Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-03-20T22:25:46Z No. of bitstreams: 1 RafaeleSabrinaBarbosaPereira_DISSERT.pdf: 5752486 bytes, checksum: 0bf019e2a266290708f317664b44e04e (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-03-24T00:14:46Z (GMT) No. of bitstreams: 1 RafaeleSabrinaBarbosaPereira_DISSERT.pdf: 5752486 bytes, checksum: 0bf019e2a266290708f317664b44e04e (MD5) / Made available in DSpace on 2017-03-24T00:14:46Z (GMT). No. of bitstreams: 1 RafaeleSabrinaBarbosaPereira_DISSERT.pdf: 5752486 bytes, checksum: 0bf019e2a266290708f317664b44e04e (MD5) Previous issue date: 2015-09-01 / Cometas, planetas, luas e constela??es foram, ao longo de civiliza??es, representados por pintores, arquitetos e escultores por meio de imagens e mapas celestes e mapas zodiacais. Na cultura renascentista, essas imagens estiveram, por exemplo, nas ab?bodas do pal?cio de Schifanoia em Ferrara, tal como em diversas gravuras de Albrecht D?rer, como apontou Aby Warburg e, posteriormente, Erwin Panofsky. Nessa escrita, apontamos que as gravuras, a saber, O sifil?tico (1494), O astr?nomo (1500) e A mulher com zod?aco (1502), Melencolia I (1514), atribu?das a D?rer, poderiam fazer parte de temas, especialmente, da astrologia, recorrentes em outras gravuras de seu per?odo. Para isso, partiremos da rela??o entre imagem e texto presente nas imagens elencadas, de acordo com a perspectiva de W.J.T. Mitchell. Assim, visamos entender como as imagens podem, atrav?s de sua visualidade, ajudar a compor um per?odo em que o pensamento era concebido por determinadas correspond?ncias entre o homem e os astros, a partir da ideia do homem como um microcosmo. Assim sendo, para entender essa dada forma de se organizar atrav?s de um espa?o correspondente, ou atrav?s de uma vis?o de mundo, no qual os astros tinham lugar especifico, apontamos para a categoria espa?o m?tico tal qual apontada segundo a perspectiva do ge?grafo Yi-Fu Tuan. / Comets, planets, moons and constellations, were throughout civilizations, represented by painters, architects and sculptors through pictures, celestial maps and zodiacal maps. In Renaissance culture these images were, for instance, in the vaults of the Schifanoia Palace in Ferrara, as well as in several prints by Albrecht D?rer as pointed by Aby Warburg and later, Erwin Panofsky. In this writing, we point out that the pictures, namely, The Syphilitic (1494), Astronomer (1500) and The Woman with Zodiac (1502), Melencolia I (1514) attributed to D?rer could be part of subjects, especially, astrology, recurring in other prints in hisage. In order to develop this idea, we start from the relationship between picture and text present in the listed images, according to the perspective of WJT Mitchell. Thus, we aim to understand how pictures can through their visuality helped the composing of a time when the thought was conceived by certain correspondences between man and the stars, from the idea of mankind as a microcosm. Therefore, to understand this given way to organize life through a corresponding space or through a worldview in which the stars had a specific place, we point to the category mythical space as it is presented in the geographer Yi-Fu Tuan?s perspective.