Thesis (M.M.)--University of North Texas, 2003. / Includes bibliographical references (p. 102-107).

No description available.

This dissertation examines the principal Japanese translations of Arthur Waley (1889-1966): Japanese Poetry: The Uta (1919), The No Plays of Japan (1921), and The Tale of Genji (1925-33). These works have been overlooked as English literature of the British modern period, although Waley intended most of his translations to function as modern English literature. I include a short biography of Waley's formative years and maintain that aspects of his identity—Jewish, bisexual, and socialist—were important in the choice of his occupation and in the selection and interpretation of his texts. I situate Japanese culture in the context of orientalism and Anglo-Japanese political relations. Japanese culture had a role to play in Anglo-Japanese imperialisms; this is demonstrated through an examination of the activities of the Japan Society of London, where Waley presented one of his first translations. The School of Oriental Studies in London also provided a platform for the translation and dissemination of Asian literature for the express purpose of promoting British imperial interests in the Far East. As an orientalist working through these institutions and the British Museum, Waley's positioning of himself as a Bloomsbury anti-imperialist was ambiguous. His texts, moreover, had a role to play in the presentation of Japan as an essentially aesthetic, 'feminine' nation. There are few letters, and no diaries or working papers of Waley. I rely, therefore, on his published works, as well as the memoirs, letters and biographies of family members and friends, especially those of the Bloomsbury Group with which he was associated. I make extensive use of the Transactions of the Japan Society and historical records of the School of Oriental Studies, as well as critical reviews of Waley and other translators. Social and cultural histories of the period are used to construct key. contexts: the Anglo-Jews, the Cambridge Fabians, British orientalism, and English modernism between the wars. Since I maintain that homoeroticism in Japanese literature was one of its attractions for Waley, I also look to queer theory to assist in my reading of Waley's texts. I conclude that The Tale of Genji enabled Waley to realize a personal ambition to write stories, and he produced a unique English novel that remains not only the most important modernist interpretation of Japanese culture between the wars, but a remarkable record of Edwardian-Bloomsbury language and aesthetic sensibility.

No description available.

No abstract available. / Thesis (M.A.)-University of Durban-Westville, 1979.

The purpose of this thesis is to analyse the function and the modulations of the figure of Rimbaud in the works of Rene Char, from 1927 to 1988 approximately. / This analysis, which traces the passage---from the latent to the manifest---of the figure of Rimbaud through Char's works, is situated at the junction of two series of texts, one "interior" (Char's writings on Rimbaud), the other "exterior" (twentieth-century interpretations of Rimbaud). Intertexuality, understood to mean the influence of Rimbaud on Rene Char, emerges as a reading, that is a "critique" of Rimbaud, the elaboration of a "Rimbaldian" text of which Char himself is the legatee. / What is designated in this thesis as the "metaphore Rimbaud" in the work of Rene Char refers to a process of aesthetic conceptualization rooted in the figure of Rimbaud. The "conceptual metaphor" (a notion borrowed from the works of Judith Schlanger) constructs rather than describes an interpretation. The metaphor is thus a means of intellectual invention, a heuristic act and an instrument of investigation. For Char, the metaphorical Rimbaud is the space into which he projects and imagines the work to be created. Thus, the figure of Rimbaud, through a working and reworking of discrepancies and margins, is gradually transformed by the poet and becomes, finally, a true metaphor, that is, a conceptual hypothesis which is supple and ample enough to accommodate all of Char's poetry.

The novel Rimbaud le fils written by Pierre Michon is analysed in this study, using the theoretical model of modalities and modes of media elaborated by Lars Elleström (2010), the typology of intermediality defined by Werner Wolf (2002) and Irina Rajewsky’s (2010) metatheoretical reflections upon the concept of borders. The novel by Michon relates to some famous photos that have become important in creating the understandings of Arthur Rimbaud as a poet and a myth. The guiding question of the analysis has been: How can the intermedial relations to the photos create meaning in the novel?   The theoretical model of Elleström has been applied in order to define the modalities and modes involved in the photography and in the written text of the novel. Thereby the significant differences and similarities between the different media have become distinguishable. The categorization proposed by Wolf and the remarks made by Rajewsky on the concepts of borders, have helped to link together the observations of modalities and modes with the hermeneutic reading of the text. Using the intermedial references has shown to be a possible way to express or to reinforce the literary expression of for instance: the heaviness of the literary legacy and mythology, the absent, the genius, the departure, the silence, the religious language, the unknown, the literary sham, the survival and the protective power of an expressive richness that relates to or implies several semiotic systems.

The project had two primary goals. The first was to study the photographs of William Arthur Swift, a commercial photographer who lived and worked in Muncie during the 1920s and early 1930s. An exhibition of his work was held at the Ball State University Art Gallery in 1984 and raised two issues which this project addressed.One question concerned the photographic equipment used by Swift. By examining his negatives, studying literature, and interviewing people who knew Swift, the models used by the photographer. This was then compared to equipment used by photographers today.Another issue concerned the current status of the subjects Swift photographed. Upon examining his work it was discovered that some of the subjects still exist. Many others do not, yet they have modern day counterparts. The second goal of the project was to conduct an historical update to compare a selection of Swift's subjects historical information about Munciechanges that have occurred.It was concluded that historical photographs serve as it showed the to the present. The modern photographs were then displayed alongside Swift's photographs. A comparison revealedas useful educational tools. They may also be considered entertaining. The recommendation was made that photographic work of this nature be continued since it will provide an informative view of this time period to future viewers.

In this dissertation, research is aimed at the multifaceted concepts of tolerance and abjection, which are becoming increasingly relevant worldwide. The way in which these terms are integrated into literary works is analysed with reference to two novels, namely Santa Gamka (2009) by Eben Venter and Een schitterend gebrek (2003) by Arthur Japin. Both novels include tolerance and abjection as a significant part of their narratives, yet they originate from two different parts of the world, are set in two different periods of time and also differ at historical, social-political and individual levels. In this study, the most signification similarity between the novels is how tolerance and abjection take effect, both independently and together In both novels, tolerance and abjection are, for various reasons, problematised. These reasons include: skin colour, beauty, space and borders. When compared to reality, the manifestation of tolerance and abjection in the novels is also illuminating, because it reflects the actual situations in their respective countries, namely South Africa and The Netherlands. The history and views of tolerance in these two countries can be seen as opposite: South African intolerance is characterised by apartheid, while the praised tolerance of The Netherlands is known worldwide. The analysis of the novels focuses on the influence of tolerance and abjection on the main characters, with the emphasis on the body – not only in terms of physical appearance, but also sexual practises. The study demonstrates that specific spaces, as well as spatial displacement, can be linked directly to tolerance and abjection. In accordance with their spatial migration, the novels show that borders, boundaries and overstepping boundaries are of the utmost importance to the protagonists. Borders that are experienced as limiting and result in rejection and intolerance are often simultaneously a passage to acceptance and tolerance. / MA (Afrikaans en Nederlands), North-West University, Vaal Triangle Campus, 2014

Thesis (M.A.)--University of Hawaii at Manoa, 2004. / Includes bibliographical references (leaves 157-169). / vii, 169 leaves, bound ill. 29 cm