Esta pesquisa tem o objetivo de investigar e compreender a relação entre o arquiteto e o cliente, focado na comunicação, considerando os caminhos que levam aos acertos, ou aos desvios, e que resultarão no nível de qualidade do serviço prestado. Justifica-se este estudo, devido à maioria dos arquitetos e urbanistas, no mercado brasileiro, atuar nas áreas de concepção e projetos, de serviços relacionados à execução de obras, e de arquitetura de interiores e se comprometer, através de suas relações com seus clientes, com o fornecimento desses serviços dentro de prazos, escopos e custos pré-estabelecidos. O método utilizado, aliado a revisão bibliográfica, são estudos de caso múltiplos, constituído de um caso-piloto e nove estudos de caso. A delimitação da pesquisa está no trabalho do profissional de arquitetura autônomo ou microempresário, que trabalha com projetos e obras, de pequeno ou médio porte, e que possui relação direta com o seu cliente. Como resultado, verificou-se que as documentações analisadas, como normas técnicas e resoluções pertinentes, nem sempre apresentam orientações e parâmetros compatíveis com o processo da execução dos serviços para obras de pequeno porte e sugestões são apresentadas, com o objetivo de contribuir e aprimorar a qualidade do serviço do profissional arquiteto e urbanista. Também neste estudo, foi possível identificar novas formas de aprimorar um conjunto de parâmetros, que unidos ao embasamento teórico científico, possibilitarão, no futuro, a proposição de uma estrutura de abordagem de todo o processo, orientado ao gerenciamento de prazos, custos e escopo, em projetos de pequeno porte. / This research aims at investigating and understanding the relationship between architects and clients, focused on communication, considering the paths that lead to the success or divergence, and that will result in the effective quality of the service provided. This study is based on the fact that the majority of architects in the Brazilian market, work with design conception, services related to the building construction and interior design and who commit themselves to supplying services within pre-established deadlines, scopes and costs, through their relations with the clients. The applied method combined with literature review, are multiple case studies, carried out with a pilot-case and nine case studies. The range of the research is the small-size firms or freelancer architects, working with small or medium-sized buildings designs, and has a direct relationship with their clients. As a result, it was found that the documentation reviewed, such as technical standards and other relevant resolutions, not always provide guidelines and parameters consistent with small buildings process of service execution. Suggestions are presented in order to contribute and improve the quality of service of the professional architect. In this study, it was also possible to identify new ways to improve a set of parameters, which attached to the theoretical scientific basis, will enable, in future, the propose a structured process approach, oriented towards success and divergence of management of cost, scope, and deadline, to the small buildings design.

Spinning the Plan Sideways is the story of Clara Gantz, a thirty-eight year old architect who spent her twenties getting her plans—and sections and elevations—just right. She built buildings in lieu of a family and has considered these buildings her children, but lately she’s been finding a void in wood, marble, and steel. Encouraged, with methods bordering on coercion, by Greta, her “sister” from the Gantz Home for Girls, Clara agrees to mentor Julien, a troubled twelve-year-old. Years ago, when Julien was five, his mother split their house apart, lifting it to make three-stories from one, and moved into the top level with her new husband and daughter, leaving Julien and his father, Michel on the levels below. The separation drove Michel to attempt suicide on Julien’s ninth birthday leaving him with violent aversions to homes over one-story tall. As Clara works with Julien, she discovers her life had been focused on developing the wrong types of plans and she invests in creating new plans for herself, Julien, and Michel. The story unfolds through the parallel viewpoints of Clara and Michel, with Julien’s Grim Fairytale tucked in the middle.

This dissertation examines the impact and influence of Colonel Edward House. House occupied a unique position in American history. The Texan wielded great power for most of Woodrow Wilson's presidency. House left an enduring impact on U. S. foreign policy while he served as the president's closest advisor. The project covers House's early life because it offers valuable clues as to how the colonel constructed his latter role as a presidential advisor and international figure. House believed in the idea of great men shaping history and bending events to their will. He also thought that the political arena provided the best arena to achieve greatness. Moreover, House knew due to his poor public persona and persistent illnesses had to construct a distinctive position for himself. House found that his path to greatness rested in exerting power behind the scenes. During his early years in politics he served as confidential advisor to a series of Texas governors, a position House later fillled in the Wilson administration. House found his chance to move onto the national scene through the presidential candidacy of Woodrow Wilson. He provided some key services for Wilson during the course of the 1912 campaign and quickly gained the confidence of the candidate. After Wilson's election House acted as a de facto chief of staff as he helped fill administration jobs. When the president-elect assumed office on March 4, 1913 House offered some advice on domestic policy but his ambition soon turned towards diplomacy. House believed that global politics provided the best way to achieve prominence. Though driven by ambition and ego House helped to usher in an era of American internatiionalism. His role as peace envoy, during American neutrality, marked the first time in the modern era that the U. S. involved itself in a European war. House continued his internationalist stance when America entered the war when he helped draft the Fourteen Points and an early covenant of the Fourteen Points. House was an important figure in bringing America out of its era of isolationism onto the world stage.

As Galileo peered through a lens to see the twinkle of the Jovian moons, and Antonie Van Leeuwenhoek did the same to study the tremulous basis of all life, so the fabric of threads we weave across time and space – the vast net of relations that bind and separate us – is visible only through a lens. Footprints in the snow and the weathered stone steps of buildings hint at the shape of these threads, but the coming of spring and the hardness of stone limit our observations. The Global Positioning System (GPS) now provides us a lens to see the path that individuals, families, and communities take in space-time -- their worldlines. When millions of GPS signatures are collected from hundreds of individuals, heritable patterns emerge that embody particular individual’s ideas and practices, as well as those of the society and the environment in which they operate. Besides providing a tool to test assumptions about how space is used, I argue in this thesis that by allowing us to glimpse a terra incognita, mapping worldlines also provides a unique perspective on our spatial relationship to one another.

The goal of this thesis is to investigate and propose housing that increases density while offering a better quality of life for citizens inhabiting Toronto’s Avenues. This thesis compares three different building prototypes, all of varying scales and typological characteristics. The viability of each prototype is discussed with regards to the current economic and regulatory conditions within the city, as well as the varying quality of life that each prototype creates.

This thesis focuses on the late period mosques of architect Sinan in terms of their structural systems, the relation with their environment, and the identities of their patrons. The links amongst the role of the patron, his or her status in the state, materials used in the mosques, location choice and the spatial distribution of the mosques are researched on the bases of these six late period mosques of Sinan. In this perspective, the social background of the Ottoman Empire in the sixteenth century is the first focal point of the thesis. The relations between the decadence of the institutions, the political conditions of the Ottoman Empire and the architectural production during the last quarter of the sixteenth century are examined in the second chapter of this thesis. In the third chapter these six late period mosques as the sampling case are described in detail and evaluated in terms of their bearing systems, construction materials, the site features and the relation with their patrons. Though, being one of the favorite subjects in the Ottoman architectural history, there are many research and interpretations on Sinan&amp / #8217 / s architectural style, works on late period mosques are limited and not specifically focused. In the fourth chapter of the study these limited interpretations are brought together and evaluated in the light of the background information supplied in the previous chapter of the thesis. In this framework, the aim of this study is not only to assess the late period works of Sinan as a tool to trace his architectural process, but also to unveil the relations with the identities of the patrons and locational and structural features of the mosques.

This study intends to present a critical outlook to the position of an architect: Vedat Dalokay as a social agent. In this respect, it examines him through his multidimensional identity. Within this framework, the purpose is to interpret Dalokay, who formed his identity as a practicing architect, an administrator, a mayor, a politician, a writer and a literature admirer. In this respect, the thesis questions his unique personal standpoint in terms of: commodity production (as a typical member of the society reproducing the system), creative agency (caused by the architecture&amp / #8217 / s already existing capacity of symbolic representation with the architectural object) and social agency (generating projects for the construction of the community). Focusing on these dimensions, the survey proceeds over this togetherness, in order to decipher the role of Vedat Dalokay as a catalyst in the social transformation processes, in the light of social, economic and political conditions of Turkey.

ABSTRACT OPPORTUNITIES AND BARRIERS OF ARCHITECT LED DESIGN-BUILD PROJECTS Deniz,Ay&ccedil / a M.Sc. in Building Science, Department of Architecture Supervisor: Assoc. Prof. Dr. Soofia Tahira Elias Ozkan September 2012, 77 pages From past to today, technological developments have resulted in new systems in parallel with digital age. Innovations have been started to be replaced with the traditional solutions. Standardizations have also started to be renewed in accordance with the high technology and complexity of the projects. Under these circumstances, design and construction activities have been separated in the construction industry. As a result, alternative project delivery systems have been developed and selecting the right delivery system has gained importance depending upon the complexity of the projects The main objective of this study was to propose a model that supports architect&rsquo / s leadership in design-build systems throughout an international airport project as a case study. Thus, construction industry will gain awareness for the organization structures in which architectural groups lead the other disciplines to achieve success in design-build systems considering time cost quality triangle. In this study, organization charts including project construction process and factors affecting design and construction activities were investigated. The matrix relationship in production level of the organization charts among the project disciplines has been analyzed. According to the evaluation of models reflecting the existing status, alternative models supporting architect&rsquo / s leadership are proposed.

Industrial heritage sites are special areas in a city. In recent years, China has paid more attention to the protection and renewal of industrial heritage. Because these areas have proved to be problematic, landscape architectures should work to solve these problems for future areas. This thesis asks the question: could there be a conscious way to deal with this issue? Using the five major models and Linda Groat’s four perspectives on contextual design as the theoretical approach, this thesis conducts a comparative study on the center of Norrköping and Xu Jiahui Park in Shanghai. In order to investigate if Linda Groat’s categories could be useful to landscape architectures, this thesis analyzes the two cases and discusses to what extent they fit in with Groat’s theory. The investigation produces some results to guide landscape architects; so when facing an industrial heritage, the landscape design might be dealt with in a more conscious way. / 0735-982552

The residential designs of Fay Jones embody the ideals of organic architecture in the highest degree. Working in the tradition of Frank Lloyd Wright, Jones produced a wide range of houses that represent an intensely personal endeavor. Although the chapels and public pavilions designed by Jones are his most famous works, the meticulous construction detailing and elaborate material joints in Jones' houses reward long-term residents, who discover new details and new compositions of light and shadow for years after moving into their homes. The careful working and reworking of details contribute to a unifying generative idea that enforces the part-to-whole relationship of organic building, but it is also an outpouring of Jones' belief that caring is an “imperative moral issue.” It is difficult to occupy a Jones building or study the work without getting swept up in Jones' notion that “[one] must idealize, even romanticize, what [one] is doing.” Through a consideration of clients' relationships with Fay Jones and the spaces they occupy, this study reflects on Jones' hope that “perhaps the inhabitants can be more comfortably and more meaningfully integrated into the natural forces of life.” Jones' thoughts about architecture, recorded in his journals and lecture notes, reinforce the accounts of key, residential clients who benefited from Jones' earnestness about building and living. The carefully arranged joint details of Jones' designs form a physical representation of the close relationships of Jones, his clients, and the craftsmen who built the work. / text