / "May 1979." / Contract ERDA-E(49-18)-2087 Contract No. DAAG29-79-C-0031

Die Dissertation stellt erstmals die episkopale Memoria in England von 1200 bis 1550 im Zusammenhang dar. Das christliche, rituelle Totengedenken, das in der heutigen Forschung mit den Begriffen des Memorial- und Stiftungswesens beschrieben wird, sorgte in diesem Zeitraum für gesellschaftliche Dynamik. In England war die soziale Gruppe der Bischöfe einer der bedeutendsten Träger jener Gedächtniskultur, die auf der Vorstellung beruhte, dass die Toten und ihre im Fegefeuer leidenden Seelen in der Welt gegenwärtig blieben. In einem System gegenseitiger Hilfestellungen hofften die Lebenden und die Toten bis zum Jüngsten Gericht das Seelenheil zu erlangen. Dabei sollten ihr gesellschaftlicher Status und ihre eingenommenen, sozialen Rollen im Tod beibehalten werden. Religiöse Gründe und Repräsentationsstreben bestimmten alle Formen episkopalen Totengedenkens. Die Variabilität bischöflicher Memoria, die sich in Gegenständen und Ritualen äußerte, ist so anhand der englischen Beispiele vorher nicht behandelt worden. Jeder Aspekt wird als Baustein für das erst in seiner Gesamtheit voll wirksame Totengedächtnis verstanden. Fehlende Bausteine oder isolierende Betrachtungen führen zu verzerrter Wahrnehmung. Von zentraler Bedeutung sind hier dennoch die Grabmäler und ihre Typologie. Sie werden vor dem Hintergrund von Auftraggeberanforderungen, funktionalen Aspekten sowie künstlerischen, orts- und zeitspezifischen Optionen der Handwerker behandelt. Formen und Funktionen der Grabmäler, Liturgien, außerliturgischen Rituale, Bau- und Kunstwerke bedingten und durchdrangen sich gegenseitig. Aus dem Anspruch auf ein angemessenes Totengedenken ergaben sich weitreichende soziale Folgen und ein reiches Erbe an Objekten und Bauwerken. Die vorliegende Arbeit verschafft Einsichten in die Phänomene episkopaler Memoria in England, indem sie gegenseitige Kommentierungen und Wechselwirkungen aufzeigt und sich dafür kunst-, glaubens- und sozialgeschichtlich relevanter Quellen bedient. / The dissertation is presenting a unique as well as coherent treatment of the topic of episcopal memorialization in England from 1200 to 1550. The English episcopacy was of substantial importance for furthering the promotion of what is now called the medieval system of foundation and commemoration. During the period concerned, it was believed that the dead and their suffering souls would stay alive in purgatory and were thought to be still present and spiritually connected to the living. By providing mutual support, people hoped to gain salvation on Last Judgement. Social status and role gained in life were to be retained after death and also had to be visually represented in tombs and rituals. Religious reasons and criteria of representation dominated all kinds of episcopal commemoration. Variability of memorialization, expressed in objects and rituals, was yet to be documented with English episcopal monuments and features. The commemoration of one single bishop consisted of many individual aspects. Hence, missing aspects and isolated interpretations are causing misunderstandings and distorted views. Forms and functions of tombs, liturgies, non-liturgical rituals, buildings and artworks influenced each other and were substantially linked. The typology of bishop’s tombs explains which options craftsmen and clients had in certain ages and under certain conditions. Patrons made demands for the look of the monuments. On the other hand, craftsmen created a personal portfolio of what they could offer to potential customers. Bishop’s tombs were also orchestrated with theatrical effects. Aspiration of appropriate commemoration led to wide-ranging social implications and a rich inheritance of objects and building constructions. This dissertation provides annotations and interrelations within the phenomenon of memorialization by considering various areas of history, like the history of art, faith and society.

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