- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 111 to 120 of 3183 (0.04 seconds)| 111 |
An investigation of the intensive journal method as a vehicle to stimulate and record the architect's unconscious creative design imagesPowell, Stephen Paul 05 1900 (has links)
No description available.
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| 112 |
The American dream towards a new futureHampton, Frederick Jordan 05 1900 (has links)
No description available.
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| 113 |
Architecture and narrative : an explorationBesserud, Keith Roland 08 1900 (has links)
No description available.
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| 114 |
The preservation of Savannah's trust lots : an inquiry into future developmentCowart, Gerald D. 12 1900 (has links)
No description available.
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| 115 |
Architectural drawingsGroves, Harriett Ellen 08 1900 (has links)
No description available.
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| 116 |
Ornament in architectureBohler, Gregory Wayne 05 1900 (has links)
No description available.
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| 117 |
Diagram / abstract of the essentialEllis, Terry W. 08 1900 (has links)
No description available.
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| 118 |
Computer-aided drafting and design in architectural design and practiceShue, Michael Alan 05 1900 (has links)
No description available.
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| 119 |
L'espace métaphorique du montage cinématographique : vers un nouveau rituel architecturalPelletier, Louise, 1963- January 1990 (has links)
Architectural representation is much more than a process of transcription between a concept and the building; it is a tool that determines the very mentality and praxis of the architect. This thesis studies the technique of film montage through the work of Andrei Tarkovsky and the possibilities it offers to the process of architectural conception. A general outline of the development of the perspective tools of representation in architecture lead to an understanding of the significance of the cinematographic image in the context of the history of projection. Montage in the tradition of Surrealism placed an emphasis on the potential power of poetic evocation between its elements. Comparing the narrative forms of three film-makers, the "surrealist montage" of Luis Bunuel, the "intellectual montage" of Sergie Eisenstein, and the temporal modulation in the films of Tarkovsky, this thesis examines different ways to qualify cinematographic space which affect the spatial and temporal experience of the spectator and offer the possibility of a redefinition of ritual in architecture.
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| 120 |
Management in architectureRuiz, Luis Ariel 08 1900 (has links)
No description available.
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