A figura da mulher ocupa significativo papel nas novelas de cavalaria do Ciclo Bretão. Emergindo como um elemento que traz liga às narrativas do lendário artúrico, constitui-se adjuvante essencial e multifacetada na construção dos episódios, numa interação constante com o masculino representado, principalmente, pelos cavaleiros. O Medievo traz à tona uma imagem matizada do feminino: a mulher socialmente vista sob clivagens diversas é refletida na literatura de cavalaria, conforme se pode verificar em A Demanda do Santo Graal. A presença feminina é importantíssima na narrativa, sobretudo na sua tensa relação com a cavalaria, agora ligada ao elemento religioso - monastizada, celibatária e ascética. O objetivo precípuo de nossos estudos é investigar de que maneira a fôrma sociocultural medieva, na qual foi moldada A Demanda do Santo Graal, se relaciona com seu substrato: as narrativas provindas da cosmovisão inerente ao imaginário céltico. Desta feita, nosso viés analítico verticaliza-se no elemento feminino presente na obra. Mais especificamente, toma-se por escopo a imagem de personagens que refletem a ideologia clerical moralístico-didatizante do século XIII, mas, sobretudo, resgata-se a imagem de personagens imbuídas de singular dualidade; ambigüidade esta que é marca não só do medievo paradoxal concernente ao feminino, mas também de personas literárias concebidas entre dois mundos, dois pólos ideológicos distintos. Em outros termos, fala-se de personagens que são seres ficcionais bifrontes: personagens localizadas entre as herdades e as identidades. Foram tomados como corpora de pesquisa os episódios em que estas damas polidimensionais aparecem e se tornam adjuvantes na ação literária, seja para cooperar, confundir ou prejudicar os cavaleiros que empreendem a sagrada, inefável e venturosa busca do Santo Cálix que dará fim às aventuras do Reino de Logres / The figure of woman takes leading role in the novels of chivalry Cycle Breton. Emerging as an element that links the narratives of the legendary Arturo, it constitutes a vital and multifaceted adjuvant in the construction of the episodes in an ongoing interaction with the male represented mainly by knights. The Medieval brings up a nuanced picture of the female: the woman socially viewed under various divisions is reflected in the literature of chivalry, as it can be seen in The Quest for the Holy Grail. The female presence is important in the narrative, especially in its tense relationship with the chivalry, now linked to the religious element monasticated, ascetic and celibaterian. The main objective of our study is to investigate how the sociocultural medieval mold, in which was shaped The Quest for the Holy Grail relates to its substrate, the narratives originated of the worldview inherent in the Celtic imagination, thus our analytical bias uprights in the female element in this work. More specifically, it becomes a scope which the image of characters reflects the ideology of clerical didactic and moralistic of the thirteenth century. However it redeens the image of characters imbued with singular duality; that ambiguity which is not only a mark of the medieval paradoxical concerning the female, but also of literary characters designed between two worlds, two distinct ideological poles. In other words, it is about personas who are "bifront fictional beings". Characters located between the inheritances and identities. The research bases were the episodes in which these polidimensionals ladies appear and become adjuvants in literary action, either to cooperate, confuse or impair the knights who undertake the sacred, ineffable and "fortunate" quest for the Holy Chalice which will end the adventures of the Kingdom of Logres

A figura da mulher ocupa significativo papel nas novelas de cavalaria do Ciclo Bretão. Emergindo como um elemento que traz liga às narrativas do lendário artúrico, constitui-se adjuvante essencial e multifacetada na construção dos episódios, numa interação constante com o masculino representado, principalmente, pelos cavaleiros. O Medievo traz à tona uma imagem matizada do feminino: a mulher socialmente vista sob clivagens diversas é refletida na literatura de cavalaria, conforme se pode verificar em A Demanda do Santo Graal. A presença feminina é importantíssima na narrativa, sobretudo na sua tensa relação com a cavalaria, agora ligada ao elemento religioso - monastizada, celibatária e ascética. O objetivo precípuo de nossos estudos é investigar de que maneira a fôrma sociocultural medieva, na qual foi moldada A Demanda do Santo Graal, se relaciona com seu substrato: as narrativas provindas da cosmovisão inerente ao imaginário céltico. Desta feita, nosso viés analítico verticaliza-se no elemento feminino presente na obra. Mais especificamente, toma-se por escopo a imagem de personagens que refletem a ideologia clerical moralístico-didatizante do século XIII, mas, sobretudo, resgata-se a imagem de personagens imbuídas de singular dualidade; ambigüidade esta que é marca não só do medievo paradoxal concernente ao feminino, mas também de personas literárias concebidas entre dois mundos, dois pólos ideológicos distintos. Em outros termos, fala-se de personagens que são seres ficcionais bifrontes: personagens localizadas entre as herdades e as identidades. Foram tomados como corpora de pesquisa os episódios em que estas damas polidimensionais aparecem e se tornam adjuvantes na ação literária, seja para cooperar, confundir ou prejudicar os cavaleiros que empreendem a sagrada, inefável e venturosa busca do Santo Cálix que dará fim às aventuras do Reino de Logres / The figure of woman takes leading role in the novels of chivalry Cycle Breton. Emerging as an element that links the narratives of the legendary Arturo, it constitutes a vital and multifaceted adjuvant in the construction of the episodes in an ongoing interaction with the male represented mainly by knights. The Medieval brings up a nuanced picture of the female: the woman socially viewed under various divisions is reflected in the literature of chivalry, as it can be seen in The Quest for the Holy Grail. The female presence is important in the narrative, especially in its tense relationship with the chivalry, now linked to the religious element monasticated, ascetic and celibaterian. The main objective of our study is to investigate how the sociocultural medieval mold, in which was shaped The Quest for the Holy Grail relates to its substrate, the narratives originated of the worldview inherent in the Celtic imagination, thus our analytical bias uprights in the female element in this work. More specifically, it becomes a scope which the image of characters reflects the ideology of clerical didactic and moralistic of the thirteenth century. However it redeens the image of characters imbued with singular duality; that ambiguity which is not only a mark of the medieval paradoxical concerning the female, but also of literary characters designed between two worlds, two distinct ideological poles. In other words, it is about personas who are "bifront fictional beings". Characters located between the inheritances and identities. The research bases were the episodes in which these polidimensionals ladies appear and become adjuvants in literary action, either to cooperate, confuse or impair the knights who undertake the sacred, ineffable and "fortunate" quest for the Holy Chalice which will end the adventures of the Kingdom of Logres

La traduction portugaise de la version post-vulgate française de la Quête du Graal achevée vers la fin du XIIIe siècle et intitulée A Demanda do Santo Graal, offre un prisme intéressant pour saisir, en contexte et à travers les jeux de déplacements et de reconfiguration, l’imaginaire caractéristique du cycle Post-Vulgate, autrement difficilement accessible. La Demanda do Santo Graal permet de mieux comprendre l’imaginaire du roman français et d’accompagner son évolution en dehors de ses frontières linguistiques à une époque où le romancier n’est plus traducteur, mais devient lui-même une figure d’autorité. Ce travail consiste essentiellement à voir comment la Queste Post-Vulgate lue en parallèle avec la traduction/adaptation portugaise permet de comprendre l’évolution du roman vers la fin du Moyen Âge et la notion d’auteur en faisant la distinction entre le translateur, le créateur et le romancier dans le récit médiéval tout en faisant témoin de l’évolution de leur subjectivité littéraire du roman des origines à celui du Moyen Âge tardif. / The Portuguese translation of the Post-Vulgate Cycle completed towards the end of the 13th century and entitled A Demanda do Santo Graal offers an interesting prism to grasp, within the context and through a set of displacement and of reconfiguration, the characteristics of the Queste Post-Vulgate’s imagination, otherwise difficult to access. The Demanda do Santo Grail gives the reader access to the imagination of the Medieval French novel while tracing the different aspects of its evolution outside of its linguistic borders in an era where the writer is no longer a translator, but becomes an auctor. This work mainly shows how the Queste Post-Vulgate, read in conjunction with the Portuguese translation/adaptation, illustrates the evolution of the novel and the concept of author while distinguishing between the translator, the creator and the writer. This important distinction between the different representations of the writer during the medieval period allows one to understand their literary subjectivity in the narrative from the beginning to the end of the Middle Ages.

Submitted by Franciele Moreira (francielemoreyra@gmail.com) on 2018-04-18T13:05:16Z No. of bitstreams: 2 Tese - Alessandra Fabrícia Conde da Silva - 2018.pdf: 1843964 bytes, checksum: 34e19a9c19065b3bced0c3c6cdd0256a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-04-18T15:25:53Z (GMT) No. of bitstreams: 2 Tese - Alessandra Fabrícia Conde da Silva - 2018.pdf: 1843964 bytes, checksum: 34e19a9c19065b3bced0c3c6cdd0256a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-04-18T15:25:53Z (GMT). No. of bitstreams: 2 Tese - Alessandra Fabrícia Conde da Silva - 2018.pdf: 1843964 bytes, checksum: 34e19a9c19065b3bced0c3c6cdd0256a (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-03-19 / Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG / I perceive the Judaeo-Christian tradition as more comprehensive than it is treated in the biblical canon. This work aims to unfold paths undertaken by some Judaeo-Christian myths, that is, mythical structures, which corroborated the construction of new myths, such as those of Percival’s sister and Solomon’s wife – characters of A demanda do Santo Graal (1995), Portuguese translation from the 15th century, copy of a French sample from the 18th century. In this trajectory, it is essential to consider, besides the biblical scripture, some apocryphal manuscripts which lend literary elements of feminine prominence and humility to the matter of Britain. This character, for example, was scarcely referred in the Portuguese Demand; therefore it is essential that La queste del Saint Graal (1923), present in Vulgata, be consulted for the purpose of studying the narrative of Solomon’s wife. Thus, according to the Judaeo-Christian tradition one can attest that the elements borrowed from it, still echo in discourses, which sometimes vilify and sometimes defend women, making them exemplary and heroic feminine figures, despite carrying the heavy burden of anti feminine tradition. Such misogynous burden is noticed in the narratives that aim at legitimating the Grail’s hero lineage, taking the Hebrew kings from the biblical tradition as ancestors. It is from this androcentric nucleus that heroic feminine narratives will emerge, softening the bitterness against women, in the moment heroes find themselves in abulia in face of the unknown. For this purpose, the dissertation carries out an analytical study of the referred literary pieces, following the methodological procedures of bibliographic, qualitative research, identifying the literary, sociological, historical and cultural perspectives. It tried to unveil the paths taken by the characters Percival’s sister and Solomon’s wife, along their mythical trajectory, compatible to the Judaeo- Christian tradition. / Compreendendo que a tradição judaico-cristã é mais extensa do que está grafado no cânone bíblico, este trabalho propõe-se a desvelar os caminhos percorridos por alguns mitos judaico-cristãos, isto é, estruturas míticas que amparam a construção de novos mitos, como os da irmã de Persival e da mulher de Salomão, personagens presentes n’A demanda do Santo Graal (1995), tradução portuguesa do século XV, cópia de um exemplar francês do século XIII. Neste percurso, é necessário que se considere, além do texto bíblico, alguns textos apócrifos que emprestaram motivos literários da proeminência e da humildade femininas à matéria da Bretanha, como os que estruturaram os mitos da irmã de Persival e da mulher de Salomão. Esta personagem, por exemplo, recebe apenas poucas citações na Demanda portuguesa, sendo indispensável o manuseio de La queste del Saint Graal (1923), presente na Vulgata, para se conhecer a narrativa da mulher de Salomão. De tal modo, seguindo a tradição judaico-cristã, vê-se que os motivos, dela tomados de empréstimo, continuam por ecoar discursos que ora difamam, ora defendem a mulher, tornando as personagens figuras exemplares e heroicas, ainda que carreguem o fardo da tradição antifeminina. Tal fardo misógino será percebido nas narrativas que visam a legitimar a linhagem do herói do Graal, tomando como ancestrais os reis hebreus da tradição bíblica. É neste núcleo androcêntrico que irromperão as narrativas heroicas femininas, suavizando o ranço contra as mulheres, quando os heróis mostrarem-se em abulia frente ao desconhecido. Para tanto, a tese, realizando um estudo analítico das mencionadas obras, pautando-se na pesquisa de cunho bibliográfico e qualitativa, reconhecendo o viés literário, sociológico, histórico e cultural, procurou deslindar os caminhos percorridos pelas personagens, a irmã de Persival e a mulher de Salomão, em sua trajetória mítica, segundo a tradição judaico-cristã.

La traduction portugaise de la version post-vulgate française de la Quête du Graal achevée vers la fin du XIIIe siècle et intitulée A Demanda do Santo Graal, offre un prisme intéressant pour saisir, en contexte et à travers les jeux de déplacements et de reconfiguration, l’imaginaire caractéristique du cycle Post-Vulgate, autrement difficilement accessible. La Demanda do Santo Graal permet de mieux comprendre l’imaginaire du roman français et d’accompagner son évolution en dehors de ses frontières linguistiques à une époque où le romancier n’est plus traducteur, mais devient lui-même une figure d’autorité. Ce travail consiste essentiellement à voir comment la Queste Post-Vulgate lue en parallèle avec la traduction/adaptation portugaise permet de comprendre l’évolution du roman vers la fin du Moyen Âge et la notion d’auteur en faisant la distinction entre le translateur, le créateur et le romancier dans le récit médiéval tout en faisant témoin de l’évolution de leur subjectivité littéraire du roman des origines à celui du Moyen Âge tardif. / The Portuguese translation of the Post-Vulgate Cycle completed towards the end of the 13th century and entitled A Demanda do Santo Graal offers an interesting prism to grasp, within the context and through a set of displacement and of reconfiguration, the characteristics of the Queste Post-Vulgate’s imagination, otherwise difficult to access. The Demanda do Santo Grail gives the reader access to the imagination of the Medieval French novel while tracing the different aspects of its evolution outside of its linguistic borders in an era where the writer is no longer a translator, but becomes an auctor. This work mainly shows how the Queste Post-Vulgate, read in conjunction with the Portuguese translation/adaptation, illustrates the evolution of the novel and the concept of author while distinguishing between the translator, the creator and the writer. This important distinction between the different representations of the writer during the medieval period allows one to understand their literary subjectivity in the narrative from the beginning to the end of the Middle Ages.