Thesis (MEd) -- University of South Australia, 1993

Thesis (MEd)--University of South Australia, 1998

Undernutrition in prevalent in Aboriginal communities, in utero, infancy and childhood. It influences childhood morbidity and mortality and growth patterns. Undernutrition and poor socio-economic status also contribute to endemic and epidemic infectious disease, including scabies and streptococcal infection. It has been suggested that early undernutrition, and streptococcal and scabies infection are risk factors for renal disease, which is at epidemic levels and increasing. This thesis examines the prevalence of undernutrition in newborns and infants in an Aboriginal community over time, and its impact on childhood growth and child and adult renal markers. The association between skin lesions, streptococcal serology, post-streptococcal glomerulonephritis (PSGN) and renal markers as evaluated through a community wide screening program in 1992-1995 is also examined. Birthweights have increased since the 1960s, but they are still much lower than the non-Aboriginal values. Weights in infancy have decreased since the 1960s. At screening in childhood stunting was common, reflecting the presence of long-term poor nutrition in infancy. In both adults and children, birth weight and infant weights were negatively associated with albuminuria measured by the albumin to creatine ratio (ACR).

Doctor of Philosophy (PhD) / This thesis is an inquiry into the possibility of Aboriginal autonomy under the regime of a state policy which commands self determination. Debate about policy has been dominated by Western scientific, political and professional knowledge, which is challenged by indigenous paradigms grounded in the Dreaming. A recognition of the role of paradox leads me to an attempt at reconciliation between the old and the new Australian intellectual traditions. The thesis advances the theory of internal colonialism by identifying self-determination as its current phase. During more than 200 years of colonial history the relationship between Aborigines and the state has been increasingly contradictory. The current policy of self-determination is a political paradox. Aboriginal people must either conform to the policy by disobeying it, or reject the policy in obedience to it. Through the policy of self-determination the state constructs a relationship of dependent autonomy with Aboriginal people. In a two-year (1994-95) action research project Kitya Aboriginal Health Action Group was set up to empower a local community to establish an Aboriginal health service despite opposition from the Government Health Service. In collaboration with local general practitioners and volunteers the action group opened a health centre. After the end of formal field work government funding and support for the health service was granted. The project illustrated the paradox of dependent autonomy. What appeared as successful community development was not development, and what appeared as destructive factionalism was empowering. Strategies for change made use of contradictions and paradoxes within the state. As an innovation in the practice of social change, the thesis begins the construction of a model for indigenous community action for self-determination in health.

Thesis (M.A. 1977) -- University of Adelaide, Department of History, 1976.

Thesis (B.A.Hons.) -- University of Adelaide, Dept. of History, 1973.

Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005. / Coursework. "March 2005" Bibliography: leaves 179-190.

Zugl.: Neuendettelsau, Augustana-Hochsch., Diss., 2007.

Zugl.: Neuendettelsau, Augustana-Hochsch., Diss., 2007

The main purpose of this practice-led research is to explore the relevance of present day Taiwanese aboriginal weavers’ work to contemporary society and how it might be integrated into today’s production processes, and used on stage as well as in exhibition. My research focuses on my costume design work for two theatrical productions, Africussion and Romeo and Juliet, for which the costumes were made with traditional Taiwanese aboriginal woven textiles, and is based on the assumption that the process of costume design affords a space to explore other aesthetic possibilities for aboriginal woven textiles, and that the theatre provides a context in which the conventional conceptions of Taiwanese aboriginal textile design can be challenged, broken apart and renewed. This research deals with both the theoretical and the practical considerations that apply to aboriginal weaving, and examines the intellectual traditions of the philosophy of art and aesthetics to be found in its theory and application. My thesis challenges the notion upheld by many of today’s aboriginal weavers that their ‘traditions’ are fixed and unchangeable, and argues for the importance of individual creativity if modern, contemporary needs and tastes in textiles are to be met by materials woven in the aboriginal way. My practice-led research is grounded on the techniques of aboriginal backstrap loom and weaving and basket weaving, which were learned from aboriginal weavers in a 20-month tribal fieldwork. This project approaches aboriginal woven textiles as artistic objects in the context of theatre productions and performances instead of as mere commercial entities. It also argues that theatrical costume design is much more than just the making of simple costumes that complement performances.