Thesis advisor: Andrew L. Prevot / Anti-Black racism and white supremacy are critical and interrelated contemporary crises. Achille Mbembe theorizes the confluence of these crises in the concepts of necropolitics and Black reason. But Mbembe does not elaborate the historical relationship between anti-Black necropolitics and Christian thought. I address this aporia in my dissertation while also formulating a theological response through an integrated reading of James Cone and Johann Baptist Metz. In Chapter One, I adopt Mbembe’s framework to contend that the uncritical coöptation of Black reason by white Christianity has resulted in a necropolitical theology, which I demonstrate through an evaluation of three theological loci: anthropology, Christology, and eschatology. Turning to constructive possibilities, chapter two introduces Cone and Metz, whose theologies I read against necropolitical theology. Chapter Two argues that Cone’s revaluation of Blackness as God’s intent for humanity meets Metz’s call for an anthropological revolution of white Christians at the point of conversion: a decision to die to whiteness and become Black with God. Chapter Three emphasizes revelation in Cone’s Christology as an objective Black event; the subjective, ecstatic encounter with the crucified and resurrected Christ; and the necessity of the Cross for theological imagination. Metz’s Holy Saturday Christology, specifically, his paradigmatic memoria passionis, grounded in the descensus ad infernos, complements Cone’s notion of concrete and transformative encounter with Jesus as it emphasizes solidarity with the oppressed. Chapter Four addresses the deformation of Christian hope by necropolitical theology. I integrate Cone’s analysis of Black hope in existential, material, and apocalyptic interpretations of eschatology with Metz’s eschatological proviso which, above all, suggests that one must see the future from the memory of the suffering and the dead. In the United States, I argue that this means white Christians are called to relational praxis in solidarity with oppressed Black communities. In Chapter Five, the conclusion, I look to the pericope on discipleship in Mark 8 in tandem with the theological interventions from Cone and Metz to provide an assessment of what it might mean for white Christians to become Black with God. / Thesis (PhD) — Boston College, 2022. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: Theology.

<p>This study is concerned with subject formation in the fiction of contemporary postcolonial authors Abdulrazak Gurnah, Yvonne Vera, and David Dabydeen. In contextualised readings of a total of nine works – Gurnah’s Admiring Silence (1996), By the Sea (2001), and Desertion (2005); Vera’s Without a Name (1996), Butterfly Burning (1998), and The Stone Virgins (2002); Dabydeen’s Disappearance (1993), Turner (1994), and A Harlot’s Progress (1999) – it explores thematic and formal aspects of the subject’s constitution in the texts. Investigating the representation of material and discursive traces that constitute the individual, this study has a double aim. First, it describes the particular historical formations that mould the individual in the different texts. Second, it investigates the tactics used to imaginatively upset these formations in order to present new and more enabling modes of being.</p><p>Gurnah’s fiction depicts the intricate meshwork of social codes, emotions, and narratives that shape subjectivity in a highly unstable and cosmopolitan social reality. His novels repeatedly thematise cultural disorientation, migration, and the efforts of establishing a minimum of social and narrative stability in the form of a home. The chapter reads Gurnah’s fiction against a background of Zanzibari history and diaspora and suggests that various forms of “entanglements” paradoxically provide the means to pull the subject out of states of anxiety and alienation into more viable states of being. Vera’s novels engage a powerful Zimbabwean discourse on history, and the psychic and bodily wounds that result from its violent impact on the subject. Set at moments of special and contested historical importance, her novels address the exclusions and silences of this discourse in order both to assess its effects and the possibilities of imagining alternative versions that would allow other modes of subjectivity. These possibilities are manifested, thematically and textually, through an improvisational form of “movement,” geographical, linguistic, and musical. Dabydeen’s fiction investigates the textual dimensions of identity and its connections to larger cultural archives of tropes and languages. Focusing on the constraining yet constitutive impact of various modes of colonial and racial rhetoric, his literary texts display a manipulation of textual elements from these archives that approaches a re-conception of the subject. To describe this manipulation of English and Caribbean sources, thematised and dramatically staged in his fiction, I am using Dabydeen’s own phrase, “creative amnesia.”</p>

This study is concerned with subject formation in the fiction of contemporary postcolonial authors Abdulrazak Gurnah, Yvonne Vera, and David Dabydeen. In contextualised readings of a total of nine works – Gurnah’s Admiring Silence (1996), By the Sea (2001), and Desertion (2005); Vera’s Without a Name (1996), Butterfly Burning (1998), and The Stone Virgins (2002); Dabydeen’s Disappearance (1993), Turner (1994), and A Harlot’s Progress (1999) – it explores thematic and formal aspects of the subject’s constitution in the texts. Investigating the representation of material and discursive traces that constitute the individual, this study has a double aim. First, it describes the particular historical formations that mould the individual in the different texts. Second, it investigates the tactics used to imaginatively upset these formations in order to present new and more enabling modes of being. Gurnah’s fiction depicts the intricate meshwork of social codes, emotions, and narratives that shape subjectivity in a highly unstable and cosmopolitan social reality. His novels repeatedly thematise cultural disorientation, migration, and the efforts of establishing a minimum of social and narrative stability in the form of a home. The chapter reads Gurnah’s fiction against a background of Zanzibari history and diaspora and suggests that various forms of “entanglements” paradoxically provide the means to pull the subject out of states of anxiety and alienation into more viable states of being. Vera’s novels engage a powerful Zimbabwean discourse on history, and the psychic and bodily wounds that result from its violent impact on the subject. Set at moments of special and contested historical importance, her novels address the exclusions and silences of this discourse in order both to assess its effects and the possibilities of imagining alternative versions that would allow other modes of subjectivity. These possibilities are manifested, thematically and textually, through an improvisational form of “movement,” geographical, linguistic, and musical. Dabydeen’s fiction investigates the textual dimensions of identity and its connections to larger cultural archives of tropes and languages. Focusing on the constraining yet constitutive impact of various modes of colonial and racial rhetoric, his literary texts display a manipulation of textual elements from these archives that approaches a re-conception of the subject. To describe this manipulation of English and Caribbean sources, thematised and dramatically staged in his fiction, I am using Dabydeen’s own phrase, “creative amnesia.”

Farmer suicide is at crisis levels in the United States and India. This crisis is both a problem of experiential knowledge within infrastructure as well as a problem of discourse power. I argue that the logical abstraction required to conceptualize and evaluate farmer suicide cannot be separated from the overall experience of farmer suicide. Rather than existing as distinctly separate phenomena, these elements are co-constitutive. Despite the Centers' for Disease Control identification and designation of farmer suicide as complex, statistically relevant, and elevated, nearly all the policy efforts addressing farmer suicide focus on narrow economic impact and narrow economic relief. While these economic vectors are important, the problem is multifaceted and requires a broadening of policy discourse to include additional factors (e.g. philosophical, existential, psychological, etc.). Using Hannah Arendt's work on politics and the human condition, I connect the conditionality of homo faber (human fabricator/maker), animal laborans (laboring animal), and vita activa (active life) with farmer struggle and suicide. Through the work of Georges Canguilhem and Achille Mbembe, I critique and analyze the predominant discourse and framing of suicide as a disease. Last, but not least, I propose decolonial theory and degrowth theory as viable critical pathways to shift the scale of farming infrastructure towards a more equitable and just future.

This study explores the theme of spatiality as based on a reading of the novel Flammenwand. Roman mit Anmerkungen. by Marlene Streeruwitz, and takes as its focus points the notion of atopias/non-places, the disciplining nature of spaces, the necropolitics of division, and the idea of chronotope to discover how the story is situated. The study further considers how idyllic interpretations of the space of origin are treated as utopic in the novel. Relying as well on Jurij M. Lotman’s thoughts on the structure and limits of the text/work of art, the study aims to suggest how the theme of boundaries and transgressing them also is shown in the form of the novel.

This study searches for the origin and history of the concept of individual accountability and the reason for its absence in the African Traditional Religion framework. This search begins in the Axial Age (800-200 BCE), and discusses ancient Israel's Axial Age and its Axial Hebrew prophets' response models. The study tracks the introduction of Axial ideals to South Africa, via Christianity since 1826, and examines the Xhosa prophets' response models to their Axial context. The Social Christians attempts to impart Axial ideals during the period of segregation and the Tuskegeean response model are also examined. The similarities between ancient Israel and South Africa as revealed by Biblical archaeology, underlie this study's call for the utilisation of the power of religions such as Christianity, and of South Africa's religious elite, to rapidly alter current maladaptive beliefs within the African Traditional religious framework that impedes Africans' ability to adopt individual accountability. / Biblical and Ancient Studies / M. A. (Biblical Archaeolgy)

This study searches for the origin and history of the concept of individual accountability and the reason for its absence in the African Traditional Religion framework. This search begins in the Axial Age (800-200 BCE), and discusses ancient Israel's Axial Age and its Axial Hebrew prophets' response models. The study tracks the introduction of Axial ideals to South Africa, via Christianity since 1826, and examines the Xhosa prophets' response models to their Axial context. The Social Christians attempts to impart Axial ideals during the period of segregation and the Tuskegeean response model are also examined. The similarities between ancient Israel and South Africa as revealed by Biblical archaeology, underlie this study's call for the utilisation of the power of religions such as Christianity, and of South Africa's religious elite, to rapidly alter current maladaptive beliefs within the African Traditional religious framework that impedes Africans' ability to adopt individual accountability. / Biblical and Ancient Studies / M. A. (Biblical Archaeolgy)