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The Promise: A Mythic-Archetypal and Gender-Oriented Analysis of J.D. Salinger's "A Perfect Day for Bananafish"Spratley, Warren 27 November 2013 (has links)
This thesis is an analysis of J.D. Salinger’s “A Perfect Day for Bananafish” from both mythic-archetypal and gender-oriented perspectives. It looks specifically at the way a gender-oriented reading allows one to interpret “Bananafish” as a radical reassessment of Carl Jung’s ideas about the process of individuation, as well as Joseph Campbell’s conception of what he describes as the monomyth in his The Hero with a Thousand Faces. The reader is asked to look at how patriarchal values have greatly limited the development of these characters’ identities over time, and the complex archetypal and mythic implications of this limitation.
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“Rampant Signs and Symbols”: Artifacts of Language in J.D. Salinger’s “For Esmé—With Love and Squalor” and Glass Family StoriesSviatko, Courtney 01 January 2014 (has links)
This thesis explores the use of language in J.D. Salinger’s “For Esmé—With Love and Squalor,” “A Perfect Day for Bananafish,” and Raise High the Roofbeam, Carpenters. It establishes a narrative pattern in which sensitive individuals such as Seymour Glass and Sergeant X are isolated by the insensitivity of the superficial modern world, attempt to communicate their concerns to others through an exchange of language in material forms, and ultimately find relief in silence. By analyzing various examples of linguistic artifacts and the impact they have on both sender and receiver, this thesis identifies criteria for successful communication as well as reasons for the failure of language which may be useful for the study of these and other works by Salinger. This thesis also considers the intersection of binaries such as silence and noise, and the ways Salinger presents them both thematically and formally.
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Kto chytá v žite a Deň ako stvorený pre banánové rybičky - analýza motívov / The Catcher in the Rye and A Perfect Day for Bananafish - Motif analysisHancinová, Sabína January 2016 (has links)
The thesis Catcher in the Rye and A Perfect Day for Bananafish - Motif analysis deals with motif analysis of these two literary works by J. D. Salinger. Analysis of the basic motifs of these works reveals the symbolism of Salinger's literary world, where the main themes are childhood, growing up and alienation. Essential role when presenting motifs goes to the main characters, who in these works are very distinctive, therefore they also need to be analyzed. In question of theory, the thesis is based on Boris Tomashevskyˈs concept of motif and narratological perspective of Tomáš Kubíček or Lubomír Doležel. Apart of the analysis itself the theses deals with questions of the relevance in the genre classification of the novel Catcher in the Rye as a Bildungsroman and whether Salinger idealizes childhood in his works or not.
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Material Objects as Means of Portraying Female Characters' Personality in the 20th century : As Exemplified in the three Short Stories by J. D. Salinger, V. Woolf and F. WeldonZelenenkaya, Ekaterina January 2013 (has links)
The world we live in is full of material objects that serve as signs and thus are an important tool in literary texts. The purpose of the present essay is to illustrate how material objects are used to portray personalities of female characters, their inner world and attitudes, their ways of life and position in society. It is especially interesting in the context of the 20th century in the Western world, when the culture of consumption was gaining momentum and the role of a woman was gradually changing. The short stories analysed in the essay are written in the Western context in the 20th century, which are “A Perfect Day for Bananafish” by J.D. Salinger, “Moments of Being: ‘Slater’s Pins Have no Points’” by V. Woolf and “The Bottom Line and the Sharp End” by F. Weldon. The material objects mentioned in the texts are classified and analysed due to their role and purpose in the short stories.
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