Global ETD Search

1	Exploring symbolic exchanges in childbirth : cultural implications for midwifery education and practice Hillier, Dawn January 2000 (has links) No description available. 370 Africa; America; Malaysia; England
2	"Terrible honesty" The development of a personal voice in musical improvisation McMillan, Rosalind Unknown Date (has links) (PDF) Australia mostly with a focus on the performance of African-American music or jazz. In this majority of these the emphasis is on the performance of those styles which were conceived and developed up to the end of the 1950s and the beginning of the free jazz era. However, there is one course which, although it is rooted in African-American music, promulgates the notion that Australian students in the 1990s should endeavour to develop a personal musical “voice”. This is Improvisation Studies, a three year degree program at the Victorian College of the Arts in Melbourne, Australia. This study sought to clarify what was meant by a personal voice by monitoring the development of selected students. Given that the notion of a personal voice as an outcome is a novel one, the study adopted an investigatory discovery-based approach. This required intensive study of selected students on the grounds that the development of a personal voice manifests itself in different ways. A second major purpose of the study was to investigate factors which affected the development of the personal voice. Key factors included the ways in which the VCA course encouraged the development of this voice, as well as the characteristics that students brought to the course and which possibly reflected their musical educational background.
3	The Resurgence of Blaxploitation Ideologies in Contemporary Black Films Oseni, Akinkunmi Ibrahim 05 May 2023 (has links) No description available. African American Studies African Americans Black Studies Ethnic Studies Film Studies Blaxploitation Black Films Africa America Social Justice Black History Hollywood Critical Race Theory Race BlacKkKlansman Judas and the Black Messiah Black Panther Party
4	Exploring the construction of white male identity in selected novels by J.M. Coetzee Dent, Jacqueline Elizabeth May 30 November 2007 (has links) Coetzee's own experience of living in apartheid South Africa provides the backdrop for novels infused with sardonic irony and rich metaphoric systems. In modes of metafiction that emphasize the destructive and violent nature of language, he optimizes his unique oeuvre to interrogate global, national and domestic power relations. This dissertation relies on psychoanalytical theories that examine microstructures of power within the individual, and in his domestic domain. Each of Coetzee's chief protagonists carries a secret related to a dysfunctional mother/son relationship. This hampers their psychosocial dynamics, their masculinity and sexuality. As they respectively strive toward an elusive new life they confront patriarchal power structures that speak on behalf of individuals, '[whose] descent into powerlessness [is] voluntary' (Coetzee 2007: 4-5). Coetzee's constructed white males perform their several identity roles in milieux that span divergent phases of colonial history. His critique points to white patriarchal hegemonic ideological discourses that bespeak the self/other dichotomy in a postcolonial world where the language of dominance supports an oppressive status quo. / English Studies / M.A. (English) Violence, violation and abuse Victims and perpetrators Social taboos Myths History Culture and religion Psychoanalytical theories: Klein Freud Transference Coetzee oeuvre Narration Style Autre-biography 823.914 Whites in literature Gender in literature Narration in literature Violence in literature
5	Exploring the construction of white male identity in selected novels by J.M. Coetzee Dent, Jacqueline Elizabeth May 30 November 2007 (has links) Coetzee's own experience of living in apartheid South Africa provides the backdrop for novels infused with sardonic irony and rich metaphoric systems. In modes of metafiction that emphasize the destructive and violent nature of language, he optimizes his unique oeuvre to interrogate global, national and domestic power relations. This dissertation relies on psychoanalytical theories that examine microstructures of power within the individual, and in his domestic domain. Each of Coetzee's chief protagonists carries a secret related to a dysfunctional mother/son relationship. This hampers their psychosocial dynamics, their masculinity and sexuality. As they respectively strive toward an elusive new life they confront patriarchal power structures that speak on behalf of individuals, '[whose] descent into powerlessness [is] voluntary' (Coetzee 2007: 4-5). Coetzee's constructed white males perform their several identity roles in milieux that span divergent phases of colonial history. His critique points to white patriarchal hegemonic ideological discourses that bespeak the self/other dichotomy in a postcolonial world where the language of dominance supports an oppressive status quo. / English Studies / M.A. (English) Violence, violation and abuse Victims and perpetrators Social taboos Myths History Culture and religion Psychoanalytical theories: Klein Freud Transference Coetzee oeuvre Narration Style Autre-biography 823.914 Whites in literature Gender in literature Narration in literature Violence in literature

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